Marianna D’ovidio
Biographic Data
| ID | 4810448 |
|---|---|
| NAME | Marianna D’ovidio |
| GIVEN NAMES | Marianna |
| FAMILY NAME | D’ovidio |
| SIGNATURE | D’OVIDIO M |
| AFFILIATIONS | University of Milano-Bicocca |
| ORCID | 0000-0002-9856-8416 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
The cultural and creative sector as production networks
Luxury economy and uneven regional development in two case studies
Luxury is a major international sector and a significant area of interest for both scholars and policymakers, primarily because of its economic relevance and transversal nature. It generates positive direct effects, particularly in terms of employment and income, while a range of indirect effects are also associated with the sector. At the same time, luxury is frequently criticised for its environmental impact, for the production of low-quality a…
Widening the web. Applying a production network approach to the cultural and creative sectors
This paper argues that to understand the Cultural and Creative Sectors (CCS) we need a wholesale re-conceptualisation of its economic organisation to render visible its production system. We counter the model of the sole artist engaged in craft production, or the corporate industrialised mass production of commercial products, with a more nuanced model of cultural production (eco-)systems which does not depart from location, but instead from orga…
The Art of Taking Space
The article explores the contemporary art ecosystem in Milan, Italy, with a focus on the interdependencies between independent art spaces and cultural institutions. It aims to understand the role of independent organizations within this ecosystem and to contribute to broader debates on urban cultural governance. We argue that the contemporary art ecosystem is structured by power dynamics, and that the very notion of independence is normative and …
Ethics at work
The paper examines five economic activities in the historical centre of Taranto, Italy and discusses how they impact upon the urban pattern. It is argued that meanings people ascribe to their work go beyond economic rationality, carrying identity, pleasure and ethical values. In fact, in the observed context, work becomes a tool for bottom-up urban regeneration, thus building urban identity and contributing to an imagining of the future city. Bas…
Milano, hub creativo per il sistema moda
The paper explores the extents to which the concept of hub is suitable to represent Milan's role in the spatial, social and economic organization of the fashion industry. The system is spatially structured along two complementary forces: a strong embeddedness in the local society and an equally important internationalisation process. Through these analyses, the authors draw some reflections on the importance of the notion of hub for the urban pol…
Creative City
The creative city is the iconic city of the post‐Fordist era and is often used to highlight the transition to an era where the urban economy is based on immaterial cultural production. The term has three different meanings. First, the creative city can be understood as a theoretical model that focuses on the shift from an economy based on manufacturing to an urban economy based on immaterial production. The second meaning conceives of the creativ…
Introduction to SI
Culture is reclaiming the creative city
The field of fashion production in Milan
Social innovation and institutionalisation in the cognitive–cultural economy
Mobilitŕ, classe creativa, popolazioni urbane
Il presente contributo propone una riflessione teorico-metodologica sulla mobilitŕ di gruppi sociali emergenti a partire dalla lettura di alcuni dati concernenti l'aumento generalizzato degli spostamenti nel nostro paese. La mobilitŕ come esito e fonte di pratiche specifiche di vita riguarda, infatti, un numero crescente di persone e rappresenta un aspetto rilevante nella vita quotidiana di ciascuno. Ciň rende sempre piů necessario delineare, anc…
La classe créative selon Richard Florida
Depuis la parution de son livre-culte The Rise of the Creative Class (2002), Richard Florida a prononcé de nombreuses conférences sur les effets de la classe créative et du secteur culturel sur la compétitivité des villes aux États-Unis, au Canada et ailleurs dans le monde. Dans ses travaux, il aborde aussi la question de l'attraction et de la rétention des « talents » aux États-Unis, « talents » qui auraient joué un rôle clé dans le développemen…
Ethics at work
The paper examines five economic activities in the historical centre of Taranto, Italy and discusses how they impact upon the urban pattern. It is argued that meanings people ascribe to their work go beyond economic rationality, carrying identity, pleasure and ethical values. In fact, in the observed context, work becomes a tool for bottom-up urban regeneration, thus building urban identity and contributing to an imagining of the future city. Bas…
Social innovation and institutionalisation in the cognitive–cultural economy
