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Amelia Yeates

Biographic Data

ID4862705
NAMEAmelia Yeates
GIVEN NAMESAmelia
FAMILY NAMEYeates
SIGNATUREYEATES A
AFFILIATIONSLiverpool Hope University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS4
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Visualizing Identities

    Amelia Yeates•ARTICLE•Visual Culture in Britain•2015

  • ‘A slave kept in Leyland’s back parlour’

    Amelia Yeates•ARTICLE•Visual Culture in Britain•2015

    In the second half of the nineteenth century, artists such as Dante Gabriel Rossetti and Edward Burne-Jones enjoyed regular patronage from a variety of middle-class patrons, such as William Graham and Frederick Leyland. Nonetheless, such support came with drawbacks; Burne-Jones complained of being a ‘slave’ to Leyland and Rossetti described his relationship to patrons as that of a ‘whore’. These figurations speak of the dilemma the nineteenth-cen…

  • Queer visual pleasures and the policing of male sexuality in responses to images of David Beckham

    Amelia Yeates•ARTICLE•Visual Studies•2013•Cited by: 3•References: 4

    Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visua…

  • Women's Reading and Space in Robert Braithwaite Martineau's The Last Chapter

    Amelia Yeates•ARTICLE•Nineteenth Century Contexts•2012•References: 2

  • Borderline Citizens

    Open Access•Amelia Yeates•ARTICLE•Gender & History•2011

  • Recent Work on Pygmalion in Nineteenth‐Century Literature

    Open Access•Amelia Yeates•ARTICLE•Literature Compass•2010•Cited by: 1•References: 2

    Pygmalion, Ovid’s story of the sculptor who falls in love with his own statue, later brought to life by Venus, is a popular subject in English literature. In this essay I review recent work on Pygmalion in 19th‐century literature, focusing on the key themes of gender, class and metamorphosis. The literature reviewed includes analyses of specific Pygmalion poems and plays, as well as the use of Pygmalion as a trope for a range of concerns relating…

  • Queer visual pleasures and the policing of male sexuality in responses to images of David Beckham

    Amelia Yeates•ARTICLE•Visual Studies•2013•Cited by: 3•References: 4

    Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visua…

  • Recent Work on Pygmalion in Nineteenth‐Century Literature

    Open Access•Amelia Yeates•ARTICLE•Literature Compass•2010•Cited by: 1•References: 2

    Pygmalion, Ovid’s story of the sculptor who falls in love with his own statue, later brought to life by Venus, is a popular subject in English literature. In this essay I review recent work on Pygmalion in 19th‐century literature, focusing on the key themes of gender, class and metamorphosis. The literature reviewed includes analyses of specific Pygmalion poems and plays, as well as the use of Pygmalion as a trope for a range of concerns relating…

  • Recent Work on Pygmalion in Nineteenth‐Century Literature

    Open Access•Amelia Yeates•ARTICLE•Literature Compass•2010•Cited by: 1•References: 2

    Pygmalion, Ovid’s story of the sculptor who falls in love with his own statue, later brought to life by Venus, is a popular subject in English literature. In this essay I review recent work on Pygmalion in 19th‐century literature, focusing on the key themes of gender, class and metamorphosis. The literature reviewed includes analyses of specific Pygmalion poems and plays, as well as the use of Pygmalion as a trope for a range of concerns relating…

  • Borderline Citizens

    Open Access•Amelia Yeates•ARTICLE•Gender & History•2011

  • Women's Reading and Space in Robert Braithwaite Martineau's The Last Chapter

    Amelia Yeates•ARTICLE•Nineteenth Century Contexts•2012•References: 2

  • Queer visual pleasures and the policing of male sexuality in responses to images of David Beckham

    Amelia Yeates•ARTICLE•Visual Studies•2013•Cited by: 3•References: 4

    Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visua…

  • Visualizing Identities

    Amelia Yeates•ARTICLE•Visual Culture in Britain•2015

  • ‘A slave kept in Leyland’s back parlour’

    Amelia Yeates•ARTICLE•Visual Culture in Britain•2015

    In the second half of the nineteenth century, artists such as Dante Gabriel Rossetti and Edward Burne-Jones enjoyed regular patronage from a variety of middle-class patrons, such as William Graham and Frederick Leyland. Nonetheless, such support came with drawbacks; Burne-Jones complained of being a ‘slave’ to Leyland and Rossetti described his relationship to patrons as that of a ‘whore’. These figurations speak of the dilemma the nineteenth-cen…

Art (5 works) · Art history (4 works) · Visual arts (4 works) · Historical Gender and Feminism Studies (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Historical Art and Culture Studies (2 works) · History (2 works) · History (2 works) · Literature (2 works)

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