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Anna Jayne Kimmel

Biographic Data

ID4865775
NAMEAnna Jayne Kimmel
GIVEN NAMESAnna Jayne
FAMILY NAMEKimmel
SIGNATUREKIMMEL A J
AFFILIATIONSGeorge Washington University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Crowded Choreographies: From Assembly to Association and Back Again

    Open Access•Anna Jayne Kimmel•ARTICLE•Dance Research Journal•2023•References: 23

    Motivated by Melissa Ziad's balletic protest within Algeria's Hirak demonstrations, this article recuperates a distinction between the right to assembly and the right to free speech, constitutional guarantees blurred under contemporary rhetoric of association. By applying methods of dance studies to legal interpretation, it shifts crowd theory away from an anxiety of touch toward a copresence that allows for constituent power of the people to be …

  • On Remembering Le premier festival culturel panafricain d’Alger 1969: An Assembled Interview

    Open Access•Anna Jayne Kimmel•ARTICLE•Lateral•2021

    This assembled interview centers both Elaine Mokhtefi and Le premier festival culturel panafricain d’Alger 1969 (PANAF), a festival which she organized and attended as a part of the Algerian Ministry of Information, noting it as an exemplary instance of the power of performance at the nexus of political ideology, activist history, and the subsequent nostalgia for that era of liberation. It is equally an attempt to overcome a distant relationship …

  • A Moving Moment: A reprise of choreographing empathy as practice of conscientization

    Anna Jayne Kimmel•ARTICLE•Performance Research•2021

    2020 was marked by prolific mobilization, with mass protests contrasting the now-normalized shelter-in-place policies of pandemic policy. Global participation for racial justice reached an historic scale and empathy emerged as the word du jour. Written during a moment of isolation and anticipation, this article articulates the unlikely intersection of (physical) rest and (political) unrest as a rise in the critical consciousness of the public (Sa…

  • On Shared Resources: Performance studies publications from a pandemic

    Anna Jayne Kimmel•ARTICLE•Performance Research•2020

    "On Shared Resources: Performance studies publications from a pandemic." Performance Research, 25(8), pp. 173–174

  • Diffracted Readings of the Future: Practices of ‘Differentiation-Entanglement’

    Natalia Esling, Anna Jayne Kimmel et al.•ARTICLE•Performance Research•2020•References: 2

    When conceptualizing futures and new ways of working within and beyond the field of performance studies, diffractive methods suggest new orientations to a ‘more subtle vision’ (Haraway 1992 Haraway, Donna J. (1992) ‘The promises of monsters: A regenerative politics for inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds) Cultural Studies, New York: Routledge, pp. 295–337. [Google Scholar]: 300) that might foregrou…

  • More Books

    Anna Jayne Kimmel•ARTICLE•TDR/The Drama Review•2019

    December 01 2019 More Books Anna Jayne Kimmel Anna Jayne Kimmel Anna Jayne Kimmel is a PhD student in Performance Studies at Stanford University. She holds an AB in French and Italian from Princeton University, where she also pursued certificates from the Program in African Studies and the Program in Dance. Her current work engages Francophone and Arab-African dance as a tool for investigating immigrant social and affective infrastructure, cultur…

No prominent works on this page.

  • More Books

    Anna Jayne Kimmel•ARTICLE•TDR/The Drama Review•2019

    December 01 2019 More Books Anna Jayne Kimmel Anna Jayne Kimmel Anna Jayne Kimmel is a PhD student in Performance Studies at Stanford University. She holds an AB in French and Italian from Princeton University, where she also pursued certificates from the Program in African Studies and the Program in Dance. Her current work engages Francophone and Arab-African dance as a tool for investigating immigrant social and affective infrastructure, cultur…

  • On Shared Resources: Performance studies publications from a pandemic

    Anna Jayne Kimmel•ARTICLE•Performance Research•2020

    "On Shared Resources: Performance studies publications from a pandemic." Performance Research, 25(8), pp. 173–174

  • Diffracted Readings of the Future: Practices of ‘Differentiation-Entanglement’

    Natalia Esling, Anna Jayne Kimmel et al.•ARTICLE•Performance Research•2020•References: 2

    When conceptualizing futures and new ways of working within and beyond the field of performance studies, diffractive methods suggest new orientations to a ‘more subtle vision’ (Haraway 1992 Haraway, Donna J. (1992) ‘The promises of monsters: A regenerative politics for inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds) Cultural Studies, New York: Routledge, pp. 295–337. [Google Scholar]: 300) that might foregrou…

  • On Remembering Le premier festival culturel panafricain d’Alger 1969: An Assembled Interview

    Open Access•Anna Jayne Kimmel•ARTICLE•Lateral•2021

    This assembled interview centers both Elaine Mokhtefi and Le premier festival culturel panafricain d’Alger 1969 (PANAF), a festival which she organized and attended as a part of the Algerian Ministry of Information, noting it as an exemplary instance of the power of performance at the nexus of political ideology, activist history, and the subsequent nostalgia for that era of liberation. It is equally an attempt to overcome a distant relationship …

  • A Moving Moment: A reprise of choreographing empathy as practice of conscientization

    Anna Jayne Kimmel•ARTICLE•Performance Research•2021

    2020 was marked by prolific mobilization, with mass protests contrasting the now-normalized shelter-in-place policies of pandemic policy. Global participation for racial justice reached an historic scale and empathy emerged as the word du jour. Written during a moment of isolation and anticipation, this article articulates the unlikely intersection of (physical) rest and (political) unrest as a rise in the critical consciousness of the public (Sa…

  • Crowded Choreographies: From Assembly to Association and Back Again

    Open Access•Anna Jayne Kimmel•ARTICLE•Dance Research Journal•2023•References: 23

    Motivated by Melissa Ziad's balletic protest within Algeria's Hirak demonstrations, this article recuperates a distinction between the right to assembly and the right to free speech, constitutional guarantees blurred under contemporary rhetoric of association. By applying methods of dance studies to legal interpretation, it shifts crowd theory away from an anxiety of touch toward a copresence that allows for constituent power of the people to be …

Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · Law (3 works) · Political science (3 works) · Computer Science (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Epistemology (2 works) · History (2 works)

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