Hilary Teynor Donatini
Biographic Data
| ID | 4681552 |
|---|---|
| NAME | Hilary Teynor Donatini |
| GIVEN NAMES | Hilary Teynor |
| FAMILY NAME | Donatini |
| SIGNATURE | DONATINI H T |
| AFFILIATIONS | Ashland University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Grains of Allowance
This article examines the representation of the justices of the peace in George Farquhar’s 1706 play The Recruiting Officer. I place this play in the context of Farquhar’s work of literary criticism, “A Discourse Upon Comedy” (1701), in which he claims “Liberty and Toleration” as guiding principles for his home-grown, anti-Aristotelian aesthetic. The political, legal, and theatrical history surrounding the 1688 English revolution and its aftermat…
The Replacements
Much Might Be Said on Both Sides”
Sir Roger de Coverley, representative of the landed gentry in The Spectator, is typically read as a lovable, old-fashioned eccentric and comic object. Closer attention to the series of essays set in and around Sir Roger’s Worcestershire estate — especially numbers 117, 122, and 130 — reveals that the baronet’s work as a justice of the peace stimulates Mr. Spectator’s moral development. Sir Roger’s intimate relationships with his inferiors and his…
No prominent works on this page.
Much Might Be Said on Both Sides”
Sir Roger de Coverley, representative of the landed gentry in The Spectator, is typically read as a lovable, old-fashioned eccentric and comic object. Closer attention to the series of essays set in and around Sir Roger’s Worcestershire estate — especially numbers 117, 122, and 130 — reveals that the baronet’s work as a justice of the peace stimulates Mr. Spectator’s moral development. Sir Roger’s intimate relationships with his inferiors and his…
Grains of Allowance
This article examines the representation of the justices of the peace in George Farquhar’s 1706 play The Recruiting Officer. I place this play in the context of Farquhar’s work of literary criticism, “A Discourse Upon Comedy” (1701), in which he claims “Liberty and Toleration” as guiding principles for his home-grown, anti-Aristotelian aesthetic. The political, legal, and theatrical history surrounding the 1688 English revolution and its aftermat…
The Replacements
Economic Justice (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 work) · American Constitutional Law and Politics (1 work) · Art (1 work) · Computer Science (1 work) · Epistemology (1 work)