Athanassios Vergados
Biographic Data
| ID | 4682317 |
|---|---|
| NAME | Athanassios Vergados |
| GIVEN NAMES | Athanassios |
| FAMILY NAME | Vergados |
| SIGNATURE | VERGADOS A |
| AFFILIATIONS | Franklin & Marshall College |
| ORCID | 0000-0002-3875-644X |
| VERIFIED | No |
| TOTAL WORKS | 27 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 24 |
| WORKS AS EDITOR | 3 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Studies in Early Greek Theology
Dieser Band versammelt fünfundzwanzig Aufsätze von Jenny Strauss Clay, in denen sie untersucht, wie die archaischen Griechen das Göttliche und den Ort des Menschen in der postprometheischen Welt dachten. Zusammen mit Strauss Clays Monographien haben diese Aufsätze in den letzten Jahrzehnten unser Verständnis der frühgriechischen Theologie, wie sie vor allem in der archaischen Hexameterdichtung zum Ausdruck kommt, maßgeblich geprägt. Der erste Tei…
Hesiod
Hesiod was and is regarded as one of the founding figures of Greek literature and culture, alongside Homer, and his Theogony is the first extant attempt to give an account of the whole, of the gods and of the cosmos, how it came to be, from what, and how it achieved its present state. Strong parallels can be identified between it and various myths and texts from the ancient Near East. Moreover, it was highly influential on subsequent Greek and La…
Hesiodic Reception in Pseudo-Oppian’s Account of the Onagros ( Cynegetica 3.183–250)
This article explores a hitherto unnoticed allusion to Hesiod’s Theogony in the presentation of the onagros in pseudo-Oppian’s Cynegetica . After a discussion of the elements that substantiate the case for pseudo-Oppian’s conscious engagement with Hesiod, I contextualise the onagros episode by comparison with additional passages in the Cynegetica , Oppian’s Halieutica , as well as other famous literary texts. Abstract: Cet article explore une all…
Hesiod Theogony 823
This note proposes reading οὗ χερσὶν μένος ἦεν ἐπ ̓ ἰσχύι ἔργματ ̓ ἐχούσαις at Hesiod Theogony 823
Teaching through Images
Ἔτυμα and Ἀληθέα
This chapter examines one of the last days accounted for in Hesiod’s catalogue of days, the so-called triseinas ( Works and Days 814–18), the correct understanding of which has been debated already in antiquity. The lack of clarity concerning the meaning of the term triseinas and the poet’s comment on the frequent errors in the designation of the day are manifestations of a problem that runs throughout both poems: the distinction between truth (ἀ…
Begriffsspaltung III
The present chapter discusses another important abstract concept, viz. dike. This time we are not confronted with an abstraction that can have both a positive and a negative aspect, expressed through adjectival attributes. In the case of dike, there is no ontological split as in Eris, either. Instead, in presenting dike Hesiod uses the same means of expression as earlier (adjectival attribution) in order to portray the opposition between genuine …
Begriffsspaltung I
This chapter examines Eris (‘Strife’) and Zelos (‘emulation/jealousy’), two ‘split’ abstract concepts presented programmatically at the opening of the W orks and Days. It argues that what appears in the beginning as a clear-cut opposition between a good and a bad Ἔρις turns out to be not so well-defined after all. The two members of the antithesis begin to resemble each other, and indeed form a unity, just like Heraclitus’ bow in fr . 48, when al…
The Powers and Limits of Etymology
This chapter discusses several instances of Hesiodic etymology in the Theogony and the Works and Days and shows that naming and etymology fulfil a variety of purposes in Hesiod’s poetry: in the Theogony they support the poet’s didactic programme, contribute to the construction of the narrative, lend authority to Hesiod’s versions of the divine stories, function as an organizational principle, and reveal the poet’s reflection on the epic dialect. …
Kennings and Riddles
This chapter discusses a number of riddling expressions in the Works and Days , often referred to in scholarship as kennings. These represent another facet of Hesiod’s ambiguous language in the final part of the Works and Days . Here, the poet goes beyond the difficulties posed by the ‘split’ abstract concepts discussed earlier and actually suggests a tendency for opacity and obscurity. The kennings are riddles that introduce the idea that langua…
The Names of the Muses
