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Vibeke Rützou Petersen

Biographic Data

ID4799856
NAMEVibeke Rützou Petersen
GIVEN NAMESVibeke Rützou
FAMILY NAMEPetersen
SIGNATUREPETERSEN V R
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2001
H-INDEX0
  • Statens Museum for Kunst

    Vibeke Petersen, Vibeke Rützou Petersen•ARTICLE•Tidsskriftet Antropologi•2001

    Statens Museum for Kunst is now one of the few art museums in Europe where collections of art from the 14th century to the present day are kept together. However, the need for an expansion of the exhibition area became increasingly urgent, and a wing was added to the museum in 1996. The article's title indicates, therefore, the framework for the wide field of art covered by the museum. It is relevant to take a closer look at the historical basis …

  • The Best of Both Worlds? Jewish Representations of Assimilation, Self, and Other in Weimar Popular Fiction

    Vibeke Rützou Petersen•ARTICLE•The German Quarterly•1995

    In view of horrors of Third Reich and Holocaust, it is safe to assume that systematic, negative inscription of difference between self and other in early part of twentieth century was nowhere in West as strongly manifested as in German culture. The years 1918-1933, in particular, that period which leads up to dictatorship of NSDAP, constitute historical and cultural period whose cultural stereotypingwould turn an entire people into an Other to be…

  • Gender and German Cinema. Feminist Interventions

    Nora M Alter, Sandra Frieden et al.•ARTICLE•German Studies Review•1995

    Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema…

  • Revolution or Colonization

    Vibeke Rützou Petersen•ARTICLE•The German Quarterly•1992

    Revolution or Colonization: Anna Seghers's Drei Frauen aus Haiti, The German Quarterly, Vol. 65, No. 3/4, 1492-1992: Five Centuries of German-American Interrelations (Summer - Autumn, 1992), pp. 396-406

  • Women in German Yearbook 3

    Vibeke Rützou Petersen, Marianne Burkhard et al.•ARTICLE•Tulsa Studies in Women s Literature•1987

  • The Defiant Muse

    Vibeke Rützou Petersen, Susan L Cocalis•ARTICLE•Tulsa Studies in Women s Literature•1987

  • Museet og kunstens iscenesættelse

    Open Access•Vibeke Petersen, Vibeke Rützou Petersen•ARTICLE•Nordisk Museologi•1970

    The Museum and the staging of Art The staging of art has always been susceptible to changes - according to the needs and purposes of art at different times and in different places

No prominent works on this page.

  • Museet og kunstens iscenesættelse

    Open Access•Vibeke Petersen, Vibeke Rützou Petersen•ARTICLE•Nordisk Museologi•1970

    The Museum and the staging of Art The staging of art has always been susceptible to changes - according to the needs and purposes of art at different times and in different places

  • Women in German Yearbook 3

    Vibeke Rützou Petersen, Marianne Burkhard et al.•ARTICLE•Tulsa Studies in Women s Literature•1987

  • The Defiant Muse

    Vibeke Rützou Petersen, Susan L Cocalis•ARTICLE•Tulsa Studies in Women s Literature•1987

  • Revolution or Colonization

    Vibeke Rützou Petersen•ARTICLE•The German Quarterly•1992

    Revolution or Colonization: Anna Seghers's Drei Frauen aus Haiti, The German Quarterly, Vol. 65, No. 3/4, 1492-1992: Five Centuries of German-American Interrelations (Summer - Autumn, 1992), pp. 396-406

  • The Best of Both Worlds? Jewish Representations of Assimilation, Self, and Other in Weimar Popular Fiction

    Vibeke Rützou Petersen•ARTICLE•The German Quarterly•1995

    In view of horrors of Third Reich and Holocaust, it is safe to assume that systematic, negative inscription of difference between self and other in early part of twentieth century was nowhere in West as strongly manifested as in German culture. The years 1918-1933, in particular, that period which leads up to dictatorship of NSDAP, constitute historical and cultural period whose cultural stereotypingwould turn an entire people into an Other to be…

  • Gender and German Cinema. Feminist Interventions

    Nora M Alter, Sandra Frieden et al.•ARTICLE•German Studies Review•1995

    Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema…

  • Statens Museum for Kunst

    Vibeke Petersen, Vibeke Rützou Petersen•ARTICLE•Tidsskriftet Antropologi•2001

    Statens Museum for Kunst is now one of the few art museums in Europe where collections of art from the 14th century to the present day are kept together. However, the need for an expansion of the exhibition area became increasingly urgent, and a wing was added to the museum in 1996. The article's title indicates, therefore, the framework for the wide field of art covered by the museum. It is relevant to take a closer look at the historical basis …

Art (7 works) · History (6 works) · Archaeology (5 works) · German (4 works) · History (4 works) · Art history (3 works) · European history and politics (3 works) · Literature (3 works) · Visual arts (3 works) · German History and Society (2 works)

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