Natalia Esling
Biographic Data
| ID | 4865774 |
|---|---|
| NAME | Natalia Esling |
| GIVEN NAMES | Natalia |
| FAMILY NAME | Esling |
| SIGNATURE | ESLING N |
| AFFILIATIONS | Film Independent |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
An Openness to Surrender, a Surrender to Openness: (Or, Holding and Being Held)
Tactile Attention in One-to-One Performance: The effects of touch on participant experience
This article details the perceptual effects of physical contact during one-to-one performance. It considers the impact of sustained touch between a solo performer and an audience participant on the experience of the event in terms of self-awareness, collaborative exchange, and feelings of agency. Based on qualitative empirical data, Esling examines how the invitations of both active and passive touch work to enhance tactile attention for the audi…
A Sonic Sampling, a Nuancing of Space: Theoretical Insights and Elaborations on the Acoustic and Spatial ‘Turns’
This review critically engages with Susan Bennett’s Sound and Kim Solga’s Space—inaugural books in the authors’ co-edited series, Theory for Theatre Studies. It outlines key aspects of both books, evaluating their contribution to the fields of theatre and performance studies in terms of pedagogy and research. Sound and Space effectively foreground diverse theories specific to their topics. Working across disciplines and in relation to theatre and…
Diffracted Readings of the Future: Practices of ‘Differentiation-Entanglement’
When conceptualizing futures and new ways of working within and beyond the field of performance studies, diffractive methods suggest new orientations to a ‘more subtle vision’ (Haraway 1992 Haraway, Donna J. (1992) ‘The promises of monsters: A regenerative politics for inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds) Cultural Studies, New York: Routledge, pp. 295–337. [Google Scholar]: 300) that might foregrou…
The Point of Connection: Accessing Affective Memories through Sonic and Embodied Technologies in Shannon Yee’s Reassembled, Slightly Askew
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The Point of Connection: Accessing Affective Memories through Sonic and Embodied Technologies in Shannon Yee’s Reassembled, Slightly Askew
A Sonic Sampling, a Nuancing of Space: Theoretical Insights and Elaborations on the Acoustic and Spatial ‘Turns’
This review critically engages with Susan Bennett’s Sound and Kim Solga’s Space—inaugural books in the authors’ co-edited series, Theory for Theatre Studies. It outlines key aspects of both books, evaluating their contribution to the fields of theatre and performance studies in terms of pedagogy and research. Sound and Space effectively foreground diverse theories specific to their topics. Working across disciplines and in relation to theatre and…
Diffracted Readings of the Future: Practices of ‘Differentiation-Entanglement’
When conceptualizing futures and new ways of working within and beyond the field of performance studies, diffractive methods suggest new orientations to a ‘more subtle vision’ (Haraway 1992 Haraway, Donna J. (1992) ‘The promises of monsters: A regenerative politics for inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds) Cultural Studies, New York: Routledge, pp. 295–337. [Google Scholar]: 300) that might foregrou…
An Openness to Surrender, a Surrender to Openness: (Or, Holding and Being Held)
Tactile Attention in One-to-One Performance: The effects of touch on participant experience
This article details the perceptual effects of physical contact during one-to-one performance. It considers the impact of sustained touch between a solo performer and an audience participant on the experience of the event in terms of self-awareness, collaborative exchange, and feelings of agency. Based on qualitative empirical data, Esling examines how the invitations of both active and passive touch work to enhance tactile attention for the audi…
Aesthetics (3 works) · Art (3 works) · Psychology (3 works) · Theatre and Performance Studies (3 works) · Communication (2 works) · Computer Science (2 works) · Social Psychology (2 works) · Sociology (2 works) · Visual arts (2 works) · Acoustics (1 works)