The chapter explores Hesiod’s presentation and etymology of the Muses’ names in the proem of the Theogony . The catalogue of the Muses’ names at vv. 77–9 is prepared by the preceding narrative that repeats words and word-parts cognate with these names. This implicit etymological network has a bearing on questions of poetic authority, especially since it allows Hesiod to contrast his account of the Muses’ number and names from other traditional ve…
Etymologizing the Cyclopes
This chapter focuses on the first explicit etymology of the Theogony , that of the Cyclopes’ collective name. This etymology is treated in two steps: first, the chapter considers how this etymology fits in the context of the Theogony ; thereafter it is examined against the background of the competing traditions regarding the Cyclopes. The ensuing analysis demonstrates that Hesiod not only claims authority for his account but also positions his ve…
Hesiod and Early Mythography
This chapter explores the ways in which early mythography resonates with Hesiodic. In doing this, it goes beyond the question of whether certain narratives in Hesiod’s poetry (esp. the myth of the five human races) can be viewed as proto-historical accounts, a question posed by earlier scholarship. Rather, the focus lies on the discursive strategies shared by Hesiod and some of the fragmentary early mythographers. These strategies indicate a simi…
Hesiod's Verbal Craft
This study aims to define Hesiod’s place in early Greek intellectual history by exploring a network of issues related to language, knowledge, and authority in Hesiod’s Theogony and Works and Days . Part I demonstrates how much we can learn about the poet’s craft and his relation to the poetic tradition if we read his etymologies carefully. At the same time, Parts I and II together discuss aspects of the ‘correctness of language’: this correctness…
Hermes and the Figs
This chapter argues that the encomium to the fig preserved on P.Oxy. 17.2084 (third century CE) is a parody of an encomium, performed at a feast in honor of Hermes as a response to another participant’s praise of Hermes as the patron of rhetoric. This chapter argues that the encomium to the fig preserved on P.Oxy. 17.2084 (third century CE) is a parody of an encomium, performed at a feast in honor of Hermes as a response to another participant’s …
The Reception of the Homeric Hymns
"The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively littl…
The Reception of the Homeric Hymns in Aelius Aristides
This paper explores Aelius Aristides’ engagement with the Homeric Hymns. The possible allusions to the Homeric Hymns in Aristides’ prose Hymns are discussed in the first part, while the second part examines the references to h.Ap. in Aristides’ Or. 28 (περὶ τοῦ παραφθέγματος) and 34 (κατὰ τῶν ἐξορχουμένων), and his use of the term prooimion. It is concluded that (i) Aristides knew the Homeric Hymns, both the longer and some shorter ones; (ii) in …
Zusammenspiel von Gattung und Interpretation in Euripides’ Bakchen 266–327
Narrative Strategies and Hesiodic Reception in Callimachus’ Λουτρὰ Παλλάδος
"The "Homeric Hymn to Hermes
This volume offers a detailed philological commentary on the longest of the Homeric Hymns. The commentary is preceded by a lengthy introduction addressing the Hymn's ideas on poetry and music, its humorous aspects, the poem's relation to the rest of archaic hexameter literature, its reception in later literature, its structure, date and place of composition, and the question of its transmission. Together, the introduction and the commentary provi…
The Homeric Hymn to Hermes
This chapter looks at the unique presentation of epiphany in the Homeric Hymn to Hermes. Consideration is first given to the function and qualities of epiphanies elsewhere in the Homeric Hymns and other early epic. It is then shown that the Hymn to Hermes, while not containing a conventional scene of epiphany, treats epiphany according to the mode of the god's presentation in early Greek literature. Hermes' epiphany is enacted in performance and …
Il Discorso Di Eraclito. Un Modello Semantico E Cosmologico Nel Passaggio Dall'oralità Alla Scrittura – By Laura Gianvittorio
Ancient Poetic Etymology. The Pelopids
Comic Epic and Parodies of Epic
The Cattle of the Sun
"The "Homeric Hymn to Hermes
