Jason Hartford
Biographic Data
| ID | 4809489 |
|---|---|
| NAME | Jason Hartford |
| GIVEN NAMES | Jason |
| FAMILY NAME | Hartford |
| SIGNATURE | HARTFORD J |
| AFFILIATIONS | University of Sheffield |
| ORCID | 0000-0001-5655-8693 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Colouring the claim
The visual language of 120 Battements par minute imposes a disciplined approach to colour: specifically, the Tricolore. Blue, white, and red appear in a colour ‘chord’ that indexes the French flag. This chromatic iconography enables the film to assimilate minoritarian discourses into a French Republican narrative, staking a claim on the French nation on behalf of Act Up-Paris. By placing the national colours strategically within the mise-en-scène…
Flaubert, Ethics and Queer Religious Art
‘La Légende de saint Julien l'Hospitalier’, from Flaubert's Trois Contes , engages harmoniously with Christianity while remaining independent of it. It reconciles the amoral demands of the writer's ‘language-project’ with his equally strong ethical commitments. Flaubert found a symbolic and metaphorical foil for reconciling this unlikely pairing of ideals by queering the figure of St Julien, in the senses both of associating him with minority sex…
Flaubert savait-il écrire? Une querelle grammaticale
Journal Article Flaubert savait-il écrire? Une querelle grammaticale: 1919–1921 Get access Jason Hartford Jason Hartford The Queen's College, Oxford Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 59, Issue 2, April 2005, Pages 270–271, https://doi.org/10.1093/fs/kni115 Published: 01 April 2005
Flaubert, Ethics and Queer Religious Art
‘La Légende de saint Julien l'Hospitalier’, from Flaubert's Trois Contes , engages harmoniously with Christianity while remaining independent of it. It reconciles the amoral demands of the writer's ‘language-project’ with his equally strong ethical commitments. Flaubert found a symbolic and metaphorical foil for reconciling this unlikely pairing of ideals by queering the figure of St Julien, in the senses both of associating him with minority sex…
Colouring the claim
The visual language of 120 Battements par minute imposes a disciplined approach to colour: specifically, the Tricolore. Blue, white, and red appear in a colour ‘chord’ that indexes the French flag. This chromatic iconography enables the film to assimilate minoritarian discourses into a French Republican narrative, staking a claim on the French nation on behalf of Act Up-Paris. By placing the national colours strategically within the mise-en-scène…
Flaubert savait-il écrire? Une querelle grammaticale
Journal Article Flaubert savait-il écrire? Une querelle grammaticale: 1919–1921 Get access Jason Hartford Jason Hartford The Queen's College, Oxford Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 59, Issue 2, April 2005, Pages 270–271, https://doi.org/10.1093/fs/kni115 Published: 01 April 2005
Flaubert, Ethics and Queer Religious Art
‘La Légende de saint Julien l'Hospitalier’, from Flaubert's Trois Contes , engages harmoniously with Christianity while remaining independent of it. It reconciles the amoral demands of the writer's ‘language-project’ with his equally strong ethical commitments. Flaubert found a symbolic and metaphorical foil for reconciling this unlikely pairing of ideals by queering the figure of St Julien, in the senses both of associating him with minority sex…
Colouring the claim
The visual language of 120 Battements par minute imposes a disciplined approach to colour: specifically, the Tricolore. Blue, white, and red appear in a colour ‘chord’ that indexes the French flag. This chromatic iconography enables the film to assimilate minoritarian discourses into a French Republican narrative, staking a claim on the French nation on behalf of Act Up-Paris. By placing the national colours strategically within the mise-en-scène…
Art (3 works) · Art history (2 works) · French Literature and Criticism (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · History (2 works) · History (2 works) · Humanities (2 works) · Queer (2 works)