Kelley Wilder
Biographic Data
| ID | 4862744 |
|---|---|
| NAME | Kelley Wilder |
| GIVEN NAMES | Kelley |
| FAMILY NAME | Wilder |
| SIGNATURE | WILDER K |
| AFFILIATIONS | Photographic History Research Centre, De Montfort University, The Gateway, Leicester |
| ORCID | 0000-0002-4922-1328 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Flash! A Literary and Visual Culture of Performative Technology
Roundtable article \n \nThe file attached to this record is the author's final peer reviewed version. The Publisher's final version can be found by following the DOI link
Not One but Many
This article examines the networks that form an archive using variations on a single photograph from the Thomas Rodger studio of St Andrews. Using the concept of a ‘thick thing’, the article charts the trajectories of photographs of Bronze Age funerary urns as they left Rodger’s studio, were collected in albums and used in lectures, and returned to the University of St Andrews Special Collections. Taking just one of Rodger’s photographic assignme…
Darwin's Camera
Photography and the art of science
Photography and science have a symbiotic relationship; they always have. It was in the context of science that photography was first announced to the public by François Arago in 1839. And it was the rhetoric of observation and objectivity that was so beloved of scientists in the mid-nineteenth century that photography very soon acquired. It was, in fact, photography's close ties to science that hindered its bid to claim fine-art status. It is pho…
Proof positive in Sir John Herschel's concept of photography
In the beginning and in the end there was only light — or so it seemed to Dante when he faced the ultimate vision of the Creator.1 At the end of his journey through Paradise, Dante's mortal senses and earth-bound language prove unequal to the task of describing the divine radiance, and he must resort to his mind's eye rather than his pen. Light and language have met repeatedly at similar cusps of the indescribable throughout history. Half a mille…
No prominent works on this page.
Proof positive in Sir John Herschel's concept of photography
In the beginning and in the end there was only light — or so it seemed to Dante when he faced the ultimate vision of the Creator.1 At the end of his journey through Paradise, Dante's mortal senses and earth-bound language prove unequal to the task of describing the divine radiance, and he must resort to his mind's eye rather than his pen. Light and language have met repeatedly at similar cusps of the indescribable throughout history. Half a mille…
Photography and the art of science
Photography and science have a symbiotic relationship; they always have. It was in the context of science that photography was first announced to the public by François Arago in 1839. And it was the rhetoric of observation and objectivity that was so beloved of scientists in the mid-nineteenth century that photography very soon acquired. It was, in fact, photography's close ties to science that hindered its bid to claim fine-art status. It is pho…
Darwin's Camera
Not One but Many
This article examines the networks that form an archive using variations on a single photograph from the Thomas Rodger studio of St Andrews. Using the concept of a ‘thick thing’, the article charts the trajectories of photographs of Bronze Age funerary urns as they left Rodger’s studio, were collected in albums and used in lectures, and returned to the University of St Andrews Special Collections. Taking just one of Rodger’s photographic assignme…
Flash! A Literary and Visual Culture of Performative Technology
Roundtable article \n \nThe file attached to this record is the author's final peer reviewed version. The Publisher's final version can be found by following the DOI link
Art (4 works) · Visual arts (4 works) · Art history (3 works) · Photography (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Photography and Visual Culture (2 works) · Sociology (2 works) · Artificial Intelligence (1 work) · Cultural Heritage Management and Preservation (1 work)