Azadeh Sharifi
Biographic Data
| ID | 4865776 |
|---|---|
| NAME | Azadeh Sharifi |
| GIVEN NAMES | Azadeh |
| FAMILY NAME | Sharifi |
| SIGNATURE | SHARIFI A |
| AFFILIATIONS | Ludwig-Maximilians-Universität München |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Propagandist Educators, Germanic Repertoires and their Dramaturgies: Dramaturgies of War: Institutional dramaturgy, politics, and conflict in 20th-Century Germany edited by Anselm Heinrich and Ann-Chr…
How do we, as theatre and performance scholars, respond to and position ourselves in times of conflict, war and planetary crises? How do we engage in a world that is still ruled by colonial orders
Voicing Our Concerns: Attempts at Decentring German Theatre and Performance Studies
The field of German Theatre and Performance Studies shows a lack of engagement with colonial history and questions of race. Its overwhelming whiteness manifests itself in a persistent ignorance of a decades-long tradition of works produced by women of colour, feminists, and Black, Indigenous and People of Colour (BIPOC) researchers and activists who have actively worked on decentring the discipline from a German-speaking context. This article, a …
Ist die deutsche Theaterwissenschaft kolonial?: Ein Plädoyer für eine epistemologisch gerechtere Theaterwissenschaft
Einleitung
Inhalt
Die Rolle Schwarzer Organisationen für postkoloniale/dekoloniale Diskurse im Theater
We are watching you!: Eine kurze Genealogie von Bühnenwatch
Autor*innen
Theaterwissenschaft postkolonial/dekolonial: Eine Kritische Bestandsaufnahme
Shermin Langhoff: A Rebellious Spirit in a Mainstream Theatre
Shermin Langhoff, and her visionary artistic work at Maxim Gorki Theatre Berlin, are a crucial part of contemporary German theatre. But long before she became a pivotal artistic leader in Germany, she was an integral part of a movement that paved a way for artists of colour and minorities from the peripheries to the centre of Germany. In this article, I examine the long and successful career of Shermin Langhoff through different aspects and tempo…
Festivilization of Cultures
What kind of aesthetics do international performing arts festivals enable? And what kind of communities do they attract or create? What are the methodological challenges when it comes to internatio
Diffracted Readings of the Future: Practices of ‘Differentiation-Entanglement’
When conceptualizing futures and new ways of working within and beyond the field of performance studies, diffractive methods suggest new orientations to a ‘more subtle vision’ (Haraway 1992 Haraway, Donna J. (1992) ‘The promises of monsters: A regenerative politics for inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds) Cultural Studies, New York: Routledge, pp. 295–337. [Google Scholar]: 300) that might foregrou…
Antirassistische Interventionen als notwendige »Störung« im deutschen Theater
Antirassistische Interventionen als notwendige »Störung« im deutschen Theater
Shermin Langhoff: A Rebellious Spirit in a Mainstream Theatre
Shermin Langhoff, and her visionary artistic work at Maxim Gorki Theatre Berlin, are a crucial part of contemporary German theatre. But long before she became a pivotal artistic leader in Germany, she was an integral part of a movement that paved a way for artists of colour and minorities from the peripheries to the centre of Germany. In this article, I examine the long and successful career of Shermin Langhoff through different aspects and tempo…
Festivilization of Cultures
What kind of aesthetics do international performing arts festivals enable? And what kind of communities do they attract or create? What are the methodological challenges when it comes to internatio
Diffracted Readings of the Future: Practices of ‘Differentiation-Entanglement’
When conceptualizing futures and new ways of working within and beyond the field of performance studies, diffractive methods suggest new orientations to a ‘more subtle vision’ (Haraway 1992 Haraway, Donna J. (1992) ‘The promises of monsters: A regenerative politics for inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds) Cultural Studies, New York: Routledge, pp. 295–337. [Google Scholar]: 300) that might foregrou…
Ist die deutsche Theaterwissenschaft kolonial?: Ein Plädoyer für eine epistemologisch gerechtere Theaterwissenschaft
Einleitung
Inhalt
Die Rolle Schwarzer Organisationen für postkoloniale/dekoloniale Diskurse im Theater
We are watching you!: Eine kurze Genealogie von Bühnenwatch
Autor*innen
Theaterwissenschaft postkolonial/dekolonial: Eine Kritische Bestandsaufnahme
Voicing Our Concerns: Attempts at Decentring German Theatre and Performance Studies
The field of German Theatre and Performance Studies shows a lack of engagement with colonial history and questions of race. Its overwhelming whiteness manifests itself in a persistent ignorance of a decades-long tradition of works produced by women of colour, feminists, and Black, Indigenous and People of Colour (BIPOC) researchers and activists who have actively worked on decentring the discipline from a German-speaking context. This article, a …
Propagandist Educators, Germanic Repertoires and their Dramaturgies: Dramaturgies of War: Institutional dramaturgy, politics, and conflict in 20th-Century Germany edited by Anselm Heinrich and Ann-Chr…
How do we, as theatre and performance scholars, respond to and position ourselves in times of conflict, war and planetary crises? How do we engage in a world that is still ruled by colonial orders
Political science (6 works) · Art (5 works) · Arts, Culture, and Music Studies (4 works) · Theatre and Performance Studies (4 works) · Sociology (3 works) · Sociology and Education Studies (3 works) · Asian Culture and Media Studies (2 works) · Computer Science (2 works) · German (2 works) · German Colonialism and Identity Studies (2 works)