Ruth L Katz
Biographic Data
| ID | 4680058 |
|---|---|
| NAME | Ruth L Katz |
| GIVEN NAMES | Ruth L |
| FAMILY NAME | Katz |
| SIGNATURE | KATZ R L |
| AFFILIATIONS | Hebrew University of Jerusalem |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Revisiting the Origin of the Administrative versus Critical Research Debate
This scholarly essay by Elihu and Ruth Katz recounts the story of the “high moment” of the original debate between administrative and critical theory. The tensions between the Frankfurt and Vienna schools of immigrant scholars of the 1930s are captured in the conflict between Paul Lazarsfeld, who engaged with the then-new commercial model of media research, and Theodor Adorno, a critical scholar, who disdained it, over the Princeton Radio Researc…
Evaluating culture
The problem of how to adapt criteria of evaluation to stylistic change will always be with us. Our current era of multiculturalism, postmodernism and globalism, however, confounds the problem almost beyond recognition. Multiculturalism, an heir of cultural relativism, asks us to withhold our evaluation, insisting that all cultures and subcultures deserve to be analyzed only from within themselves, postmodernism has virtually embraced dissonances …
You Are What You Environmentally, Politically, Socially, and Economically Eat
The old term “you are what you eat” used to mean that if you ate too much cake, you would become the cake: with extra layers. Now “you are what you eat” has come to mean all the environmental, poli
A Language of Its Own
Rhythmic Patterns Reflecting Cognitive Constraints and Aesthetic Ideals
This paper focuses on basic rhythmic patterns in terms of their contribution to the characterization of various styles that reflect different aesthetic ideals, and thereby to link the fields of cognition and musicology. The aesthetic ideal is realized in various ways; the one examined here concerns the degree of definability (in comparative rather than precise quantitative terms) of the rhythmic organization, which may be manifested on various le…
Melograph
McLuhan
Writings by and about McLuhan trace his interest in the comparative study of media to his literary training at Cambridge in the 1930s which was occupied with the aesthetics of sight and sound and the predominance of representational forms over the content represented. This paper puzzles over the lack of reference — by McLuhan, his mentors, and his critics — to an earlier group of British thinkers (from Shaftesbury to Adam Smith) who deliberated o…
Mannerism and Cultural Change
Based on a systematic analysis of musical materials of three generations of Aleppo Jews in Israel, a theory of the initial stages of one type of culture change is proposed. The central proposition of the theory is that the apparent resistance to acceptance of majority group culture may be expressed in "manneristic" terms, i.e., in terms of the exaggeration and embellishment of those elements of traditional culture by means of which the majority i…
Revisiting the Origin of the Administrative versus Critical Research Debate
This scholarly essay by Elihu and Ruth Katz recounts the story of the “high moment” of the original debate between administrative and critical theory. The tensions between the Frankfurt and Vienna schools of immigrant scholars of the 1930s are captured in the conflict between Paul Lazarsfeld, who engaged with the then-new commercial model of media research, and Theodor Adorno, a critical scholar, who disdained it, over the Princeton Radio Researc…
Mannerism and Cultural Change
Based on a systematic analysis of musical materials of three generations of Aleppo Jews in Israel, a theory of the initial stages of one type of culture change is proposed. The central proposition of the theory is that the apparent resistance to acceptance of majority group culture may be expressed in "manneristic" terms, i.e., in terms of the exaggeration and embellishment of those elements of traditional culture by means of which the majority i…
Evaluating culture
The problem of how to adapt criteria of evaluation to stylistic change will always be with us. Our current era of multiculturalism, postmodernism and globalism, however, confounds the problem almost beyond recognition. Multiculturalism, an heir of cultural relativism, asks us to withhold our evaluation, insisting that all cultures and subcultures deserve to be analyzed only from within themselves, postmodernism has virtually embraced dissonances …
Mannerism and Cultural Change
Based on a systematic analysis of musical materials of three generations of Aleppo Jews in Israel, a theory of the initial stages of one type of culture change is proposed. The central proposition of the theory is that the apparent resistance to acceptance of majority group culture may be expressed in "manneristic" terms, i.e., in terms of the exaggeration and embellishment of those elements of traditional culture by means of which the majority i…
McLuhan
Writings by and about McLuhan trace his interest in the comparative study of media to his literary training at Cambridge in the 1930s which was occupied with the aesthetics of sight and sound and the predominance of representational forms over the content represented. This paper puzzles over the lack of reference — by McLuhan, his mentors, and his critics — to an earlier group of British thinkers (from Shaftesbury to Adam Smith) who deliberated o…
Melograph
Rhythmic Patterns Reflecting Cognitive Constraints and Aesthetic Ideals
This paper focuses on basic rhythmic patterns in terms of their contribution to the characterization of various styles that reflect different aesthetic ideals, and thereby to link the fields of cognition and musicology. The aesthetic ideal is realized in various ways; the one examined here concerns the degree of definability (in comparative rather than precise quantitative terms) of the rhythmic organization, which may be manifested on various le…
A Language of Its Own
You Are What You Environmentally, Politically, Socially, and Economically Eat
The old term “you are what you eat” used to mean that if you ate too much cake, you would become the cake: with extra layers. Now “you are what you eat” has come to mean all the environmental, poli
Evaluating culture
The problem of how to adapt criteria of evaluation to stylistic change will always be with us. Our current era of multiculturalism, postmodernism and globalism, however, confounds the problem almost beyond recognition. Multiculturalism, an heir of cultural relativism, asks us to withhold our evaluation, insisting that all cultures and subcultures deserve to be analyzed only from within themselves, postmodernism has virtually embraced dissonances …
Revisiting the Origin of the Administrative versus Critical Research Debate
This scholarly essay by Elihu and Ruth Katz recounts the story of the “high moment” of the original debate between administrative and critical theory. The tensions between the Frankfurt and Vienna schools of immigrant scholars of the 1930s are captured in the conflict between Paul Lazarsfeld, who engaged with the then-new commercial model of media research, and Theodor Adorno, a critical scholar, who disdained it, over the Princeton Radio Researc…
Philosophy (6 works) · Aesthetics (4 works) · Epistemology (4 works) · Law (4 works) · Law (4 works) · Philosophy (4 works) · Political science (4 works) · Sociology (4 works) · Art (3 works) · Computer Science (3 works)