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Karyn Recollet

Biographic Data

ID4690388
NAMEKaryn Recollet
GIVEN NAMESKaryn
FAMILY NAMERecollet
SIGNATURERECOLLET K
AFFILIATIONSUniversity of Toronto
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS14
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The Black Shoals Dossier

    Open Access•Tiffany Lethabo King, Stephanie Latty et al.•ARTICLE•Lateral•2023

    This dossier collects four reflections on 'The Black Shoals: Offshore Formations of Black and Native Studies' (2019) with responses by its author Tiffany Lethabo King. This dossier is based on an American Studies Association 2021 roundtable organized by Beenash Jafri

  • Why Do You Need to Know That?’ Slipstream Movements and Mapping ‘Otherwise’ in Tkaronto

    Open Access•Karyn Recollet, Jon Johnson•ARTICLE•Journal of Public Pedagogies•2019•Cited by: 4•References: 2

    Grounded in our collective experiences as guides for First Story Toronto tours, which story 13,000+ years of ongoing Indigenous presence in Toronto, we engage a discussion of some of the challenges and incommensurabilities of guiding tours that feature Indigenous Knowledge and storytelling in an urban area. We draw upon Black geographical and Indigenous futurist research and writing in order to challenge the fetishistic and voyeuristic encounters…

  • Gesturing Indigenous Futurities Through the Remix

    Open Access•Karyn Recollet•ARTICLE•Dance Research Journal•2016•Cited by: 10•References: 3

    This article explores Vancouver-based multi-media collective Skookum Sound System's Ay I Oh Stomp's (2012) mobilization of “decolonial gesturings” as they create a future imaginary attentive to the past, critiquing the present, and venturing into the beyond. These gestures activate Indigenous futurities through traditional style Kwakwaka'wakw dance and choreographies of sea travel, popping as a “street dance” of holds and releases, and the mobili…

  • Gesturing Indigenous Futurities Through the Remix

    Open Access•Karyn Recollet•ARTICLE•Dance Research Journal•2016•Cited by: 10•References: 3

    This article explores Vancouver-based multi-media collective Skookum Sound System's Ay I Oh Stomp's (2012) mobilization of “decolonial gesturings” as they create a future imaginary attentive to the past, critiquing the present, and venturing into the beyond. These gestures activate Indigenous futurities through traditional style Kwakwaka'wakw dance and choreographies of sea travel, popping as a “street dance” of holds and releases, and the mobili…

  • Why Do You Need to Know That?’ Slipstream Movements and Mapping ‘Otherwise’ in Tkaronto

    Open Access•Karyn Recollet, Jon Johnson•ARTICLE•Journal of Public Pedagogies•2019•Cited by: 4•References: 2

    Grounded in our collective experiences as guides for First Story Toronto tours, which story 13,000+ years of ongoing Indigenous presence in Toronto, we engage a discussion of some of the challenges and incommensurabilities of guiding tours that feature Indigenous Knowledge and storytelling in an urban area. We draw upon Black geographical and Indigenous futurist research and writing in order to challenge the fetishistic and voyeuristic encounters…

  • Gesturing Indigenous Futurities Through the Remix

    Open Access•Karyn Recollet•ARTICLE•Dance Research Journal•2016•Cited by: 10•References: 3

    This article explores Vancouver-based multi-media collective Skookum Sound System's Ay I Oh Stomp's (2012) mobilization of “decolonial gesturings” as they create a future imaginary attentive to the past, critiquing the present, and venturing into the beyond. These gestures activate Indigenous futurities through traditional style Kwakwaka'wakw dance and choreographies of sea travel, popping as a “street dance” of holds and releases, and the mobili…

  • Why Do You Need to Know That?’ Slipstream Movements and Mapping ‘Otherwise’ in Tkaronto

    Open Access•Karyn Recollet, Jon Johnson•ARTICLE•Journal of Public Pedagogies•2019•Cited by: 4•References: 2

    Grounded in our collective experiences as guides for First Story Toronto tours, which story 13,000+ years of ongoing Indigenous presence in Toronto, we engage a discussion of some of the challenges and incommensurabilities of guiding tours that feature Indigenous Knowledge and storytelling in an urban area. We draw upon Black geographical and Indigenous futurist research and writing in order to challenge the fetishistic and voyeuristic encounters…

  • The Black Shoals Dossier

    Open Access•Tiffany Lethabo King, Stephanie Latty et al.•ARTICLE•Lateral•2023

    This dossier collects four reflections on 'The Black Shoals: Offshore Formations of Black and Native Studies' (2019) with responses by its author Tiffany Lethabo King. This dossier is based on an American Studies Association 2021 roundtable organized by Beenash Jafri

Art (2 works) · Geographies of human-animal interactions (2 works) · History (2 works) · History (2 works) · Indigenous (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Artificial Intelligence (1 works)

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