Katarzyna Cytlak
Biographic Data
| ID | 4797934 |
|---|---|
| NAME | Katarzyna Cytlak |
| GIVEN NAMES | Katarzyna |
| FAMILY NAME | Cytlak |
| SIGNATURE | CYTLAK K |
| AFFILIATIONS | Universidad Nacional de San Martín |
| ORCID | 0000-0003-0593-5799 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Dialogue between the Concept of the Object in the Theater of Tadeusz Kantor and the Theatrical Praxis of the Periférico de Objetos
Tadeusz Kantor was a Polish artist and theater director who directly influenced the conceptual understanding of theater, especially in Argentina following two visits to Buenos Aires with his troupe Cricot 2 in the 1980s. He exerted a particularly strong influence on the Periférico de Objetos [The Periphery of Objects], a troupe founded in Buenos Aires in 1989 by Daniel Veronese, Ana Alvarado and Emilio García Wehbi, labelled by critics as “the Ar…
Condensing Vestiges of Past Futures in the Post-Peripheries
This article analyses the archival and historiographic turn in contemporary art that arose in response to post-authoritarian, post-communist, and post-crisis contexts. It references German philosopher Reinhart Koselleck's concept of Vergangene Zukunft (the past future), his idea of the multiplicity of historical times; Cameroonian philosopher Achille Mbembe's notion of the time of entanglement; and Argentine-Mexican sociologist Néstor García Canc…
Del “conceptualismo ideológico” al “conceptualismo socialista
Al analizar el caso del artista chileno Guillermo Deisler, radicado después del golpe de Estado de Pinochet en 1973 en la Bulgaria socialista, este artículo problematiza la cuestión del compromiso político y social de artistas activos tanto en América Latina como en Europa del Este en este periodo. El trabajo propone abordar el tema del cambio no tanto del concepto de comunismo como de la experiencia del “socialismo real” durante la segunda mitad…
La rivoluzione siamo noi
By referring to the aesthetics theory developed by the Argentinian philosopher Rodolfo Kusch, this article aims to question the European models of cultural domination based on artistic canons, which still persist in the narratives of art history. The study of cultural relations between Latin American artists of the 1970s and the German artist Joseph Beuys exemplifies the inadaptability of Western artistic canons in the Latin American contexts. Th…
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La rivoluzione siamo noi
By referring to the aesthetics theory developed by the Argentinian philosopher Rodolfo Kusch, this article aims to question the European models of cultural domination based on artistic canons, which still persist in the narratives of art history. The study of cultural relations between Latin American artists of the 1970s and the German artist Joseph Beuys exemplifies the inadaptability of Western artistic canons in the Latin American contexts. Th…
Del “conceptualismo ideológico” al “conceptualismo socialista
Al analizar el caso del artista chileno Guillermo Deisler, radicado después del golpe de Estado de Pinochet en 1973 en la Bulgaria socialista, este artículo problematiza la cuestión del compromiso político y social de artistas activos tanto en América Latina como en Europa del Este en este periodo. El trabajo propone abordar el tema del cambio no tanto del concepto de comunismo como de la experiencia del “socialismo real” durante la segunda mitad…
Condensing Vestiges of Past Futures in the Post-Peripheries
This article analyses the archival and historiographic turn in contemporary art that arose in response to post-authoritarian, post-communist, and post-crisis contexts. It references German philosopher Reinhart Koselleck's concept of Vergangene Zukunft (the past future), his idea of the multiplicity of historical times; Cameroonian philosopher Achille Mbembe's notion of the time of entanglement; and Argentine-Mexican sociologist Néstor García Canc…
Dialogue between the Concept of the Object in the Theater of Tadeusz Kantor and the Theatrical Praxis of the Periférico de Objetos
Tadeusz Kantor was a Polish artist and theater director who directly influenced the conceptual understanding of theater, especially in Argentina following two visits to Buenos Aires with his troupe Cricot 2 in the 1980s. He exerted a particularly strong influence on the Periférico de Objetos [The Periphery of Objects], a troupe founded in Buenos Aires in 1989 by Daniel Veronese, Ana Alvarado and Emilio García Wehbi, labelled by critics as “the Ar…
Art (4 works) · Political science (4 works) · History (3 works) · Law (3 works) · Politics (3 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · Humanities (2 works) · Latin Americans (2 works) · Literature (2 works)