Mark Anson‐cartwright
Biographic Data
| ID | 4799036 |
|---|---|
| NAME | Mark Anson‐cartwright |
| GIVEN NAMES | Mark |
| FAMILY NAME | Anson‐cartwright |
| SIGNATURE | CARTWRIGHT M A |
| AFFILIATIONS | City University of New York |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Metric Manipulations in Haydn and Mozart
Journal Article Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791. By Danuta Mirka. Get access Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791. By Danuta Mirka. pp. xiii + 332. Oxford Studies in Music Theory. ( Oxford University Press, New York and Oxford, 2009, £32.50. ISBN 978-0-19-538492-5.) Mark Anson-Cartwright Mark Anson-Cartwright Queens College and The Graduate Center, CUNY Searc…
E lision and the E mbellished F inal C adence in J. S. B ach's P reludes
In a number of Bach's keyboard preludes, the final cadence is richly decorated by interpolated harmonies and melodic figuration, so that it superficially resembles an interrupted cadence. The present study explores Bach's techniques of embellishing such final cadences. Sometimes, the tonic note is elided and the leading note ‘resolves’ to the lowered seventh degree of the scale, as in the Prelude in C major from the Well‐Tempered Clavier , Book I…
Chord as Motive
E lision and the E mbellished F inal C adence in J. S. B ach's P reludes
In a number of Bach's keyboard preludes, the final cadence is richly decorated by interpolated harmonies and melodic figuration, so that it superficially resembles an interrupted cadence. The present study explores Bach's techniques of embellishing such final cadences. Sometimes, the tonic note is elided and the leading note ‘resolves’ to the lowered seventh degree of the scale, as in the Prelude in C major from the Well‐Tempered Clavier , Book I…
Chord as Motive
E lision and the E mbellished F inal C adence in J. S. B ach's P reludes
In a number of Bach's keyboard preludes, the final cadence is richly decorated by interpolated harmonies and melodic figuration, so that it superficially resembles an interrupted cadence. The present study explores Bach's techniques of embellishing such final cadences. Sometimes, the tonic note is elided and the leading note ‘resolves’ to the lowered seventh degree of the scale, as in the Prelude in C major from the Well‐Tempered Clavier , Book I…
Metric Manipulations in Haydn and Mozart
Journal Article Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791. By Danuta Mirka. Get access Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791. By Danuta Mirka. pp. xiii + 332. Oxford Studies in Music Theory. ( Oxford University Press, New York and Oxford, 2009, £32.50. ISBN 978-0-19-538492-5.) Mark Anson-Cartwright Mark Anson-Cartwright Queens College and The Graduate Center, CUNY Searc…
Musicology and Musical Analysis (3 works) · Art (2 works) · Advertising (1 works) · Art history (1 works) · Business (1 works) · Cadence (1 works) · Chamber music (1 works) · Combinatorics (1 works) · Computer Science (1 works) · Diverse Music Education Insights (1 works)