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Barry Keith Grant

Biographic Data

ID4860582
NAMEBarry Keith Grant
GIVEN NAMESBarry Keith
FAMILY NAMEGrant
SIGNATUREGRANT B K
AFFILIATIONSBrock University
ORCID0009-0001-2597-7673
VERIFIEDYes
TOTAL WORKS29
TOTAL CITATIONS2
WORKS AS AUTHOR27
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Voyages of Discovery

    Barry Keith Grant•BOOK•Voyages of Discovery•2023

    Voyages of Discovery is the definitive account of Frederick Wiseman’s career, offering a comprehensive analysis of the work of the leading documentary filmmaker in the United States. In this updated edition, Barry Keith Grant adds new material exploring the documentarian’s works since the 1990s.

  • Tributes and Breakthroughs

    Barry Keith Grant•ARTICLE•Film International•2019

    Preview this article: Tributes and Breakthroughs: Toronto International Film Festival 2019, Page 1 of 1 /docserver/preview/fulltext/fint/17/4/fiin.17.4.146_7-1.gif

  • Documentary Films

    Barry Keith Grant, Jim Hillier•BOOK•100 Documentary Films•2017

  • Festival Report

    Barry Keith Grant•ARTICLE•Film International•2017

  • Comprehensive but Subjective

    Barry Keith Grant, Barry Keith Grant Barry Keith Grant•ARTICLE•Science Fiction Studies•2017

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2016

  • Rich and Strange

    Barry Keith Grant•ARTICLE•Film International•2016

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2015

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2014

  • Toronto Film Festival 2013

    Barry Keith Grant•ARTICLE•Film International•2013

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2012

  • Around the Circuit

    Barry Keith Grant, Ryan Prout et al.•ARTICLE•Film International•2012

    Toronto International Film Festival 2012: 6-12 September, 2012 A report by Barry Keith Grant Madeira FilmFestival 2012: 2-6 May, 2012 A Report by Ryan Prout Expand New Horizons in Poland T-Mobile New Horizons International Film Festival: 19 - 29 July 2012 A report by Marcin Radomski

  • John Ford's Stagecoach

    Barry Keith Grant•EDITOR•BOOK•John Ford's Stagecoach•2010

  • Covering Niagara

    Joan Nicks, Barry Keith Grant•EDITOR•BOOK•Covering Niagara•2010

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2010

  • Around the Circuit

    Barry Keith Grant, Jan Lumholdt•ARTICLE•Film International•2009

  • Festivals

    Barry Keith Grant, Gabriel M Paletz et al.•ARTICLE•Film International•2009

    Toronto International Film Festival 2008 A report by Barry Keith Grant Cultural potential and the cause of the auteur: A report on the tribute to Todd Haynes, Sarajevo International Film Festival, 1623 August 2008 By Gabriel M. Paletz San Francisco Silent Film Festival 1113 July 2008 A report by Kristen Anderson Wagner The 2008 Jeonju International Film Festival, 1 May9 May 2008 A report by Nikki J.Y. Lee Chantal Akerman, Camden Arts Centre (Lond…

  • New Zealand Film and Questions of Genre

    Barry Keith Grant•ARTICLE•Film International•2008

  • Toronto International Film Festival; Take Two

    Barry Keith Grant•ARTICLE•Film International•2007

  • Toronto International Film Festival 2007

    Barry Keith Grant•ARTICLE•Film International•2007

  • Film Festivals

    Barry Keith Grant•ARTICLE•Film International•2006

    Toronto International Film Festival 817 September, 2005

  • Genre Films and Cultural Myth

    Barry Keith Grant•ARTICLE•Film International•2003

    Whether they are set in the past or in the future, on the mean streets of contemporary New York or long ago in a galaxy far away, genre movies are always about the time and place in which they are made. Inevitably, as Barry Keith Grant suggest in this essay, they are expressions of the cultural zeitgeist, instances of society engaging in dialogue with itself. Genre movies may reflect, reinforce, question or subvert accepted ideology, but viewers …

  • Purple passages or fiestas in blue

    Barry Keith Grant•ARTICLE•Popular Music & Society•1994•References: 2

    (1994). Purple passages or fiestas in blue?: Notes toward an aesthetic of vocalese. Popular Music and Society: Vol. 18, No. 1, pp. 125-143

  • CHAPTER 10 Science Fiction Double Feature

    Barry Keith Grant•CHAPTER•Cult Film Experience•1991

  • Jungle nights in Harlem”

    Barry Keith Grant•ARTICLE•Popular Music & Society•1989•Cited by: 2•References: 1

    (1989). “Jungle nights in Harlem”: Jazz, ideology and the animated cartoon. Popular Music and Society: Vol. 13, No. 4, pp. 45-57

Next
  • Jungle nights in Harlem”

    Barry Keith Grant•ARTICLE•Popular Music & Society•1989•Cited by: 2•References: 1

    (1989). “Jungle nights in Harlem”: Jazz, ideology and the animated cartoon. Popular Music and Society: Vol. 13, No. 4, pp. 45-57

  • Literary Style as Political Metaphor in Modern Chivalry

    Barry Keith Grant•ARTICLE•Canadian Review of American Studies•1980•References: 1

    The first volumes of Hugh Henry Brackenridge's Modern Chivalry, appear- ing only four years after the ratification of the Constitution, reveal from the start a remarkable panorama of life in the exuberant democracy of the early American frontier. Written over a time-span of twenty-three years,1 Modern Chivalry amasses such a wealth of contemporary detail that it has been regarded primarily as a period piece, an encyclopedia of antique Americana. …

  • Impressionism and Ideology

    Barry Keith Grant•ARTICLE•Canadian Review of American Studies•1983•References: 1

    Carlos Clarens, Crime Movies. New York : Norton, 1980.351 pp. Stephen Neale. Genre. London : British Film Institute. 1980.74 pp. Eugene Rosow. Born to Lose: The Gangster Film in America. New York: Oxford University Press, 1978. 422 + xv pp. Thomas Schatz. Hollywood Genres: Formulas. Filmmaking, and the Studio System. New York: Random House, 1981.297 + xiv pp. When film study began to mature in the mid-seventies, interest in the narrative film, wh…

  • The Classic Hollywood Musical and the “Problem” of Rock ‘n’ Roll

    Barry Keith Grant•ARTICLE•Journal of Popular Film and…•1986

  • Film Genre Reader

    Lou Lappin, Barry Grant et al.•ARTICLE•Theatre Journal•1987

  • Jungle nights in Harlem”

    Barry Keith Grant•ARTICLE•Popular Music & Society•1989•Cited by: 2•References: 1

    (1989). “Jungle nights in Harlem”: Jazz, ideology and the animated cartoon. Popular Music and Society: Vol. 13, No. 4, pp. 45-57

  • CHAPTER 10 Science Fiction Double Feature

    Barry Keith Grant•CHAPTER•Cult Film Experience•1991

  • Purple passages or fiestas in blue

    Barry Keith Grant•ARTICLE•Popular Music & Society•1994•References: 2

    (1994). Purple passages or fiestas in blue?: Notes toward an aesthetic of vocalese. Popular Music and Society: Vol. 18, No. 1, pp. 125-143

  • Genre Films and Cultural Myth

    Barry Keith Grant•ARTICLE•Film International•2003

    Whether they are set in the past or in the future, on the mean streets of contemporary New York or long ago in a galaxy far away, genre movies are always about the time and place in which they are made. Inevitably, as Barry Keith Grant suggest in this essay, they are expressions of the cultural zeitgeist, instances of society engaging in dialogue with itself. Genre movies may reflect, reinforce, question or subvert accepted ideology, but viewers …

  • Film Festivals

    Barry Keith Grant•ARTICLE•Film International•2006

    Toronto International Film Festival 817 September, 2005

  • Toronto International Film Festival; Take Two

    Barry Keith Grant•ARTICLE•Film International•2007

  • Toronto International Film Festival 2007

    Barry Keith Grant•ARTICLE•Film International•2007

  • New Zealand Film and Questions of Genre

    Barry Keith Grant•ARTICLE•Film International•2008

  • Around the Circuit

    Barry Keith Grant, Jan Lumholdt•ARTICLE•Film International•2009

  • Festivals

    Barry Keith Grant, Gabriel M Paletz et al.•ARTICLE•Film International•2009

    Toronto International Film Festival 2008 A report by Barry Keith Grant Cultural potential and the cause of the auteur: A report on the tribute to Todd Haynes, Sarajevo International Film Festival, 1623 August 2008 By Gabriel M. Paletz San Francisco Silent Film Festival 1113 July 2008 A report by Kristen Anderson Wagner The 2008 Jeonju International Film Festival, 1 May9 May 2008 A report by Nikki J.Y. Lee Chantal Akerman, Camden Arts Centre (Lond…

  • John Ford's Stagecoach

    Barry Keith Grant•EDITOR•BOOK•John Ford's Stagecoach•2010

  • Covering Niagara

    Joan Nicks, Barry Keith Grant•EDITOR•BOOK•Covering Niagara•2010

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2010

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2012

  • Around the Circuit

    Barry Keith Grant, Ryan Prout et al.•ARTICLE•Film International•2012

    Toronto International Film Festival 2012: 6-12 September, 2012 A report by Barry Keith Grant Madeira FilmFestival 2012: 2-6 May, 2012 A Report by Ryan Prout Expand New Horizons in Poland T-Mobile New Horizons International Film Festival: 19 - 29 July 2012 A report by Marcin Radomski

  • Toronto Film Festival 2013

    Barry Keith Grant•ARTICLE•Film International•2013

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2014

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2015

  • Around the Circuit

    Barry Keith Grant•ARTICLE•Film International•2016

  • Rich and Strange

    Barry Keith Grant•ARTICLE•Film International•2016

  • Documentary Films

    Barry Keith Grant, Jim Hillier•BOOK•100 Documentary Films•2017

Art (25 works) · Cinema and Media Studies (16 works) · Visual arts (11 works) · Art history (8 works) · Media studies (8 works) · Sociology (8 works) · Film festival (7 works) · Music History and Culture (7 works) · Political science (7 works) · Literature (6 works)

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