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Roy Strong

Biographic Data

ID472539
NAMERoy Strong
GIVEN NAMESRoy
FAMILY NAMEStrong
SIGNATURESTRONG R
AFFILIATIONSVictoria and Albert Museum
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2005
H-INDEX0
  • Forgotten faces

    Open Access•Roy Strong, Roy C Strong•ARTICLE•Historical Research•2005

    Journal Article Forgotten faces: regional history and regional portraiture Get access Roy Strong Roy Strong Herefordshire Search for other works by this author on: Oxford Academic Google Scholar Historical Research, Volume 78, Issue 199, February 2005, Pages 43–57, https://doi.org/10.1111/j.1468-2281.2005.00238.x Published: 01 February 2005

  • The Artist and the Garden

    Kate Felus, Roy Strong et al.•ARTICLE•Garden History•2001

  • Art and Power

    Bonner Mitchell, Roy Strong et al.•ARTICLE•Italica•1986

    Art and PowerRenaissance Festivals, 1450-1650. The spectacular festivals mounted by the princes of the Renaissance period were both a remarkable marriage of the arts and a complex and subtle expression of political theory. The skills of musicians, composers and poets, dramatists, actors, dancers, painters, architects and engineers were needed to realise such events. They drew on the medieval tradition of state entries and tournaments, and merged …

  • The English Miniature

    Carson I A Ritchie, John W Murdock et al.•ARTICLE•Leonardo•1984

  • Festivals for the Garter Embassy at the Court of Henri III

    Roy Strong•ARTICLE•Dance Research•1983

    attempted since the magnificences for the marriage of the Duc de Joyeuse, over three years before in 1581.3 Evidence is fragmentary but establishes that even when the monarchy was on the verge of collapse it was still possible for poets, artists and musicians to combine their talents to produce a series of brilliant spectacles. Hitherto our knowledge of these fetes has been drawn chiefly from L'Estoile's Journal and the account of the ceremonies …

  • The Triumph of Honour

    Open Access•Roy Strong•ARTICLE•Renaissance Quarterly•1979

    Gordon Kipling. The Triumph of Honour: Burgundian Origins of the Elizabethan Renaissance. (Publications of the Sir Thomas Browne Institute: General Series, 6.) Leiden: Leiden University Press, 1977. xiv+188pp. Dfl.40. - Volume 32 Issue 2

  • "Christ, What a Fright"; The Tudor Portrait as an Icon

    Lacey Baldwin Smith, Roy Strong et al.•ARTICLE•The Journal of Interdisciplinary…•1973

No prominent works on this page.

  • "Christ, What a Fright"; The Tudor Portrait as an Icon

    Lacey Baldwin Smith, Roy Strong et al.•ARTICLE•The Journal of Interdisciplinary…•1973

  • The Triumph of Honour

    Open Access•Roy Strong•ARTICLE•Renaissance Quarterly•1979

    Gordon Kipling. The Triumph of Honour: Burgundian Origins of the Elizabethan Renaissance. (Publications of the Sir Thomas Browne Institute: General Series, 6.) Leiden: Leiden University Press, 1977. xiv+188pp. Dfl.40. - Volume 32 Issue 2

  • Festivals for the Garter Embassy at the Court of Henri III

    Roy Strong•ARTICLE•Dance Research•1983

    attempted since the magnificences for the marriage of the Duc de Joyeuse, over three years before in 1581.3 Evidence is fragmentary but establishes that even when the monarchy was on the verge of collapse it was still possible for poets, artists and musicians to combine their talents to produce a series of brilliant spectacles. Hitherto our knowledge of these fetes has been drawn chiefly from L'Estoile's Journal and the account of the ceremonies …

  • The English Miniature

    Carson I A Ritchie, John W Murdock et al.•ARTICLE•Leonardo•1984

  • Art and Power

    Bonner Mitchell, Roy Strong et al.•ARTICLE•Italica•1986

    Art and PowerRenaissance Festivals, 1450-1650. The spectacular festivals mounted by the princes of the Renaissance period were both a remarkable marriage of the arts and a complex and subtle expression of political theory. The skills of musicians, composers and poets, dramatists, actors, dancers, painters, architects and engineers were needed to realise such events. They drew on the medieval tradition of state entries and tournaments, and merged …

  • The Artist and the Garden

    Kate Felus, Roy Strong et al.•ARTICLE•Garden History•2001

  • Forgotten faces

    Open Access•Roy Strong, Roy C Strong•ARTICLE•Historical Research•2005

    Journal Article Forgotten faces: regional history and regional portraiture Get access Roy Strong Roy Strong Herefordshire Search for other works by this author on: Oxford Academic Google Scholar Historical Research, Volume 78, Issue 199, February 2005, Pages 43–57, https://doi.org/10.1111/j.1468-2281.2005.00238.x Published: 01 February 2005

Art (6 works) · Art history (6 works) · History (3 works) · Archaeology (2 works) · Computer Science (2 works) · Historical Art and Culture Studies (2 works) · Historical Influence and Diplomacy (2 works) · Honour (2 works) · Scottish History and National Identity (2 works) · The Renaissance (2 works)

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