Teuku Reza Fadeli
Biographic Data
| ID | 4862861 |
|---|---|
| NAME | Teuku Reza Fadeli |
| GIVEN NAMES | Teuku Reza |
| FAMILY NAME | Fadeli |
| SIGNATURE | FADELI T R |
| AFFILIATIONS | University of Indonesia |
| ORCID | 0000-0002-5512-6642 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
A Full Moon on the Screen
This article examines the film Terang Boelan (Full Moon; 1937) and the star persona of its lead actress, Roekiah, as a case of vernacular modernism in the late colonial Malay world. It argues that the film’s circulation across the Dutch East Indies and British Malaya depended on an intermedial ecology in which cinema, radio, vernacular newspapers, touring performance, and advertising made ‘modern’ entertainment widely legible and repeatable acros…
In memoriam, Anthony Reid (1939-2025)
Preserving Javanese identity and cultural heritage in Malaysia
This research traces the diaspora of the Javanese and their cultural heritage and examines their adaptation to Malaysian society. The disputes that occurred in the last ten years between Indonesia and Malaysia draw massive attention. The claims of culture between the two countries have often led to tensions between them. Disputes have generally been triggered by the Malaysian government’s claims against several Indonesian cultural heritage such a…
No prominent works on this page.
Preserving Javanese identity and cultural heritage in Malaysia
This research traces the diaspora of the Javanese and their cultural heritage and examines their adaptation to Malaysian society. The disputes that occurred in the last ten years between Indonesia and Malaysia draw massive attention. The claims of culture between the two countries have often led to tensions between them. Disputes have generally been triggered by the Malaysian government’s claims against several Indonesian cultural heritage such a…
In memoriam, Anthony Reid (1939-2025)
A Full Moon on the Screen
This article examines the film Terang Boelan (Full Moon; 1937) and the star persona of its lead actress, Roekiah, as a case of vernacular modernism in the late colonial Malay world. It argues that the film’s circulation across the Dutch East Indies and British Malaya depended on an intermedial ecology in which cinema, radio, vernacular newspapers, touring performance, and advertising made ‘modern’ entertainment widely legible and repeatable acros…
Aesthetics (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work) · Asian Studies and History (1 work) · Cinema and Media Studies (1 work) · Colonialism (1 work) · Computational and Text Analysis Methods (1 work) · Critical Realism in Sociology (1 work) · Cultural heritage (1 work)