Matthew Stroud
Biographic Data
| ID | 4868657 |
|---|---|
| NAME | Matthew Stroud |
| GIVEN NAMES | Matthew |
| FAMILY NAME | Stroud |
| SIGNATURE | STROUD M |
| AFFILIATIONS | Trinity University |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Imperial Incentives and Individual Allegiances in Juan Antonio Correa's La pérdida y restauración de Bahía de Todos los Santos
Juan Antonio Correa's La pérdida y restauración de Bahía de Todos los Santos, written primarily to celebrate the successful recapture in 1625 of an important American colony from the Dutch and their allies, invites an investigation into why and how human beings can be motivated to support people and institutions that not only do not directly benefit them but may in fact operate in ways that are unfavourable to their own lives and causes. Informed…
The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater
The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater
The Desiring Subject and the Promise of Salvation: A Lacanian Study of Sor Juana's El divino Narciso
Both Sor Juana's El divino Narciso and Jacques Lacan's psychoanalytic writings deal with the nature of humankind and the nature of God. This article examines the play and its religious philosophy in light of Lacan's imaginary, symbolic, and real registers, as well as Lacan's important concepts of the Other, the divided subject, jouissance, and the death drive. Ultimately, both Lacan and Sor Juana arrive at the same conclusion, that the basis of t…
The Play of Power: Mythological Court Dramas of Calderón de la Barca
La práctica escénica cortesana: De la época del emperador a la de Felipe III
Fatal Union: A Pluralistic Approach to the Spanish Wife-Murder Comedias
Fatal Union: "A Pluralistic Approach to the Spanish Wife-Murder "Comedias
The Spanish wife-murder comedias constitute an important category of seventeenth-century peninsular plays. Fatal Union considers thirty-one comedias by fifteen authors to show that they present anything but a unified perspective
El ultimo godo and the Dynamics of Urdrama
The Colonial Period: Sor Juana and Baroque Poetry
The Colonial Period: Comedy and Satire
The Comedia as Potboiler: Juan de Cabeza's Matar Por Zelos su Dama
Of the hundreds of existing comedias, only a very small percentage has actually received critical attention. Those few that have been studied in greatest depth, such as La vida es sueño, El burlador de Sevilla, Fuenteovejuna, and the like, might be said to represent the most interesting, if not the best, plays in the entire body of comedias.1 Nevertheless, for every famous comedia, there are literally scores of lesser known and never read plays. …
Peribanez y el Comendador de Ocana
Celos aun del aire matan
No prominent works on this page.
Peribanez y el Comendador de Ocana
Celos aun del aire matan
The Colonial Period: Sor Juana and Baroque Poetry
The Colonial Period: Comedy and Satire
The Comedia as Potboiler: Juan de Cabeza's Matar Por Zelos su Dama
Of the hundreds of existing comedias, only a very small percentage has actually received critical attention. Those few that have been studied in greatest depth, such as La vida es sueño, El burlador de Sevilla, Fuenteovejuna, and the like, might be said to represent the most interesting, if not the best, plays in the entire body of comedias.1 Nevertheless, for every famous comedia, there are literally scores of lesser known and never read plays. …
El ultimo godo and the Dynamics of Urdrama
Fatal Union: "A Pluralistic Approach to the Spanish Wife-Murder "Comedias
The Spanish wife-murder comedias constitute an important category of seventeenth-century peninsular plays. Fatal Union considers thirty-one comedias by fifteen authors to show that they present anything but a unified perspective
The Desiring Subject and the Promise of Salvation: A Lacanian Study of Sor Juana's El divino Narciso
Both Sor Juana's El divino Narciso and Jacques Lacan's psychoanalytic writings deal with the nature of humankind and the nature of God. This article examines the play and its religious philosophy in light of Lacan's imaginary, symbolic, and real registers, as well as Lacan's important concepts of the Other, the divided subject, jouissance, and the death drive. Ultimately, both Lacan and Sor Juana arrive at the same conclusion, that the basis of t…
The Play of Power: Mythological Court Dramas of Calderón de la Barca
La práctica escénica cortesana: De la época del emperador a la de Felipe III
Fatal Union: A Pluralistic Approach to the Spanish Wife-Murder Comedias
The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater
The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater
Imperial Incentives and Individual Allegiances in Juan Antonio Correa's La pérdida y restauración de Bahía de Todos los Santos
Juan Antonio Correa's La pérdida y restauración de Bahía de Todos los Santos, written primarily to celebrate the successful recapture in 1625 of an important American colony from the Dutch and their allies, invites an investigation into why and how human beings can be motivated to support people and institutions that not only do not directly benefit them but may in fact operate in ways that are unfavourable to their own lives and causes. Informed…
Art (11 works) · Early Modern Spanish Literature (7 works) · Spanish Literature and Culture Studies (6 works) · Literature (5 works) · Aesthetics (3 works) · Baroque (3 works) · History (3 works) · Humanities (3 works) · Political science (3 works) · Archaeology (2 works)