Anna Katsnelson
Biographic Data
| ID | 4811677 |
|---|---|
| NAME | Anna Katsnelson |
| GIVEN NAMES | Anna |
| FAMILY NAME | Katsnelson |
| SIGNATURE | KATSNELSON A |
| AFFILIATIONS | Medgar Evers College, CUNY |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Anna Katsnelson interviews Eugene Yelchin
Introduction to The New Wave of Russian Jewish American Culture
Anna Katsnelson interviews Lera Auerbach
Lera Auerbach is a world famous composer, concert pianist, visual artist, and writer. Lera’s book of aphorisms Excess of Being is her first book in English. It was published by Arch Street Press in
Anna Katsnelson interviews Julia Loktev
Lena Finkle’s magic arc
The article examines Anya Ulinich’s graphic narrative Lena Finkle’s Magic Barrel and the novel’s use of visual culture from both the author’s Russian and US American backgrounds. The article interrogates the use of history and timelines, Russian art history and Russian art education in Ulinich’s text. It also analyzes other literary constructs that influenced Ulinich’s novel: US American comics/graphic novels and their use of stereotype, and nove…
The Tramp in a Skirt
In this article, Anna Wexler Katsnelson focuses on Grigorii Aleksandrov's musical comedy,'Svetlyi put'(The Radiant Path, 1940) as a way of investigating the modes of screening laughter in the USSR in the 1930s and exploring the reasons for the film's gradual disavowal of laughter. The key questions posed by the article are why does laughter disappear from the nominally comedic, purposefully merrySvetlyi put'?Where is its affective energy redirect…
My Leader, Myself? Pictorial Estrangement and Aesopian Language in the Late Work of Kazimir Malevich
In the late 1920s, the Russian avant-garde artist Kazimir Malevich embarked on a new direction in art that eighty years later continues to perplex the art historical establishment: the artist formerly known for the radical abstraction of The Black Square returned to figuration. My analysis attempts to unpack this about-face and address the many questions that surround it. How does Malevich's late work relate to the regime of Socialist Realism? Wa…
No prominent works on this page.
My Leader, Myself? Pictorial Estrangement and Aesopian Language in the Late Work of Kazimir Malevich
In the late 1920s, the Russian avant-garde artist Kazimir Malevich embarked on a new direction in art that eighty years later continues to perplex the art historical establishment: the artist formerly known for the radical abstraction of The Black Square returned to figuration. My analysis attempts to unpack this about-face and address the many questions that surround it. How does Malevich's late work relate to the regime of Socialist Realism? Wa…
The Tramp in a Skirt
In this article, Anna Wexler Katsnelson focuses on Grigorii Aleksandrov's musical comedy,'Svetlyi put'(The Radiant Path, 1940) as a way of investigating the modes of screening laughter in the USSR in the 1930s and exploring the reasons for the film's gradual disavowal of laughter. The key questions posed by the article are why does laughter disappear from the nominally comedic, purposefully merrySvetlyi put'?Where is its affective energy redirect…
Anna Katsnelson interviews Eugene Yelchin
Introduction to The New Wave of Russian Jewish American Culture
Anna Katsnelson interviews Lera Auerbach
Lera Auerbach is a world famous composer, concert pianist, visual artist, and writer. Lera’s book of aphorisms Excess of Being is her first book in English. It was published by Arch Street Press in
Anna Katsnelson interviews Julia Loktev
Lena Finkle’s magic arc
The article examines Anya Ulinich’s graphic narrative Lena Finkle’s Magic Barrel and the novel’s use of visual culture from both the author’s Russian and US American backgrounds. The article interrogates the use of history and timelines, Russian art history and Russian art education in Ulinich’s text. It also analyzes other literary constructs that influenced Ulinich’s novel: US American comics/graphic novels and their use of stereotype, and nove…
History (6 works) · History (6 works) · Art (4 works) · Literature (3 works) · Aesthetics (2 works) · Art history (2 works) · Judaism (2 works) · Psychology (2 works) · Academic and Historical Perspectives in Psychology (1 work) · Ancient history (1 work)