A Goodrum
Biographic Data
| ID | 4675590 |
|---|---|
| NAME | A Goodrum |
| GIVEN NAMES | A |
| FAMILY NAME | Goodrum |
| SIGNATURE | GOODRUM A |
| AFFILIATIONS | Manchester Metropolitan University |
| ORCID | 0000-0001-8454-3456 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 45 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 2 |
Georgian Trick Riders in American Wild West shows, 1890s–1920s
At first glance a book dedicated to the topic of Georgian horseback performers in Wild West shows may appear to be, at best, esoteric and, at worst, obscure. Yet Makharadze’s text is worthy of clos
The dress issue: Introduction
Guest editor's introduction to Part One of a double issue of the journal 'Annals of Leisure Research' (Taylor and Francis)
The Dress Issue part two: Introduction
Guest editor's introductory essay to part two of a double issue on dress for 'Annals of Leisure Research
The Style Stakes: Fashion, Sportswear and Horse Racing in Inter-war America
The aim of this article is to add missing depth on the clothing of fashionable women at horse races, focusing on the United States during the inter-war period. In so doing, the discussion extends understandings of the history, and the material culture, of sporting spectatorship more generally. The article also introduces original work on the male spectator and his racegoing wardrobe. Climatic considerations to do with dressing appropriately for t…
A severity of plainness: The culture of female riding dress in America during the 1920s and 1930s
This article examines the relationship between riding dress and a particular group of women who wore it – wealthy, white, American, amateur sportswomen. It considers the cultural and historical context in which it was worn, that is, America (the USA) during the 1920s and 1930s. Drawing on archives at the National Sporting Library and Museum, Virginia, the discussion pieces together contemporary newspaper reports, sporting periodicals, personal sc…
Framing Rural Fashion: Observations from Badminton Horse Trials
This visual essay offers a perspective designed to extend and complicate the dialogue surrounding rural fashion through a consideration of just one of the spaces it (recognizably) inhabits. As a case study, the spectacle of Badminton Horse Trials provides a multitude of associations: an internationally renowned sporting event, geographically and culturally located within the English countryside; an affiliated and substantial ‘pop-up’ shopping vil…
True Brits? Authoring National Identity in Anglo-Japanese Fashion Exports
This article employs the cases of two luxury fashion retailers, Mulberry and Paul Smith, to examine the export of British goods and British identities to Japan. Anglo-Japanese trade cannot only be rationalized in economic terms. Rather, the article argues for a more nuanced understanding of the complex interrelationships between the economic, cultural, and symbolic within these transactions and the ways that contested representations of Britishne…
Globalization, Cultural Economy, and Not-So-Global Cities: The New Zealand Designer Fashion Industry
Research on so-called 'global cities' dominates the existing literature on globalization, fashion, and cities. In this we paper analyze the recent rise of a designer fashion industry in Auckland, New Zealand. The designer fashion industry has emerged as an unlikely success story as the New Zealand economy has globalized. Together with other creative industries, designer fashion is seen as an industry that can revamp New Zealand's international im…
Exhibition Review: Flaunt: Art/Fashion/Culture
Exhibition Review: The First New Zealand Fashion Week Exhibition
(2004). Exhibition Review: The First New Zealand Fashion Week Exhibition. Fashion Theory: Vol. 8, No. 1, pp. 99-104
Globalization, Cultural Economy, and Not-So-Global Cities: The New Zealand Designer Fashion Industry
Research on so-called 'global cities' dominates the existing literature on globalization, fashion, and cities. In this we paper analyze the recent rise of a designer fashion industry in Auckland, New Zealand. The designer fashion industry has emerged as an unlikely success story as the New Zealand economy has globalized. Together with other creative industries, designer fashion is seen as an industry that can revamp New Zealand's international im…
Framing Rural Fashion: Observations from Badminton Horse Trials
This visual essay offers a perspective designed to extend and complicate the dialogue surrounding rural fashion through a consideration of just one of the spaces it (recognizably) inhabits. As a case study, the spectacle of Badminton Horse Trials provides a multitude of associations: an internationally renowned sporting event, geographically and culturally located within the English countryside; an affiliated and substantial ‘pop-up’ shopping vil…
The Style Stakes: Fashion, Sportswear and Horse Racing in Inter-war America
