Jacqueline Shea Murphy
Biographic Data
| ID | 473557 |
|---|---|
| NAME | Jacqueline Shea Murphy |
| GIVEN NAMES | Jacqueline Shea |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY J S |
| AFFILIATIONS | University of California, Riverside |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Clearing the Path: Contemporary Dance, Indigenous Methodologies and Michelle Olson's Evening in Paris
This essay is part of a longer project that examines ways in which Indigenous choreographers are using contemporary dance practices to articulate Indigenous histories and ways of knowing. Here, I focus on Evening in Paris, a dance piece in which Tr'ondek Hwech'in (Han) First Nations choreographer Michelle Olson, from Canada's west coast, investigates the lives and careers of Penobscot cabaret dancer Molly Spotted Elk, of herself, and of her aunt …
Manaakitanga in Motion: Indigenous Choreographies of Possibility
This collaboratively-written essay explores manaakitanga -a Maori term referencing reciprocal hospitality and connectivity-both in a dance piece/practice called Mitimiti that Jack Gray is making for the concert dance stage, and in this essay itself, with its exchanges between Gray and dance scholar Jacqueline Shea Murphy. Both the dance, and the essay, suggest that stepping forward in connection, in relational and mutually beneficial exchange, is…
The People Have Never Stopped Dancing: Native American Modern Dance Histories
Journal Article The People Have Never Stopped Dancing: Native American Modern Dance Histories. By Jacqueline Shea Murphy. (Minneapolis: University of Minnesota Press, 2008. 320 pp. Cloth, $75.00, ISBN 978-0-8166-4775-0. Paper, $25.00, ISBN 978-0-8166-4776-7.) Get access Stephanie Fitzgerald Stephanie Fitzgerald University of KansasLawrence, Kansas Search for other works by this author on: Oxford Academic Google Scholar Journal of American History…
Bodies of the Text: Dance as Theory, Literature as Dance
"Words Like Bones": Narrative, Performance, and the Reinscribing of Violence in Leslie Marmon Silko's Storyteller
This article discusses the ways in which Leslie Marmon Silko's book Storyteller (1981), and the inscription of Native American oral storytelling techniques in it, challenge theories that assert that narrative is fueled by desire and/or ab-sence or loss. In particular, it examines how this inscription refigures the role of violence, and especially rape, in the series of "Yellow Woman" tales in Silko's book. Each of the article's four parts perform…
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"Words Like Bones": Narrative, Performance, and the Reinscribing of Violence in Leslie Marmon Silko's Storyteller
This article discusses the ways in which Leslie Marmon Silko's book Storyteller (1981), and the inscription of Native American oral storytelling techniques in it, challenge theories that assert that narrative is fueled by desire and/or ab-sence or loss. In particular, it examines how this inscription refigures the role of violence, and especially rape, in the series of "Yellow Woman" tales in Silko's book. Each of the article's four parts perform…
Bodies of the Text: Dance as Theory, Literature as Dance
The People Have Never Stopped Dancing: Native American Modern Dance Histories
Journal Article The People Have Never Stopped Dancing: Native American Modern Dance Histories. By Jacqueline Shea Murphy. (Minneapolis: University of Minnesota Press, 2008. 320 pp. Cloth, $75.00, ISBN 978-0-8166-4775-0. Paper, $25.00, ISBN 978-0-8166-4776-7.) Get access Stephanie Fitzgerald Stephanie Fitzgerald University of KansasLawrence, Kansas Search for other works by this author on: Oxford Academic Google Scholar Journal of American History…
Clearing the Path: Contemporary Dance, Indigenous Methodologies and Michelle Olson's Evening in Paris
This essay is part of a longer project that examines ways in which Indigenous choreographers are using contemporary dance practices to articulate Indigenous histories and ways of knowing. Here, I focus on Evening in Paris, a dance piece in which Tr'ondek Hwech'in (Han) First Nations choreographer Michelle Olson, from Canada's west coast, investigates the lives and careers of Penobscot cabaret dancer Molly Spotted Elk, of herself, and of her aunt …
Manaakitanga in Motion: Indigenous Choreographies of Possibility
This collaboratively-written essay explores manaakitanga -a Maori term referencing reciprocal hospitality and connectivity-both in a dance piece/practice called Mitimiti that Jack Gray is making for the concert dance stage, and in this essay itself, with its exchanges between Gray and dance scholar Jacqueline Shea Murphy. Both the dance, and the essay, suggest that stepping forward in connection, in relational and mutually beneficial exchange, is…
Art (5 works) · Dance (4 works) · Diversity and Impact of Dance (4 works) · Sociology (4 works) · Aesthetics (3 works) · History (3 works) · Literature (3 works) · Visual arts (3 works) · Art history (2 works) · Indigenous (2 works)