John Harwood
Biographic Data
| ID | 4860661 |
|---|---|
| NAME | John Harwood |
| GIVEN NAMES | John |
| FAMILY NAME | Harwood |
| SIGNATURE | HARWOOD J |
| AFFILIATIONS | Oberlin College |
| ORCID | 0000-0001-6442-9541 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
On Wires; or, Metals and Modernity Reconsidered
October 01 2017 On Wires; or, Metals and Modernity Reconsidered John Harwood John Harwood John Harwood is Associate Professor of Architecture in the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto, and an editor of Grey Room. He is the author of The Interface: IBM and the Transformation of Corporate Design, 1945–1976 (University of Minnesota Press, 2011). Search for other works by this author on: This Si…
The Other End of the Trajectory
January 01 2014 The Other End of the Trajectory: Danger Zones John Harwood John Harwood John Harwood is Associate Professor of Modern and Contemporary Architectural History in the Department of Art at Oberlin College. He is the author of The Interface: IBM and the Transformation of Corporate Design, 1945–1976 (University of Minnesota Press, 2011) and an editor of Grey Room. Search for other works by this author on: This Site Google Scholar Author…
The Idea Factory
(2013). The Idea Factory: Bell Labs and the Great Age of American Innovation, by Jon Gertner. Design and Culture: Vol. 5, No. 3, pp. 417-420
Buckminster Fuller
The Wound Man
April 01 2008 The Wound Man: George Nelson and the “End of Architecture” John Harwood John Harwood John Harwood is Assistant Professor of Art at Oberlin College. His work has appeared in Grey Room, do.co.mo.mo, and PIN-UP, and is author of a forthcoming essay for the catalogue Cold Ward Modern: Design 1945–70 (London: Victoria and Albert Museum, 2008). Search for other works by this author on: This Site Google Scholar Author and Article Informati…
The White Room
July 01 2003 The White Room: Eliot Noyes and the Logic of the Information Age Interior John Harwood John Harwood Search for other works by this author on: This Site Google Scholar Author and Article Information John Harwood Online Issn: 1536-0105 Print Issn: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (12): 5–31. https://doi.org/10.1162/152638103322446451 Cite Icon Cite Permissions Share Icon Sh…
“Secret Communion”
Yeats, said Richard Ellmann, “explicitly asked for candid biography”. He cited Yeats’s revelations about Lionel Johnson’s alcoholism in the 1909 lecture “Friends of My Youth”: “I would wish to be spoken of with just such candour when I am dead.”1 Though not before. When Austin Clarke, who was contemplating a biography of Yeats in June 1936, nervously broached the question of Maud Gonne with his prospective subject, the response was a stern “Sir, …
Science, Technology and National Socialism
Science, Technology and National Socialism Get access Jonathan Harwood Jonathan Harwood Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 13, Issue 2, April 1995, Pages 274–275, https://doi.org/10.1093/gh/13.2.274 Published: 01 April 1995
Olivia Shakespear and W. B. Yeats
Olivia Shakespear was born on 17 March 1863, at Southlands, Chale, on the Isle of Wight. Her father, Major-General Henry Tod Tucker, C.B. (1808–1896), was commissioned into the Bengal Infantry in 1824 and served on Headquarters staff in both Sikh Wars. In 1856 he retired with the rank of Colonel, owing to ill-health, and was subsequently given the honorary rank of Major-General.1 He married Harriet Maria Johnson, second daughter of Sir Henry Alle…
Critics, Values, and Restoration Comedy
Critics, Values, and Restoration Comedy
Critics, Values, and Restoration Comedy
Granting that literature delights, Harwood addresses the moral questions that have been hotly debated by critics for the 300 years since Restoration comedy flourished: In what way does literature teach? How do beliefs about its effects on audiences shape critics responses to judgment of literature? Harwood begins with a survey of the major rhetorical strategies by which many critics transform themselves, at least momentarily perhaps unconsciously…
Olivia Shakespear and W. B. Yeats
