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Laurens Dhaenens

Biographic Data

ID4797954
NAMELaurens Dhaenens
GIVEN NAMESLaurens
FAMILY NAMEDhaenens
SIGNATUREDHAENENS L
AFFILIATIONSLUCA School of Arts
ORCID0000-0001-8922-8586
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Neither alive nor death

    Laurens Dhaenens•ARTICLE•Journal for Cultural Research•2026•References: 15

    status: Published online

  • Art in circulation

    Open Access•Laurens Dhaenens, Frederik Truyen•ARTICLE•Curator The Museum Journal•2024

    The use of digital museum objects has become an essential part of museums' communication and marketing strategies, research and teaching, and curatorial practices. This new visibility, amplified by the COVID‐19 crisis, has not only revealed the possibilities of digital museum objects but has also underscored significant challenges, including the intricate relationship between digital museum objects and physical objects, the impact of digital muse…

  • Sympathy or strategy

    Open Access•Laurens Dhaenens•ARTICLE•MODOS Revista de História da Arte•2023•Cited by: 1

    The paper explores two Belgian art exhibitions that took place in Buenos Aires in 1946 and 1948: the Exposición de arte belga moderno and the Exposición de arte belga contemporáneo. Although these exhibitions appear to be part of the same cultural initiative showcasing Belgian art in Argentina after World War II, a closer examination reveals that they were distinct endeavors with differing institutional frameworks and objectives. The study offers…

  • Artists’ Types from a Regional Perspective

    Open Access•Laurens Dhaenens•ARTICLE•MODOS Revista de História da Arte•2019•References: 1

    O presente artigo analisa as representações de artistas no Chile, na Argentina e na Colômbia em críticas de arte das décadas de 1870 e 1880. O objetivo não é oferecer uma visão geral exaustiva, mas focar-se em um fenômeno particular: a produção discursiva dos tipos de artistas. Essas representações verbais sobre os artistas foram modeladas em artistas existentes e representaram a possibilidade de criar uma cena artística nacional ou americana. O …

  • Sympathy or strategy

    Open Access•Laurens Dhaenens•ARTICLE•MODOS Revista de História da Arte•2023•Cited by: 1

    The paper explores two Belgian art exhibitions that took place in Buenos Aires in 1946 and 1948: the Exposición de arte belga moderno and the Exposición de arte belga contemporáneo. Although these exhibitions appear to be part of the same cultural initiative showcasing Belgian art in Argentina after World War II, a closer examination reveals that they were distinct endeavors with differing institutional frameworks and objectives. The study offers…

  • Artists’ Types from a Regional Perspective

    Open Access•Laurens Dhaenens•ARTICLE•MODOS Revista de História da Arte•2019•References: 1

    O presente artigo analisa as representações de artistas no Chile, na Argentina e na Colômbia em críticas de arte das décadas de 1870 e 1880. O objetivo não é oferecer uma visão geral exaustiva, mas focar-se em um fenômeno particular: a produção discursiva dos tipos de artistas. Essas representações verbais sobre os artistas foram modeladas em artistas existentes e representaram a possibilidade de criar uma cena artística nacional ou americana. O …

  • Sympathy or strategy

    Open Access•Laurens Dhaenens•ARTICLE•MODOS Revista de História da Arte•2023•Cited by: 1

    The paper explores two Belgian art exhibitions that took place in Buenos Aires in 1946 and 1948: the Exposición de arte belga moderno and the Exposición de arte belga contemporáneo. Although these exhibitions appear to be part of the same cultural initiative showcasing Belgian art in Argentina after World War II, a closer examination reveals that they were distinct endeavors with differing institutional frameworks and objectives. The study offers…

  • Art in circulation

    Open Access•Laurens Dhaenens, Frederik Truyen•ARTICLE•Curator The Museum Journal•2024

    The use of digital museum objects has become an essential part of museums' communication and marketing strategies, research and teaching, and curatorial practices. This new visibility, amplified by the COVID‐19 crisis, has not only revealed the possibilities of digital museum objects but has also underscored significant challenges, including the intricate relationship between digital museum objects and physical objects, the impact of digital muse…

  • Neither alive nor death

    Laurens Dhaenens•ARTICLE•Journal for Cultural Research•2026•References: 15

    status: Published online

Art (3 works) · Visual arts (3 works) · History (2 works) · Humanities (2 works) · Museums and Cultural Heritage (2 works) · Sociology (2 works) · Afro-Latin American Studies (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art, Politics, and Modernism (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae