Jeanne Colleran
Biographic Data
| ID | 4860448 |
|---|---|
| NAME | Jeanne Colleran |
| GIVEN NAMES | Jeanne |
| FAMILY NAME | Colleran |
| SIGNATURE | COLLERAN J |
| AFFILIATIONS | Schlumberger (Ireland) |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Theatre and War
Displacement, Violence and Mourning in The Suit
I can take any empty space and call it a bare stage.1 1Brook, The Empty Space, 9. I am grateful to Marcia Blumberg for sharing her rich insights about this play, especially the Toronto performance
Disposable Wars, Disappearing Acts
This essay examines how the media inaugurated certain practices during the 1991 Gulf War which have persisted and are evident in the coverage of the 2003 war, establishing both a model of reportage and an intertext between the two conflicts. The media, in turn, is inscribed within what Baudrillard has defined as the simulacrum, whereby images, or virtuality, outstrip the real and redefine events in crucial ways. The speed of information transfer,…
Writing South Africa
During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's rel…
Staging Place
Reviewed by: Staging Place: The Geography Of Modern Drama Jeanne Colleran Staging Place: The Geography Of Modern Drama. By Una Chaudhuri. Theater: Theory/Text/Performance Series. Ann Arbor: University of Michigan Press, 1995. pp. xv + 300. $30.00 cloth. Fredric Jameson has suggested that a “detour through the modern” is needed to “grasp what is historically original in the postmodern and its spatialisms” (Postmodernism, or the Cultural Logic of L…
Re-Situating Fugard; Re-Thinking Revolutionary Theatre
(1995). RE-SITUATING FUGARD; RE-THINKING REVOLUTIONARY THEATRE. South African Theatre Journal: Vol. 9, No. 2, pp. 39-50
Displacement, Violence and Mourning in The Suit
I can take any empty space and call it a bare stage.1 1Brook, The Empty Space, 9. I am grateful to Marcia Blumberg for sharing her rich insights about this play, especially the Toronto performance
Disposable Wars, Disappearing Acts
This essay examines how the media inaugurated certain practices during the 1991 Gulf War which have persisted and are evident in the coverage of the 2003 war, establishing both a model of reportage and an intertext between the two conflicts. The media, in turn, is inscribed within what Baudrillard has defined as the simulacrum, whereby images, or virtuality, outstrip the real and redefine events in crucial ways. The speed of information transfer,…
Re-Situating Fugard; Re-Thinking Revolutionary Theatre
(1995). RE-SITUATING FUGARD; RE-THINKING REVOLUTIONARY THEATRE. South African Theatre Journal: Vol. 9, No. 2, pp. 39-50
Staging Place
Reviewed by: Staging Place: The Geography Of Modern Drama Jeanne Colleran Staging Place: The Geography Of Modern Drama. By Una Chaudhuri. Theater: Theory/Text/Performance Series. Ann Arbor: University of Michigan Press, 1995. pp. xv + 300. $30.00 cloth. Fredric Jameson has suggested that a “detour through the modern” is needed to “grasp what is historically original in the postmodern and its spatialisms” (Postmodernism, or the Cultural Logic of L…
Writing South Africa
During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's rel…
Disposable Wars, Disappearing Acts
This essay examines how the media inaugurated certain practices during the 1991 Gulf War which have persisted and are evident in the coverage of the 2003 war, establishing both a model of reportage and an intertext between the two conflicts. The media, in turn, is inscribed within what Baudrillard has defined as the simulacrum, whereby images, or virtuality, outstrip the real and redefine events in crucial ways. The speed of information transfer,…
Displacement, Violence and Mourning in The Suit
I can take any empty space and call it a bare stage.1 1Brook, The Empty Space, 9. I am grateful to Marcia Blumberg for sharing her rich insights about this play, especially the Toronto performance
Theatre and War
Art (5 works) · Sociology (5 works) · Aesthetics (4 works) · History (4 works) · Law (4 works) · Politics (4 works) · Theatre and Performance Studies (4 works) · Literature (3 works) · Media studies (3 works) · Philosophy (3 works)