Agata Jakubowska
Biographic Data
| ID | 4797993 |
|---|---|
| NAME | Agata Jakubowska |
| GIVEN NAMES | Agata |
| FAMILY NAME | Jakubowska |
| SIGNATURE | JAKUBOWSKA A |
| AFFILIATIONS | University of Warsaw |
| ORCID | 0000-0002-8345-5662 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Narrating Art and Feminism(s). Eastern Europe and Latin America
This volume presents seven articles prepared in the context of debates held during the Narrating Art and Feminism(s). Eastern Europe and Latin America seminar coordinated by Agata Jakubowska and Andrea Giunta, from the Universities of Warsaw and Buenos Aires, respectively. This program ran for two years and involved a group of researchers from Eastern Europe and Latin America. The seminar developed the framework of the projects supported by the G…
Feminist art and art history in state socialist Poland, as seen through all-women exhibitions
This essay discusses the relationship between feminism and the art world in state socialist Poland. Contrary to the narrations that are centred around the second-wave feminism developed in the West, this essay concentrates on the significance of the socialist project of the emancipation of women. Its meaning is demonstrated through the study of all-women exhibitions, more precisely of three shows that were organised at those moments when women’s …
Feminism in the Time of Transformation. Piotr Piotrowski, Zofia Kulik and the Development of Feminist Art History in Poland
This article is an analysis of one area of Piotr Piotrowski’s (1952–2015) activity in the 1990s – his writings on the art of Zofia Kulik and, more specifically, on its feminist dimension. I argue that although Piotrowski was never interested in women’s art in particular, not only did he practise feminist criticism during this period, but he was also a catalyst for the development of a specific form of feminist reflection that was then new in Poli…
Politics of all-women exhibitions today
Recent years have brought enormous growth in the number of women-only art exhibitions. These exhibitions are accompanied by discussions that concentrate on curatorial feminist activism. In this text, I propose a different perspective by taking into consideration all exhibitions where the participants were determined by social category (i.e. women) and which were organized in one country during one year (i.e. in Poland in 2017). This perspective n…
Feminist art and art history in state socialist Poland, as seen through all-women exhibitions
This essay discusses the relationship between feminism and the art world in state socialist Poland. Contrary to the narrations that are centred around the second-wave feminism developed in the West, this essay concentrates on the significance of the socialist project of the emancipation of women. Its meaning is demonstrated through the study of all-women exhibitions, more precisely of three shows that were organised at those moments when women’s …
Politics of all-women exhibitions today
Recent years have brought enormous growth in the number of women-only art exhibitions. These exhibitions are accompanied by discussions that concentrate on curatorial feminist activism. In this text, I propose a different perspective by taking into consideration all exhibitions where the participants were determined by social category (i.e. women) and which were organized in one country during one year (i.e. in Poland in 2017). This perspective n…
Feminism in the Time of Transformation. Piotr Piotrowski, Zofia Kulik and the Development of Feminist Art History in Poland
This article is an analysis of one area of Piotr Piotrowski’s (1952–2015) activity in the 1990s – his writings on the art of Zofia Kulik and, more specifically, on its feminist dimension. I argue that although Piotrowski was never interested in women’s art in particular, not only did he practise feminist criticism during this period, but he was also a catalyst for the development of a specific form of feminist reflection that was then new in Poli…
Feminist art and art history in state socialist Poland, as seen through all-women exhibitions
This essay discusses the relationship between feminism and the art world in state socialist Poland. Contrary to the narrations that are centred around the second-wave feminism developed in the West, this essay concentrates on the significance of the socialist project of the emancipation of women. Its meaning is demonstrated through the study of all-women exhibitions, more precisely of three shows that were organised at those moments when women’s …
Narrating Art and Feminism(s). Eastern Europe and Latin America
This volume presents seven articles prepared in the context of debates held during the Narrating Art and Feminism(s). Eastern Europe and Latin America seminar coordinated by Agata Jakubowska and Andrea Giunta, from the Universities of Warsaw and Buenos Aires, respectively. This program ran for two years and involved a group of researchers from Eastern Europe and Latin America. The seminar developed the framework of the projects supported by the G…
Art (4 works) · Gender Studies (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Feminism (3 works) · French Historical and Cultural Studies (3 works) · Historical Gender and Feminism Studies (3 works) · Politics (3 works) · European history and politics (2 works)