This volume offers a detailed philological commentary on the longest of the Homeric Hymns. The commentary is preceded by a lengthy introduction addressing the Hymn's ideas on poetry and music, its humorous aspects, the poem's relation to the rest of archaic hexameter literature, its reception in later literature, its structure, date and place of composition, and the question of its transmission. Together, the introduction and the commentary provi…
Hesiod's Verbal Craft
This study aims to define Hesiod’s place in early Greek intellectual history by exploring a network of issues related to language, knowledge, and authority in Hesiod’s Theogony and Works and Days . Part I demonstrates how much we can learn about the poet’s craft and his relation to the poetic tradition if we read his etymologies carefully. At the same time, Parts I and II together discuss aspects of the ‘correctness of language’: this correctness…
The Homeric Hymn to Hermes 51 and Antigonus of Carystus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Homeric Hymn to Hermes 51 and Antigonus of Carystus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ancient Poetic Etymology. The Pelopids
Comic Epic and Parodies of Epic
The Cattle of the Sun
Nicarchus AP 11.328 and Homeric Interpretation
In this paper I argue that Nicarchus AP 11.328 is not merely a parody of the tripartite division of the cosmos recounted at Iliad 15.189-93. This epigram also exploits ancient lexicographical research (i.e. the precise meaning of the adjective ερεις) as well as scholarly discussions on Homeric interpretation (i.e. the allegorical reading of Il. 15.189-93 as a reference to the four elements; the meaning of πντα at Il. 15.189; and the issue of Olym…
The Homeric Hymn to Hermes
This chapter looks at the unique presentation of epiphany in the Homeric Hymn to Hermes. Consideration is first given to the function and qualities of epiphanies elsewhere in the Homeric Hymns and other early epic. It is then shown that the Hymn to Hermes, while not containing a conventional scene of epiphany, treats epiphany according to the mode of the god's presentation in early Greek literature. Hermes' epiphany is enacted in performance and …
Il Discorso Di Eraclito. Un Modello Semantico E Cosmologico Nel Passaggio Dall'oralità Alla Scrittura – By Laura Gianvittorio
"The "Homeric Hymn to Hermes
This volume offers a detailed philological commentary on the longest of the Homeric Hymns. The commentary is preceded by a lengthy introduction addressing the Hymn's ideas on poetry and music, its humorous aspects, the poem's relation to the rest of archaic hexameter literature, its reception in later literature, its structure, date and place of composition, and the question of its transmission. Together, the introduction and the commentary provi…
Narrative Strategies and Hesiodic Reception in Callimachus’ Λουτρὰ Παλλάδος
The Reception of the Homeric Hymns in Aelius Aristides
This paper explores Aelius Aristides’ engagement with the Homeric Hymns. The possible allusions to the Homeric Hymns in Aristides’ prose Hymns are discussed in the first part, while the second part examines the references to h.Ap. in Aristides’ Or. 28 (περὶ τοῦ παραφθέγματος) and 34 (κατὰ τῶν ἐξορχουμένων), and his use of the term prooimion. It is concluded that (i) Aristides knew the Homeric Hymns, both the longer and some shorter ones; (ii) in …
Zusammenspiel von Gattung und Interpretation in Euripides’ Bakchen 266–327
The Reception of the Homeric Hymns
"The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively littl…
Hermes and the Figs
This chapter argues that the encomium to the fig preserved on P.Oxy. 17.2084 (third century CE) is a parody of an encomium, performed at a feast in honor of Hermes as a response to another participant’s praise of Hermes as the patron of rhetoric. This chapter argues that the encomium to the fig preserved on P.Oxy. 17.2084 (third century CE) is a parody of an encomium, performed at a feast in honor of Hermes as a response to another participant’s …
Ἔτυμα and Ἀληθέα
This chapter examines one of the last days accounted for in Hesiod’s catalogue of days, the so-called triseinas ( Works and Days 814–18), the correct understanding of which has been debated already in antiquity. The lack of clarity concerning the meaning of the term triseinas and the poet’s comment on the frequent errors in the designation of the day are manifestations of a problem that runs throughout both poems: the distinction between truth (ἀ…
Begriffsspaltung III
