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Margaret Owens

Biographic Data

ID4860648
NAMEMargaret Owens
GIVEN NAMESMargaret
FAMILY NAMEOwens
SIGNATUREOWENS M
AFFILIATIONSNipissing University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2017
H-INDEX1
  • The Poetics of Ruins in Renaissance Literature

    Open Access•Margaret E Owens, Margaret Owens•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare's 'Whores: Erotics, Politics, and Poetics by Kay Stanton

    Margaret E Owens, Margaret Owens•ARTICLE•Theatre Journal•2016

    Reviewed by: Shakespeare’s ‘Whores’: Erotics, Politics, and Poetics by Kay Stanton Margaret E. Owens Shakespeare’s ‘Whores’: Erotics, Politics, and Poetics. By Kay Stanton. Palgrave Shakespeare Studies series. Basingstoke, UK: Palgrave Macmillan, 2014; pp. 192. Shakespeare’s ‘Whores’ opens with remarks on how the titular term has endured from the age of Shakespeare through to the twenty-first century as a slur targeted at denying women the free e…

  • Heads Will Roll: Decapitation in the Medieval and Early Modern Imagination

    Margaret E Owens, Margaret Owens•ARTICLE•Preternature Critical and…•2013

    The title of Larissa Tracy and Jeff Massey's edited collection of essays, Heads Will Roll, subtly nods at an influential predecessor on the subject of literary and cultural discourses of decapitation, Regina Janes's Losing Our Heads: Beheadings in Literature and Culture (New York: New York University Press, 2005). As the jocular titles of both books attest, Janes shares with Tracy and Massey (along with many of the contributors to this collection…

  • Forgetting Signorelli: Monstrous Visions of the Resurrection of the Dead

    Margaret E Owens, Margaret Owens•ARTICLE•American imago•2004•Cited by: 1

    "For I had already been in a grave once." —Freud, The Interpretation of Dreams "I have had no looking-glasse in my grave, to see how my body looks in the dissolution." —John Donne, "Sermon Preached at Lincoln's Inn on Job 19:26 (Easter Term[?] 1620)" Few visitors to Orvieto spend more than an afternoon taking in the major sights. A current American guidebook to Italy advises tourists that the Umbrian hilltown, celebrated for its combination of Et…

  • Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture (review)

    Margaret E Owens, Margaret Owens•ARTICLE•Theatre Journal•2001

    The expansion of the Shakespeare film industry over the past fifteen years has coincided with and fueled the burgeoning production of academic books and articles on cinematic and televisual adaptations of Shakespearean drama. As Richard Burt establishes in Unspeakable Shaxxxspeares, however, film adaptations of Shakespeare's texts represent only a fraction of the total universe of mediatizations of Shakespeare. Enlarging the Shakespeare database …

  • Forgetting Signorelli: Monstrous Visions of the Resurrection of the Dead

    Margaret E Owens, Margaret Owens•ARTICLE•American imago•2004•Cited by: 1

    "For I had already been in a grave once." —Freud, The Interpretation of Dreams "I have had no looking-glasse in my grave, to see how my body looks in the dissolution." —John Donne, "Sermon Preached at Lincoln's Inn on Job 19:26 (Easter Term[?] 1620)" Few visitors to Orvieto spend more than an afternoon taking in the major sights. A current American guidebook to Italy advises tourists that the Umbrian hilltown, celebrated for its combination of Et…

  • Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture (review)

    Margaret E Owens, Margaret Owens•ARTICLE•Theatre Journal•2001

    The expansion of the Shakespeare film industry over the past fifteen years has coincided with and fueled the burgeoning production of academic books and articles on cinematic and televisual adaptations of Shakespearean drama. As Richard Burt establishes in Unspeakable Shaxxxspeares, however, film adaptations of Shakespeare's texts represent only a fraction of the total universe of mediatizations of Shakespeare. Enlarging the Shakespeare database …

  • Forgetting Signorelli: Monstrous Visions of the Resurrection of the Dead

    Margaret E Owens, Margaret Owens•ARTICLE•American imago•2004•Cited by: 1

    "For I had already been in a grave once." —Freud, The Interpretation of Dreams "I have had no looking-glasse in my grave, to see how my body looks in the dissolution." —John Donne, "Sermon Preached at Lincoln's Inn on Job 19:26 (Easter Term[?] 1620)" Few visitors to Orvieto spend more than an afternoon taking in the major sights. A current American guidebook to Italy advises tourists that the Umbrian hilltown, celebrated for its combination of Et…

  • Heads Will Roll: Decapitation in the Medieval and Early Modern Imagination

    Margaret E Owens, Margaret Owens•ARTICLE•Preternature Critical and…•2013

    The title of Larissa Tracy and Jeff Massey's edited collection of essays, Heads Will Roll, subtly nods at an influential predecessor on the subject of literary and cultural discourses of decapitation, Regina Janes's Losing Our Heads: Beheadings in Literature and Culture (New York: New York University Press, 2005). As the jocular titles of both books attest, Janes shares with Tracy and Massey (along with many of the contributors to this collection…

  • Shakespeare's 'Whores: Erotics, Politics, and Poetics by Kay Stanton

    Margaret E Owens, Margaret Owens•ARTICLE•Theatre Journal•2016

    Reviewed by: Shakespeare’s ‘Whores’: Erotics, Politics, and Poetics by Kay Stanton Margaret E. Owens Shakespeare’s ‘Whores’: Erotics, Politics, and Poetics. By Kay Stanton. Palgrave Shakespeare Studies series. Basingstoke, UK: Palgrave Macmillan, 2014; pp. 192. Shakespeare’s ‘Whores’ opens with remarks on how the titular term has endured from the age of Shakespeare through to the twenty-first century as a slur targeted at denying women the free e…

  • The Poetics of Ruins in Renaissance Literature

    Open Access•Margaret E Owens, Margaret Owens•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (5 works) · Art history (5 works) · Literature (4 works) · History (3 works) · Ancient history (2 works) · Drama (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Gothic Literature and Media Analysis (2 works) · History (2 works)

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