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Daniel Came

Biographic Data

ID4855578
NAMEDaniel Came
GIVEN NAMESDaniel
FAMILY NAMECame
SIGNATURECAME D
AFFILIATIONSUniversity of Oxford
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Nietzsche on Morality and the Affirmation of Life

    Daniel Came•EDITOR•BOOK•Nietzsche on Morality and the…•2022

    At the core of Nietzsche’s famous critique of ‘morality’ lies the sweeping claim that morality is the primary source of a stance of ‘life-denial’, and hence an obstacle to the possibility of an affirmative stance towards life. Moral values, Nietzsche argues, are inimical to the affirmation of life, since they typically denigrate certain ineliminable features of the world and human existence (suffering, loss, impermanence, the body, instinctual de…

  • Nietzsche on Art and Life

    Daniel Came•EDITOR•BOOK•Nietzsche on Art and Life•2014

    Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l'art pour l'art, but in the role that it might be play in enabling us positively to "revalue" the world and human experience. This volume brings together a number of distinguished figures in contemporary Anglo-American Nietzsche scholarship to examine his views on art and the …

  • Moral and Aesthetic Judgments Reconsidered

    Open Access•Daniel Came•ARTICLE•The Journal of Value Inquiry•2012

  • The Aesthetic Justification of Existence

    Daniel Came•CHAPTER•Companion to Nietzsche•2007

    This paper offers an interpretation of Nietzsche's conception of an aesthetic justification of existence.

  • Nietzsche’s Attempt at a Self-Criticism

    Daniel Came•ARTICLE•Nietzsche Studien•2004

    A general consensus exists among Nietzsche s interpreters that his retrospective assessments of his first published work, The Birth of Tragedy, are of little interpretive value. For these critical statements, it is argued, which appear in the preface to the second edition of BT entitled Attempt at a Self-Criticism and in the section on BT in Ecce Homo, do not serve as genuine self-criticism; rather, they are intended to project onto this early wo…

  • To Relish the Sublime? Culture and Self-realization in Postmodern Times

    Daniel Came•ARTICLE•The British Journal of Aesthetics•2003•Cited by: 1

    1University of Oxford To Relish the Sublime? Culture and Self‐realization in Postmodern Times MartinRyleKateSoper Verso Books 2002224£18.00

  • To Relish the Sublime? Culture and Self-realization in Postmodern Times

    Daniel Came•ARTICLE•The British Journal of Aesthetics•2003•Cited by: 1

    1University of Oxford To Relish the Sublime? Culture and Self‐realization in Postmodern Times MartinRyleKateSoper Verso Books 2002224£18.00

  • To Relish the Sublime? Culture and Self-realization in Postmodern Times

    Daniel Came•ARTICLE•The British Journal of Aesthetics•2003•Cited by: 1

    1University of Oxford To Relish the Sublime? Culture and Self‐realization in Postmodern Times MartinRyleKateSoper Verso Books 2002224£18.00

  • Nietzsche’s Attempt at a Self-Criticism

    Daniel Came•ARTICLE•Nietzsche Studien•2004

    A general consensus exists among Nietzsche s interpreters that his retrospective assessments of his first published work, The Birth of Tragedy, are of little interpretive value. For these critical statements, it is argued, which appear in the preface to the second edition of BT entitled Attempt at a Self-Criticism and in the section on BT in Ecce Homo, do not serve as genuine self-criticism; rather, they are intended to project onto this early wo…

  • The Aesthetic Justification of Existence

    Daniel Came•CHAPTER•Companion to Nietzsche•2007

    This paper offers an interpretation of Nietzsche's conception of an aesthetic justification of existence.

  • Moral and Aesthetic Judgments Reconsidered

    Open Access•Daniel Came•ARTICLE•The Journal of Value Inquiry•2012

  • Nietzsche on Art and Life

    Daniel Came•EDITOR•BOOK•Nietzsche on Art and Life•2014

    Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l'art pour l'art, but in the role that it might be play in enabling us positively to "revalue" the world and human experience. This volume brings together a number of distinguished figures in contemporary Anglo-American Nietzsche scholarship to examine his views on art and the …

  • Nietzsche on Morality and the Affirmation of Life

    Daniel Came•EDITOR•BOOK•Nietzsche on Morality and the…•2022

    At the core of Nietzsche’s famous critique of ‘morality’ lies the sweeping claim that morality is the primary source of a stance of ‘life-denial’, and hence an obstacle to the possibility of an affirmative stance towards life. Moral values, Nietzsche argues, are inimical to the affirmation of life, since they typically denigrate certain ineliminable features of the world and human existence (suffering, loss, impermanence, the body, instinctual de…

Philosophy (6 works) · Aesthetics (5 works) · Epistemology (5 works) · Nietzsche, Schopenhauer, and Hegel (4 works) · Art (3 works) · Literature (3 works) · Philosophy, Ethics, and Existentialism (3 works) · Morality (2 works) · Philosophical Ethics and Theory (2 works) · Philosophy (2 works)

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