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Robin Milner‐gulland

Biographic Data

ID4811667
NAMERobin Milner‐gulland
GIVEN NAMESRobin
FAMILY NAMEMilner‐gulland
SIGNATUREGULLAND R M
AFFILIATIONSUniversity of Sussex
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS10
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2009
H-INDEX1
  • Russian Identities

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2009

    It must be irresistible: once they achieve a certain seniority, Western historians of Russia feel the need to have a go at the problem of Russian identity. This was not always so, but national identity has recently become an academic growth area; and the end of the Soviet Union has fuelled, even among Russians themselves, a reassessment of their people and country, and its place in the scheme of things (sometimes leading to bizarre nationalistic …

  • The Russians on Athos

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2004

    1University of Sussex The Russians on Athos Nicholas Fennell Oxford/Bern Peter Lang 2001 348 £ 35

  • Filonov, Pavel

    Robin Milner-Gulland, Robin Milner‐gulland•CHAPTER•2003

  • Natasha's Dance

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2003•Cited by: 10

    1University of Sussex Natasha's Dance: A Cultural History of Russia OrlandoFiges LondonAllen Lane 2002xxxiii + 729£25

  • The Life of Zabolotsky

    Sarah I Pratt, Sarah Pratt et al.•ARTICLE•The Slavic and East European…•1996

  • The Life of Zabolotsky

    Darra Goldstein, Nikita Zabolotsky et al.•ARTICLE•The Russian Review•1995

    This is a biography of the poet Nikolay Zabolotsky, written by his son, illustrated with examples of his work and telling in detail the story of his arrest during Stalin's terror, eight years of prison and exile, and stubborn survival. Since his death, Nikolay Zabolotsky has come to be recognized as a writer of international importance, on a par with Pasternak of Mandelshtam: but compared with them he has been little studied or translated, and un…

  • Cultural Atlas of Russia and the Soviet Union

    Nicholas V Riasanovsky, Robin Milner-Gulland et al.•ARTICLE•The Russian Review•1991

    This new atlas joins a distinguished and critically acclaimed series that has won several awards. Like its companion volumes, this book includes a wealth of maps, text, and illustrations that re-create Russia's historical culture. 50 maps, 200 full-color photographs

  • Tower and Dome

    Open Access•Robin Milner-Gulland, Robin Milner‐gulland•ARTICLE•Slavic Review•1988•References: 1

    Since the 1960s much informed attention has been paid to the Russian artist Vladimir Tatlin (1885-1953), culminating in the recent appearance of John Milner's expert and sensitive study; with his centenary year one can only expect such interest, in east and west, has intensified. Though Tatlin's fields of activity were extraordinarily diverse (and by no means all conventionally "artistic"), attention has been concentrated both in his lifetime and…

  • Masters of Analytic Art

    Robin Milner-Gulland, Robin Milner‐gulland•ARTICLE•Leonardo•1983

    In 1933 the Soviet publishing house Academia produced a remarkable volume: an edition of the folk epic Kalevala , whose design represents the ambitious endeavour of 14 artists (led by P. N. Filonov) to produce a collective work of art. Filonov’s work, his theoretical legacy and his educational influence constitute an extraordinary but little-charted area of the Russian ‘modern movement’, modifying accepted notions of the history of art in the U.S…

  • Structural Analysis of a Poem by Rilke

    I I Revzin, Robin Milner-Gulland et al.•ARTICLE•New Literary History•1978

    At the same time the back vowels are concentrated on the odd syllables. The first two stressed vowels [o:] (its only occurrence) stand out sharply. A stressed [a] similarly links both lines 2 and 3 and lines 4 and 5. The central axis of the poem is line 4, which is displaced towards the end, thus setting up a distinct tension and imbalance. This would have been avoided if the first line (which, as we have seen, is made to stand out distinctively)…

  • Zabolotsky

    Robin Milner‐gulland, R R Milner‐Gulland•ARTICLE•Soviet Studies•1971

  • Bratsk Station and Other New Poems

    James M Holquist, Yevgeny Yevtushenko et al.•ARTICLE•The Slavic and East European…•1968

  • Natasha's Dance

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2003•Cited by: 10

    1University of Sussex Natasha's Dance: A Cultural History of Russia OrlandoFiges LondonAllen Lane 2002xxxiii + 729£25

  • Bratsk Station and Other New Poems

    James M Holquist, Yevgeny Yevtushenko et al.•ARTICLE•The Slavic and East European…•1968

  • Zabolotsky

    Robin Milner‐gulland, R R Milner‐Gulland•ARTICLE•Soviet Studies•1971

  • Structural Analysis of a Poem by Rilke

    I I Revzin, Robin Milner-Gulland et al.•ARTICLE•New Literary History•1978

    At the same time the back vowels are concentrated on the odd syllables. The first two stressed vowels [o:] (its only occurrence) stand out sharply. A stressed [a] similarly links both lines 2 and 3 and lines 4 and 5. The central axis of the poem is line 4, which is displaced towards the end, thus setting up a distinct tension and imbalance. This would have been avoided if the first line (which, as we have seen, is made to stand out distinctively)…

  • Masters of Analytic Art

    Robin Milner-Gulland, Robin Milner‐gulland•ARTICLE•Leonardo•1983

    In 1933 the Soviet publishing house Academia produced a remarkable volume: an edition of the folk epic Kalevala , whose design represents the ambitious endeavour of 14 artists (led by P. N. Filonov) to produce a collective work of art. Filonov’s work, his theoretical legacy and his educational influence constitute an extraordinary but little-charted area of the Russian ‘modern movement’, modifying accepted notions of the history of art in the U.S…

  • Tower and Dome

    Open Access•Robin Milner-Gulland, Robin Milner‐gulland•ARTICLE•Slavic Review•1988•References: 1

    Since the 1960s much informed attention has been paid to the Russian artist Vladimir Tatlin (1885-1953), culminating in the recent appearance of John Milner's expert and sensitive study; with his centenary year one can only expect such interest, in east and west, has intensified. Though Tatlin's fields of activity were extraordinarily diverse (and by no means all conventionally "artistic"), attention has been concentrated both in his lifetime and…

  • Cultural Atlas of Russia and the Soviet Union

    Nicholas V Riasanovsky, Robin Milner-Gulland et al.•ARTICLE•The Russian Review•1991

    This new atlas joins a distinguished and critically acclaimed series that has won several awards. Like its companion volumes, this book includes a wealth of maps, text, and illustrations that re-create Russia's historical culture. 50 maps, 200 full-color photographs

  • The Life of Zabolotsky

    Darra Goldstein, Nikita Zabolotsky et al.•ARTICLE•The Russian Review•1995

    This is a biography of the poet Nikolay Zabolotsky, written by his son, illustrated with examples of his work and telling in detail the story of his arrest during Stalin's terror, eight years of prison and exile, and stubborn survival. Since his death, Nikolay Zabolotsky has come to be recognized as a writer of international importance, on a par with Pasternak of Mandelshtam: but compared with them he has been little studied or translated, and un…

  • The Life of Zabolotsky

    Sarah I Pratt, Sarah Pratt et al.•ARTICLE•The Slavic and East European…•1996

  • Filonov, Pavel

    Robin Milner-Gulland, Robin Milner‐gulland•CHAPTER•2003

  • Natasha's Dance

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2003•Cited by: 10

    1University of Sussex Natasha's Dance: A Cultural History of Russia OrlandoFiges LondonAllen Lane 2002xxxiii + 729£25

  • The Russians on Athos

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2004

    1University of Sussex The Russians on Athos Nicholas Fennell Oxford/Bern Peter Lang 2001 348 £ 35

  • Russian Identities

    Robin Milner‐gulland, R R Milner-Gulland•ARTICLE•The English Historical Review•2009

    It must be irresistible: once they achieve a certain seniority, Western historians of Russia feel the need to have a go at the problem of Russian identity. This was not always so, but national identity has recently become an academic growth area; and the end of the Soviet Union has fuelled, even among Russians themselves, a reassessment of their people and country, and its place in the scheme of things (sometimes leading to bizarre nationalistic …

Art (8 works) · History (5 works) · History (4 works) · Literature (4 works) · Soviet and Russian History (4 works) · Geology (3 works) · Law (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works)

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