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Paul Faulstich

Biographic Data

ID4679711
NAMEPaul Faulstich
GIVEN NAMESPaul
FAMILY NAMEFaulstich
SIGNATUREFAULSTICH P
AFFILIATIONSPitzer College
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS180
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Rock-art and relationships

    Paul Faulstich, Paul S C Taçon et al.•ARTICLE•Hunter Gatherer Research•2003•References: 10

    This paper introduces to the Before Farming readership a selection of 14 rock-art-centric papers arranged \naround three key human relationships. These comprise the relationships people have with other people \n(colonialism), relationships people have with places (landscape), and relationships that people have with \nother animals and with plants (ecology). Rock-art1 is a theoretically-informed artefact capable of illuminating \naspects of past a…

  • Dreaming the country and burning the land

    Paul Faulstich•ARTICLE•Hunter Gatherer Research•2003•References: 9

    Human relationships with the world are deeply affected by the images used to understand and express our place in nature. Ecologically, art and symbolic modelling demonstrate an ordering of information about the world. They are bio-cultural artefacts necessary to ordering human socio-cultural life, and while our regard for art may be predicated on aesthetics, our need for art is biological. The biological imperative of symbolic modelling has not, …

  • Mapping the Mythological Landscape

    Paul Faulstich•ARTICLE•Ethics Place & Environment•1998•Cited by: 2•References: 10

    Warlpiri Aborigines utilize graphic and cognitive systems to represent their connections to landscape. The Dreaming is the primary mechanism through which Warlpiri organize and understand the significance of places. Each Dreaming myth has an accompanying graphic map, which references incidents and places associated with Ancestors. The maps recount sites along Dreaming tracks, and provide assessments of resources. Warlpiri create these coded image…

  • Mapping the mythological landscape

    Paul Faulstich•ARTICLE•Philosophy and Geography•1998•Cited by: 1•References: 6

    Warlpiri Aborigines utilize graphic and cognitive systems to represent their connections to landscape. The Dreaming is the primary mechanism through which Warlpiri organize and understand the significance of places. Each Dreaming myth has an accompanying graphic map, which references incidents and places associated with Ancestors. The maps recount sites along Dreaming tracks, and provide assessments of resources. Warlpiri create these coded image…

  • Time and Space

    Anne Solomon, J Steinbring et al.•ARTICLE•The South African Archaeological…•1996

  • State of the Peoples

    Open Access•Paul Faulstich•ARTICLE•American Ethnologist•1994

  • The Signs of All Times

    J D Lewis‐william, J D Lewis-Williams et al.•ARTICLE•Current Anthropology•1988•Cited by: 177•References: 19

  • The Signs of All Times

    J D Lewis‐william, J D Lewis-Williams et al.•ARTICLE•Current Anthropology•1988•Cited by: 177•References: 19

  • Mapping the Mythological Landscape

    Paul Faulstich•ARTICLE•Ethics Place & Environment•1998•Cited by: 2•References: 10

    Warlpiri Aborigines utilize graphic and cognitive systems to represent their connections to landscape. The Dreaming is the primary mechanism through which Warlpiri organize and understand the significance of places. Each Dreaming myth has an accompanying graphic map, which references incidents and places associated with Ancestors. The maps recount sites along Dreaming tracks, and provide assessments of resources. Warlpiri create these coded image…

  • Mapping the mythological landscape

    Paul Faulstich•ARTICLE•Philosophy and Geography•1998•Cited by: 1•References: 6

    Warlpiri Aborigines utilize graphic and cognitive systems to represent their connections to landscape. The Dreaming is the primary mechanism through which Warlpiri organize and understand the significance of places. Each Dreaming myth has an accompanying graphic map, which references incidents and places associated with Ancestors. The maps recount sites along Dreaming tracks, and provide assessments of resources. Warlpiri create these coded image…

  • The Signs of All Times

    J D Lewis‐william, J D Lewis-Williams et al.•ARTICLE•Current Anthropology•1988•Cited by: 177•References: 19

  • State of the Peoples

    Open Access•Paul Faulstich•ARTICLE•American Ethnologist•1994

  • Time and Space

    Anne Solomon, J Steinbring et al.•ARTICLE•The South African Archaeological…•1996

  • Mapping the Mythological Landscape

    Paul Faulstich•ARTICLE•Ethics Place & Environment•1998•Cited by: 2•References: 10

    Warlpiri Aborigines utilize graphic and cognitive systems to represent their connections to landscape. The Dreaming is the primary mechanism through which Warlpiri organize and understand the significance of places. Each Dreaming myth has an accompanying graphic map, which references incidents and places associated with Ancestors. The maps recount sites along Dreaming tracks, and provide assessments of resources. Warlpiri create these coded image…

  • Mapping the mythological landscape

    Paul Faulstich•ARTICLE•Philosophy and Geography•1998•Cited by: 1•References: 6

    Warlpiri Aborigines utilize graphic and cognitive systems to represent their connections to landscape. The Dreaming is the primary mechanism through which Warlpiri organize and understand the significance of places. Each Dreaming myth has an accompanying graphic map, which references incidents and places associated with Ancestors. The maps recount sites along Dreaming tracks, and provide assessments of resources. Warlpiri create these coded image…

  • Rock-art and relationships

    Paul Faulstich, Paul S C Taçon et al.•ARTICLE•Hunter Gatherer Research•2003•References: 10

    This paper introduces to the Before Farming readership a selection of 14 rock-art-centric papers arranged \naround three key human relationships. These comprise the relationships people have with other people \n(colonialism), relationships people have with places (landscape), and relationships that people have with \nother animals and with plants (ecology). Rock-art1 is a theoretically-informed artefact capable of illuminating \naspects of past a…

  • Dreaming the country and burning the land

    Paul Faulstich•ARTICLE•Hunter Gatherer Research•2003•References: 9

    Human relationships with the world are deeply affected by the images used to understand and express our place in nature. Ecologically, art and symbolic modelling demonstrate an ordering of information about the world. They are bio-cultural artefacts necessary to ordering human socio-cultural life, and while our regard for art may be predicated on aesthetics, our need for art is biological. The biological imperative of symbolic modelling has not, …

Archaeology and Rock Art Studies (5 works) · Geography (5 works) · Sociology (5 works) · Computer Science (4 works) · History (4 works) · History (4 works) · Archaeology (3 works) · Pleistocene-Era Hominins and Archaeology (3 works) · Rock art (3 works) · Aesthetics (2 works)

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