The present chapter discusses another important abstract concept, viz. dike. This time we are not confronted with an abstraction that can have both a positive and a negative aspect, expressed through adjectival attributes. In the case of dike, there is no ontological split as in Eris, either. Instead, in presenting dike Hesiod uses the same means of expression as earlier (adjectival attribution) in order to portray the opposition between genuine …
Begriffsspaltung I
This chapter examines Eris (‘Strife’) and Zelos (‘emulation/jealousy’), two ‘split’ abstract concepts presented programmatically at the opening of the W orks and Days. It argues that what appears in the beginning as a clear-cut opposition between a good and a bad Ἔρις turns out to be not so well-defined after all. The two members of the antithesis begin to resemble each other, and indeed form a unity, just like Heraclitus’ bow in fr . 48, when al…
The Powers and Limits of Etymology
This chapter discusses several instances of Hesiodic etymology in the Theogony and the Works and Days and shows that naming and etymology fulfil a variety of purposes in Hesiod’s poetry: in the Theogony they support the poet’s didactic programme, contribute to the construction of the narrative, lend authority to Hesiod’s versions of the divine stories, function as an organizational principle, and reveal the poet’s reflection on the epic dialect. …
Kennings and Riddles
This chapter discusses a number of riddling expressions in the Works and Days , often referred to in scholarship as kennings. These represent another facet of Hesiod’s ambiguous language in the final part of the Works and Days . Here, the poet goes beyond the difficulties posed by the ‘split’ abstract concepts discussed earlier and actually suggests a tendency for opacity and obscurity. The kennings are riddles that introduce the idea that langua…
The Names of the Muses
The chapter explores Hesiod’s presentation and etymology of the Muses’ names in the proem of the Theogony . The catalogue of the Muses’ names at vv. 77–9 is prepared by the preceding narrative that repeats words and word-parts cognate with these names. This implicit etymological network has a bearing on questions of poetic authority, especially since it allows Hesiod to contrast his account of the Muses’ number and names from other traditional ve…
Etymologizing the Cyclopes
This chapter focuses on the first explicit etymology of the Theogony , that of the Cyclopes’ collective name. This etymology is treated in two steps: first, the chapter considers how this etymology fits in the context of the Theogony ; thereafter it is examined against the background of the competing traditions regarding the Cyclopes. The ensuing analysis demonstrates that Hesiod not only claims authority for his account but also positions his ve…
Hesiod and Early Mythography
This chapter explores the ways in which early mythography resonates with Hesiodic. In doing this, it goes beyond the question of whether certain narratives in Hesiod’s poetry (esp. the myth of the five human races) can be viewed as proto-historical accounts, a question posed by earlier scholarship. Rather, the focus lies on the discursive strategies shared by Hesiod and some of the fragmentary early mythographers. These strategies indicate a simi…
Hesiod's Verbal Craft
This study aims to define Hesiod’s place in early Greek intellectual history by exploring a network of issues related to language, knowledge, and authority in Hesiod’s Theogony and Works and Days . Part I demonstrates how much we can learn about the poet’s craft and his relation to the poetic tradition if we read his etymologies carefully. At the same time, Parts I and II together discuss aspects of the ‘correctness of language’: this correctness…
Teaching through Images
Hesiod Theogony 823
This note proposes reading οὗ χερσὶν μένος ἦεν ἐπ ̓ ἰσχύι ἔργματ ̓ ἐχούσαις at Hesiod Theogony 823
Hesiod
Hesiod was and is regarded as one of the founding figures of Greek literature and culture, alongside Homer, and his Theogony is the first extant attempt to give an account of the whole, of the gods and of the cosmos, how it came to be, from what, and how it achieved its present state. Strong parallels can be identified between it and various myths and texts from the ancient Near East. Moreover, it was highly influential on subsequent Greek and La…
Art (21 works) · Classical Antiquity Studies (21 works) · Literature (19 works) · Philosophy (14 works) · Historical, Religious, and Philosophical Studies (13 works) · History (13 works) · Poetry (12 works) · Computer Science (8 works) · Epistemology (8 works) · Hesiod (8 works)