Jackson B Smith
Biographic Data
| ID | 4809431 |
|---|---|
| NAME | Jackson B Smith |
| GIVEN NAMES | Jackson B |
| FAMILY NAME | Smith |
| SIGNATURE | SMITH J B |
| AFFILIATIONS | Princeton University |
| ORCID | 0000-0001-8656-7806 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Outside and inside the time machines
This study considers the political significance of Alain Resnais’s Je t’aime, je t’aime through a comparison of the structural determinations imposed on subjectivity by the time machine and the analogous determinations imposed by the mechanism of cinema and the structures of capitalism, demonstrated by the film’s medium and content. To participate in the time travel experiments, Resnais’s character must be both conscious and passive. Like in film…
Into the Zone
Through analysis of works by Chris Marker and Frédéric Boyer, this study considers the inextricability of place and time in the constitution of environment. Both authors offer attempts to see environment in its spatiotemporal fullness through what I call a poetics of space-time. In Marker’s film Sans soleil (1983), various geographic and virtual spaces are juxtaposed through their differing temporal dimensions; they form a matrix that is regulate…
No prominent works on this page.
Outside and inside the time machines
This study considers the political significance of Alain Resnais’s Je t’aime, je t’aime through a comparison of the structural determinations imposed on subjectivity by the time machine and the analogous determinations imposed by the mechanism of cinema and the structures of capitalism, demonstrated by the film’s medium and content. To participate in the time travel experiments, Resnais’s character must be both conscious and passive. Like in film…
Into the Zone
Through analysis of works by Chris Marker and Frédéric Boyer, this study considers the inextricability of place and time in the constitution of environment. Both authors offer attempts to see environment in its spatiotemporal fullness through what I call a poetics of space-time. In Marker’s film Sans soleil (1983), various geographic and virtual spaces are juxtaposed through their differing temporal dimensions; they form a matrix that is regulate…
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works) · Art history (1 work) · Capitalism (1 work) · Computer Science (1 work)