Milano, hub creativo per il sistema moda
The paper explores the extents to which the concept of hub is suitable to represent Milan's role in the spatial, social and economic organization of the fashion industry. The system is spatially structured along two complementary forces: a strong embeddedness in the local society and an equally important internationalisation process. Through these analyses, the authors draw some reflections on the importance of the notion of hub for the urban pol…
La classe créative selon Richard Florida
Depuis la parution de son livre-culte The Rise of the Creative Class (2002), Richard Florida a prononcé de nombreuses conférences sur les effets de la classe créative et du secteur culturel sur la compétitivité des villes aux États-Unis, au Canada et ailleurs dans le monde. Dans ses travaux, il aborde aussi la question de l'attraction et de la rétention des « talents » aux États-Unis, « talents » qui auraient joué un rôle clé dans le développemen…
Mobilitŕ, classe creativa, popolazioni urbane
Il presente contributo propone una riflessione teorico-metodologica sulla mobilitŕ di gruppi sociali emergenti a partire dalla lettura di alcuni dati concernenti l'aumento generalizzato degli spostamenti nel nostro paese. La mobilitŕ come esito e fonte di pratiche specifiche di vita riguarda, infatti, un numero crescente di persone e rappresenta un aspetto rilevante nella vita quotidiana di ciascuno. Ciň rende sempre piů necessario delineare, anc…
Social innovation and institutionalisation in the cognitive–cultural economy
The field of fashion production in Milan
Introduction to SI
Culture is reclaiming the creative city
Creative City
The creative city is the iconic city of the post‐Fordist era and is often used to highlight the transition to an era where the urban economy is based on immaterial cultural production. The term has three different meanings. First, the creative city can be understood as a theoretical model that focuses on the shift from an economy based on manufacturing to an urban economy based on immaterial production. The second meaning conceives of the creativ…
Milano, hub creativo per il sistema moda
The paper explores the extents to which the concept of hub is suitable to represent Milan's role in the spatial, social and economic organization of the fashion industry. The system is spatially structured along two complementary forces: a strong embeddedness in the local society and an equally important internationalisation process. Through these analyses, the authors draw some reflections on the importance of the notion of hub for the urban pol…
Ethics at work
The paper examines five economic activities in the historical centre of Taranto, Italy and discusses how they impact upon the urban pattern. It is argued that meanings people ascribe to their work go beyond economic rationality, carrying identity, pleasure and ethical values. In fact, in the observed context, work becomes a tool for bottom-up urban regeneration, thus building urban identity and contributing to an imagining of the future city. Bas…
The Art of Taking Space
The article explores the contemporary art ecosystem in Milan, Italy, with a focus on the interdependencies between independent art spaces and cultural institutions. It aims to understand the role of independent organizations within this ecosystem and to contribute to broader debates on urban cultural governance. We argue that the contemporary art ecosystem is structured by power dynamics, and that the very notion of independence is normative and …
The cultural and creative sector as production networks
Luxury economy and uneven regional development in two case studies
Luxury is a major international sector and a significant area of interest for both scholars and policymakers, primarily because of its economic relevance and transversal nature. It generates positive direct effects, particularly in terms of employment and income, while a range of indirect effects are also associated with the sector. At the same time, luxury is frequently criticised for its environmental impact, for the production of low-quality a…
Widening the web. Applying a production network approach to the cultural and creative sectors
This paper argues that to understand the Cultural and Creative Sectors (CCS) we need a wholesale re-conceptualisation of its economic organisation to render visible its production system. We counter the model of the sole artist engaged in craft production, or the corporate industrialised mass production of commercial products, with a more nuanced model of cultural production (eco-)systems which does not depart from location, but instead from orga…
Cultural Industries and Urban Development (11 works) · Sociology (9 works) · Political science (8 works) · Economics (5 works) · Social science (5 works) · Art (4 works) · Production (economics) (4 works) · Art History and Market Analysis (3 works) · Computer Science (3 works) · Corporate governance (3 works)