Mauro Carbone
Biographic Data
| ID | 485137 |
|---|---|
| NAME | Mauro Carbone |
| GIVEN NAMES | Mauro |
| FAMILY NAME | Carbone |
| SIGNATURE | CARBONE M |
| AFFILIATIONS | Institut de recherches philosophiques de Lyon |
| ORCID | 0000-0002-4561-9232 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Introduction. « La guerre a -eu- lieu »
Introduction. “The War -has taken- is Taking Place”
Présentation. En d’autres termes
PRSENTATION EN D'AUTRES TERMESIl y a vingt-cinq ans, en 1999, paraissait le premier numro de Chiasmi international.Je n'avais envoy mon premier courriel que depuis deux ans.Il est important de le rappeler puisqu'il est vident que, sans messagerie lectronique, une revue internationale trilingue publie une fois par an aurait t impensable.Deux ans avant le 11 septembre 2001, le monde vivait encore immerg dans cette dcennie que Jean Baudrillard avait…
Presentation. In Other Words
Twenty-five years ago, in 1999, the first issue of Chiasmi International appeared.Only two years prior I had sent my first email.It is important to note this because it is obvious that, without electronic messaging, a trilingual international journal published once a year would have been unthinkable.Two years before September 11, 2001, the world was still immersed in a decade Jean Baudrillard considered devoid of any "symbolic event on a global s…
Introduzione. “C’è -stata- la guerra”
Presentazione. In altre parole
Toward an Anthropology of Screens
This book shows that screens that have always mediated our body's relationships with the physical and anthropological-cultural environment
A lógica confusa de um sistema de expressão”
Todo o percurso do pensamento de Merleau-Ponty é atravessado – em alguns casos de maneira mais evidente do que em outros – por aquilo que proponho definir como uma ideia da literatura e da filosofia como dispositivos de visão, para usar uma expressão que nasceu – e não por acaso – no domínio dos estudos cinematográficos. Mais precisamente, gostaria de mostrar que Merleau-Ponty vê a literatura e a filosofia de seu tempo operarem como dispositivos …
Philosophy-Screens
Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.
Philosophy-Screens
The Flesh of Images
The flesh of images
Il filosofo e il cineasta. Una discussione sull'immagine cinematografica
Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouve…
The Sensible Ideas between Life and Philosophy
The Mythical Time of the Ideas
(2008). The Mythical Time of the Ideas: Merleau-Ponty and Deleuze as Readers of Proust. Journal of the British Society for Phenomenology: Vol. 39, Maurice Merleau-Ponty (1908-2008), pp. 12-26
Composing Vinteuil
The Thinking of the Sensible
No prominent works on this page.
The Thinking of the Sensible
Composing Vinteuil
The Mythical Time of the Ideas
(2008). The Mythical Time of the Ideas: Merleau-Ponty and Deleuze as Readers of Proust. Journal of the British Society for Phenomenology: Vol. 39, Maurice Merleau-Ponty (1908-2008), pp. 12-26
Il filosofo e il cineasta. Una discussione sull'immagine cinematografica
Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouve…
The Sensible Ideas between Life and Philosophy
The Flesh of Images
The flesh of images
Philosophy-Screens
Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.
Philosophy-Screens
A lógica confusa de um sistema de expressão”
Todo o percurso do pensamento de Merleau-Ponty é atravessado – em alguns casos de maneira mais evidente do que em outros – por aquilo que proponho definir como uma ideia da literatura e da filosofia como dispositivos de visão, para usar uma expressão que nasceu – e não por acaso – no domínio dos estudos cinematográficos. Mais precisamente, gostaria de mostrar que Merleau-Ponty vê a literatura e a filosofia de seu tempo operarem como dispositivos …
Introduction. « La guerre a -eu- lieu »
Introduction. “The War -has taken- is Taking Place”
Présentation. En d’autres termes
PRSENTATION EN D'AUTRES TERMESIl y a vingt-cinq ans, en 1999, paraissait le premier numro de Chiasmi international.Je n'avais envoy mon premier courriel que depuis deux ans.Il est important de le rappeler puisqu'il est vident que, sans messagerie lectronique, une revue internationale trilingue publie une fois par an aurait t impensable.Deux ans avant le 11 septembre 2001, le monde vivait encore immerg dans cette dcennie que Jean Baudrillard avait…
Presentation. In Other Words
Twenty-five years ago, in 1999, the first issue of Chiasmi International appeared.Only two years prior I had sent my first email.It is important to note this because it is obvious that, without electronic messaging, a trilingual international journal published once a year would have been unthinkable.Two years before September 11, 2001, the world was still immersed in a decade Jean Baudrillard considered devoid of any "symbolic event on a global s…
Introduzione. “C’è -stata- la guerra”
Presentazione. In altre parole
Toward an Anthropology of Screens
This book shows that screens that have always mediated our body's relationships with the physical and anthropological-cultural environment
Philosophy (11 works) · Epistemology (5 works) · Art (4 works) · Computer Science (3 works) · Contemporary philosophy (3 works) · Humanities (3 works) · Philosophy (3 works) · Art history (2 works) · Continental philosophy (2 works) · Educational and Social Studies (2 works)