Jessica A Westerhold
Biographic Data
| ID | 4682316 |
|---|---|
| NAME | Jessica A Westerhold |
| GIVEN NAMES | Jessica A |
| FAMILY NAME | Westerhold |
| SIGNATURE | WESTERHOLD J A |
| AFFILIATIONS | University of Tennessee at Knoxville |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Writing Ovid’s Myth of Exile in Epistula ex Ponto 3.1
This paper argues that Ovid’s Epistula ex Ponto 3.1 encourages readers to join the poet in constructing his myth of exile. The cognitive labor involved increases a reader’s investment in the myth they assemble, implicating them in its outcome and in Ovid’s fate—a victorious homecoming or a tragic end. Abstract: Cet article soutient que l’ Epistula ex Ponto 3.1 d’Ovide encourage les lecteurs à collaborer avec le poète à la construction de son myth…
Essays on Propertian and Ovidian Elegy
A Literary Commentary on the Elegies of the Appendix Tibulliana by Laurel Fulkerson. Oxford
172 PHOENIX Alejandro Amenábar’s film Ágora (2009), which showed Hypatia’s Alexandria through the lens of post-9/11 discourse on extremism—he also offers fresh and exciting insights. Especially intriguing is Watts’s discussion of a diptych of two writings from eighteenthcentury France—the “Dissertation sur Hypacie” by the male writer “M.G.” together with the response of “Mademoiselle B.,” who had commissioned it—which reflects the ideological ten…
Ovid's Epic Forest
As the first poem of the last book of Ovid's Amores , 3.1 parallels the programmatic recusatio of the first two books, which present the traditional opposition of elegy to epic. In Amores 3.1, the personified Elegy and Tragedy compete for Ovid's poetic attention, and scholars have accordingly scrutinized the generic tension between elegy and tragedy in this poem. My study, by contrast, focusses on the import of the metapoetic locus in which Ovid …
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Ovid's Epic Forest
As the first poem of the last book of Ovid's Amores , 3.1 parallels the programmatic recusatio of the first two books, which present the traditional opposition of elegy to epic. In Amores 3.1, the personified Elegy and Tragedy compete for Ovid's poetic attention, and scholars have accordingly scrutinized the generic tension between elegy and tragedy in this poem. My study, by contrast, focusses on the import of the metapoetic locus in which Ovid …
A Literary Commentary on the Elegies of the Appendix Tibulliana by Laurel Fulkerson. Oxford
172 PHOENIX Alejandro Amenábar’s film Ágora (2009), which showed Hypatia’s Alexandria through the lens of post-9/11 discourse on extremism—he also offers fresh and exciting insights. Especially intriguing is Watts’s discussion of a diptych of two writings from eighteenthcentury France—the “Dissertation sur Hypacie” by the male writer “M.G.” together with the response of “Mademoiselle B.,” who had commissioned it—which reflects the ideological ten…
Essays on Propertian and Ovidian Elegy
Writing Ovid’s Myth of Exile in Epistula ex Ponto 3.1
This paper argues that Ovid’s Epistula ex Ponto 3.1 encourages readers to join the poet in constructing his myth of exile. The cognitive labor involved increases a reader’s investment in the myth they assemble, implicating them in its outcome and in Ovid’s fate—a victorious homecoming or a tragic end. Abstract: Cet article soutient que l’ Epistula ex Ponto 3.1 d’Ovide encourage les lecteurs à collaborer avec le poète à la construction de son myth…
Art (3 works) · Classical Antiquity Studies (3 works) · History (3 works) · Literature (3 works) · Elegy (2 works) · Law (2 works) · Philosophy (2 works) · Poetry (2 works) · Theology (2 works) · Art history (1 work)