Olivia Shakespear was born on 17 March 1863, at Southlands, Chale, on the Isle of Wight. Her father, Major-General Henry Tod Tucker, C.B. (1808–1896), was commissioned into the Bengal Infantry in 1824 and served on Headquarters staff in both Sikh Wars. In 1856 he retired with the rank of Colonel, owing to ill-health, and was subsequently given the honorary rank of Major-General.1 He married Harriet Maria Johnson, second daughter of Sir Henry Alle…
Critics, Values, and Restoration Comedy
Granting that literature delights, Harwood addresses the moral questions that have been hotly debated by critics for the 300 years since Restoration comedy flourished: In what way does literature teach? How do beliefs about its effects on audiences shape critics responses to judgment of literature? Harwood begins with a survey of the major rhetorical strategies by which many critics transform themselves, at least momentarily perhaps unconsciously…
Critics, Values, and Restoration Comedy
Critics, Values, and Restoration Comedy
Olivia Shakespear and W. B. Yeats
Olivia Shakespear was born on 17 March 1863, at Southlands, Chale, on the Isle of Wight. Her father, Major-General Henry Tod Tucker, C.B. (1808–1896), was commissioned into the Bengal Infantry in 1824 and served on Headquarters staff in both Sikh Wars. In 1856 he retired with the rank of Colonel, owing to ill-health, and was subsequently given the honorary rank of Major-General.1 He married Harriet Maria Johnson, second daughter of Sir Henry Alle…
Science, Technology and National Socialism
Science, Technology and National Socialism Get access Jonathan Harwood Jonathan Harwood Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 13, Issue 2, April 1995, Pages 274–275, https://doi.org/10.1093/gh/13.2.274 Published: 01 April 1995
“Secret Communion”
Yeats, said Richard Ellmann, “explicitly asked for candid biography”. He cited Yeats’s revelations about Lionel Johnson’s alcoholism in the 1909 lecture “Friends of My Youth”: “I would wish to be spoken of with just such candour when I am dead.”1 Though not before. When Austin Clarke, who was contemplating a biography of Yeats in June 1936, nervously broached the question of Maud Gonne with his prospective subject, the response was a stern “Sir, …
The White Room
July 01 2003 The White Room: Eliot Noyes and the Logic of the Information Age Interior John Harwood John Harwood Search for other works by this author on: This Site Google Scholar Author and Article Information John Harwood Online Issn: 1536-0105 Print Issn: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (12): 5–31. https://doi.org/10.1162/152638103322446451 Cite Icon Cite Permissions Share Icon Sh…
The Wound Man
April 01 2008 The Wound Man: George Nelson and the “End of Architecture” John Harwood John Harwood John Harwood is Assistant Professor of Art at Oberlin College. His work has appeared in Grey Room, do.co.mo.mo, and PIN-UP, and is author of a forthcoming essay for the catalogue Cold Ward Modern: Design 1945–70 (London: Victoria and Albert Museum, 2008). Search for other works by this author on: This Site Google Scholar Author and Article Informati…
Buckminster Fuller
The Idea Factory
(2013). The Idea Factory: Bell Labs and the Great Age of American Innovation, by Jon Gertner. Design and Culture: Vol. 5, No. 3, pp. 417-420
The Other End of the Trajectory
January 01 2014 The Other End of the Trajectory: Danger Zones John Harwood John Harwood John Harwood is Associate Professor of Modern and Contemporary Architectural History in the Department of Art at Oberlin College. He is the author of The Interface: IBM and the Transformation of Corporate Design, 1945–1976 (University of Minnesota Press, 2011) and an editor of Grey Room. Search for other works by this author on: This Site Google Scholar Author…
On Wires; or, Metals and Modernity Reconsidered
October 01 2017 On Wires; or, Metals and Modernity Reconsidered John Harwood John Harwood John Harwood is Associate Professor of Architecture in the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto, and an editor of Grey Room. He is the author of The Interface: IBM and the Transformation of Corporate Design, 1945–1976 (University of Minnesota Press, 2011). Search for other works by this author on: This Si…
Art (9 works) · History (5 works) · Art history (4 works) · Computer Science (4 works) · Literature (4 works) · Sociology (4 works) · Comedy (3 works) · History (3 works) · Library science (3 works) · Archaeology (2 works)