The aim of this article is to add missing depth on the clothing of fashionable women at horse races, focusing on the United States during the inter-war period. In so doing, the discussion extends understandings of the history, and the material culture, of sporting spectatorship more generally. The article also introduces original work on the male spectator and his racegoing wardrobe. Climatic considerations to do with dressing appropriately for t…
A severity of plainness: The culture of female riding dress in America during the 1920s and 1930s
This article examines the relationship between riding dress and a particular group of women who wore it – wealthy, white, American, amateur sportswomen. It considers the cultural and historical context in which it was worn, that is, America (the USA) during the 1920s and 1930s. Drawing on archives at the National Sporting Library and Museum, Virginia, the discussion pieces together contemporary newspaper reports, sporting periodicals, personal sc…
Exhibition Review: Flaunt: Art/Fashion/Culture
Exhibition Review: The First New Zealand Fashion Week Exhibition
(2004). Exhibition Review: The First New Zealand Fashion Week Exhibition. Fashion Theory: Vol. 8, No. 1, pp. 99-104
Exhibition Review: The First New Zealand Fashion Week Exhibition
(2004). Exhibition Review: The First New Zealand Fashion Week Exhibition. Fashion Theory: Vol. 8, No. 1, pp. 99-104
Exhibition Review: Flaunt: Art/Fashion/Culture
Globalization, Cultural Economy, and Not-So-Global Cities: The New Zealand Designer Fashion Industry
Research on so-called 'global cities' dominates the existing literature on globalization, fashion, and cities. In this we paper analyze the recent rise of a designer fashion industry in Auckland, New Zealand. The designer fashion industry has emerged as an unlikely success story as the New Zealand economy has globalized. Together with other creative industries, designer fashion is seen as an industry that can revamp New Zealand's international im…
True Brits? Authoring National Identity in Anglo-Japanese Fashion Exports
This article employs the cases of two luxury fashion retailers, Mulberry and Paul Smith, to examine the export of British goods and British identities to Japan. Anglo-Japanese trade cannot only be rationalized in economic terms. Rather, the article argues for a more nuanced understanding of the complex interrelationships between the economic, cultural, and symbolic within these transactions and the ways that contested representations of Britishne…
Framing Rural Fashion: Observations from Badminton Horse Trials
This visual essay offers a perspective designed to extend and complicate the dialogue surrounding rural fashion through a consideration of just one of the spaces it (recognizably) inhabits. As a case study, the spectacle of Badminton Horse Trials provides a multitude of associations: an internationally renowned sporting event, geographically and culturally located within the English countryside; an affiliated and substantial ‘pop-up’ shopping vil…
A severity of plainness: The culture of female riding dress in America during the 1920s and 1930s
This article examines the relationship between riding dress and a particular group of women who wore it – wealthy, white, American, amateur sportswomen. It considers the cultural and historical context in which it was worn, that is, America (the USA) during the 1920s and 1930s. Drawing on archives at the National Sporting Library and Museum, Virginia, the discussion pieces together contemporary newspaper reports, sporting periodicals, personal sc…
The Style Stakes: Fashion, Sportswear and Horse Racing in Inter-war America
The aim of this article is to add missing depth on the clothing of fashionable women at horse races, focusing on the United States during the inter-war period. In so doing, the discussion extends understandings of the history, and the material culture, of sporting spectatorship more generally. The article also introduces original work on the male spectator and his racegoing wardrobe. Climatic considerations to do with dressing appropriately for t…
The dress issue: Introduction
Guest editor's introduction to Part One of a double issue of the journal 'Annals of Leisure Research' (Taylor and Francis)
The Dress Issue part two: Introduction
Guest editor's introductory essay to part two of a double issue on dress for 'Annals of Leisure Research
Georgian Trick Riders in American Wild West shows, 1890s–1920s
At first glance a book dedicated to the topic of Georgian horseback performers in Wild West shows may appear to be, at best, esoteric and, at worst, obscure. Yet Makharadze’s text is worthy of clos
Fashion and Cultural Textiles (9 works) · Art (6 works) · Cultural Industries and Urban Development (6 works) · Political science (6 works) · Sociology (6 works) · Advertising (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Business (3 works) · Crafts, Textile, and Design (3 works)