Marion Biet
Biographic Data
| ID | 4680715 |
|---|---|
| NAME | Marion Biet |
| GIVEN NAMES | Marion |
| FAMILY NAME | Biet |
| SIGNATURE | BIET M |
| AFFILIATIONS | Ruhr University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Esquisses d’une théorie onto-esthétique des médias: La philosophie des images techniques de Vilém Flusser
Cet article présente les grandes lignes de la philosophie de l’image de Vilém Flusser et expose ainsi un aspect central de sa philosophie des médias. En retraçant l’évolution des images techniques, nous présenterons les concepts de Flusser qui se rattachent à la photographie, au film, à la vidéo et à l’infographie, et nous mettrons en évidence les questions de philosophie de la technique que soulèvent les études de Flusser sur la relation entre l…
Collaborations across Cinematic Objects: A Conversation between Pong and Sensory Ethnography Lab, Mediated by the Graduate Research Training Group “Documentary Practices: Excess and Privation”
This conversation brings practitioners together from two different milieus of media production to initiate a dialogue about documentary practices as collaborative work, understood through a reflexive lens that also attends to the power relations and social differentiations inherent within its fabrication. As such, our conversation explores how filmmaking emerges through contingent and negotiated relations between filmmakers and film subjects, dif…
No prominent works on this page.
Collaborations across Cinematic Objects: A Conversation between Pong and Sensory Ethnography Lab, Mediated by the Graduate Research Training Group “Documentary Practices: Excess and Privation”
This conversation brings practitioners together from two different milieus of media production to initiate a dialogue about documentary practices as collaborative work, understood through a reflexive lens that also attends to the power relations and social differentiations inherent within its fabrication. As such, our conversation explores how filmmaking emerges through contingent and negotiated relations between filmmakers and film subjects, dif…
Esquisses d’une théorie onto-esthétique des médias: La philosophie des images techniques de Vilém Flusser
Cet article présente les grandes lignes de la philosophie de l’image de Vilém Flusser et expose ainsi un aspect central de sa philosophie des médias. En retraçant l’évolution des images techniques, nous présenterons les concepts de Flusser qui se rattachent à la photographie, au film, à la vidéo et à l’infographie, et nous mettrons en évidence les questions de philosophie de la technique que soulèvent les études de Flusser sur la relation entre l…
Art (2 works) · Art history (2 works) · Anthropology (1 works) · Artistic and Creative Research (1 works) · Cinema and Media Studies (1 works) · Communication (1 works) · Communication (1 works) · Conversation (1 works) · Cultural Insights and Digital Impacts (1 works) · Epistemology (1 works)