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Jaap Maat

Biographic Data

ID4869280
NAMEJaap Maat
GIVEN NAMESJaap
FAMILY NAMEMaat
SIGNATUREMAAT J
AFFILIATIONSUniversity of Amsterdam
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS5
WORKS AS AUTHOR5
WORKS AS EDITOR9
FIRST PUBLICATION YEAR1680
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Celebrating a Decade of History of Humanities

    Rens Bod, Julia Kursell et al.•ARTICLE•History of Humanities•2025

  • John Wallis: Teaching Language to a Boy Born Deaf: The Popham Notebook and Associated Texts

    John Wallis, David Cram et al.•EDITOR•BOOK•Teaching Language to a Boy Born…•2017

  • A New Field

    Rens Bod, Julia Kursell et al.•ARTICLE•History of Humanities•2016•Cited by: 3

    Previous articleNext article FreeEditorialA New Field: History of HumanitiesRens Bod, Julia Kursell, Jaap Maat, and Thijs WeststeijnRens Bod, Julia Kursell, Jaap Maat, and Thijs WeststeijnPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThese are exciting times for the humanities. The impressive corpus of knowledge that the humanities have disco…

  • The Making of the Humanities

    Open Access•Rens Bod, Thijs Weststeijn et al.•EDITOR•BOOK•Making of the Humanities, Volume…•2014

  • The Wolf in Itself The Uses of Enchantment in the Development of Modern Linguistics

    Open Access•John E Joseph, Rens Bod et al.•EDITOR•CHAPTER•Making of the Humanities, Volume…•2014

  • Making of the Humanities, Volume III

    Jaap Maat, Rens Bod et al.•BOOK•Making of the Humanities, Volume…•2014

  • Melting Musics, Fusing Sounds Stumpf, Hornbostel, and Comparative Musicology in Berlin

    Open Access•Riccardo Martinelli, Rens Bod et al.•EDITOR•CHAPTER•Making of the Humanities, Volume…•2014

    The ancient Greeks already used to give ethnic names to their different scales, and observations on differences in music of the various nations always raised the interest of musicians and philosophers. Yet, it was only in the late nineteenth century that “comparative musicology” became an institutional science. An important role in this process was played by Carl Stumpf, a former pupil of Brentano’s who pioneered these researches in Berlin. Stump…

  • The Natural Sciences and the Humanities in the Seventeenth Century Not Separate Yet Unequal

    Open Access•H Floris Cohen, Rens Bod et al.•EDITOR•CHAPTER•Making of the Humanities, Volume…•2014

  • The Making of the Humanities

    Open Access•Jaap ca /21 Jh Maat, Rens Bod et al.•EDITOR•BOOK•Making of the Humanities Vol. II…•2012•Cited by: 1

    While it is clear that around 1800 the humanities as a discipline rose to prominence, it is less clear what the exact nature of this shift in academia was. Was it a sudden revolution caused by a momentary but powerful change in the zeitgeist or the turning point of a much longer process? In this volume, the editors have selected a series of essays that look at the origins of the humanities and find that long before 1800 the concept of the humanit…

  • The Making of the Humanities

    Open Access•Rens Bod, Jaap Maat et al.•BOOK•The Making of the Humanities•2012•Cited by: 1

    This much-awaited second volume investigates the changes in subject, method and institutional context of the humanistic disciplines around 1800, offering a wealth of insights for specialists and students alike. Point of departure is the pivotal question whether there was a paradigm shift in the humanities around 1800 or whether these changes were part of a much longer process. The authors provide an overarching perspective including philology, mu…

  • George Dalgarno on Universal Language: The Art of Signs (1661), The Deaf and Dumb Man's Tutor (1680), and the Unpublished Papers

    George Dalgarno, Richard Love et al.•EDITOR•BOOK•George Dalgarno on universal…•2001

    TEXTUAL NOTE INTRODUCTION CHRONOLOGY OF DALGARNO'S LIFE PART I: DALGARNO'S FIRST SCHEME PART II: THE ART OF SIGNS (1661) PART III: THE DEAF AND DUMB MAN'S TUTOR (1680) PART IV: DALGARNO'S UNPUBLISHED PAPERS PART V: DALGARNO'S CORRESPONDENCE REFERENCES GLOSSARY

  • An Appendix to Didascalocophus

    George Dalgarno, David Cram et al.•EDITOR•CHAPTER•George Dalgarno on Universal…•2001

    "An Appendix to Didascalocophus" published on by null.

  • Dalgarno in Paris

    Open Access•Jaap Maat, David Cram•ARTICLE•Histoire Épistémologie Langage•1998

    The paper reports on a recent discovery that in Paris two manuscripts are conserved, which are concerned with two distinct but closely connected inventions by George Dalgarno : a universal character and an artificial language. The manuscripts were written in 1657 by a visitor to Oxford who probably came from Paris. The paper recapitulates the early history of Dalgarno' s scheme, paying special attention to a broadsheet he published in 1657. The P…

  • Didascalocophus or The Deaf and Dumb Man's Tutor

    George Dalgarno, David Cram et al.•EDITOR•CHAPTER•George Dalgarno on Universal…•1680

  • A New Field

    Rens Bod, Julia Kursell et al.•ARTICLE•History of Humanities•2016•Cited by: 3

    Previous articleNext article FreeEditorialA New Field: History of HumanitiesRens Bod, Julia Kursell, Jaap Maat, and Thijs WeststeijnRens Bod, Julia Kursell, Jaap Maat, and Thijs WeststeijnPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThese are exciting times for the humanities. The impressive corpus of knowledge that the humanities have disco…

  • The Making of the Humanities

    Open Access•Jaap ca /21 Jh Maat, Rens Bod et al.•EDITOR•BOOK•Making of the Humanities Vol. II…•2012•Cited by: 1

    While it is clear that around 1800 the humanities as a discipline rose to prominence, it is less clear what the exact nature of this shift in academia was. Was it a sudden revolution caused by a momentary but powerful change in the zeitgeist or the turning point of a much longer process? In this volume, the editors have selected a series of essays that look at the origins of the humanities and find that long before 1800 the concept of the humanit…

  • The Making of the Humanities

    Open Access•Rens Bod, Jaap Maat et al.•BOOK•The Making of the Humanities•2012•Cited by: 1

    This much-awaited second volume investigates the changes in subject, method and institutional context of the humanistic disciplines around 1800, offering a wealth of insights for specialists and students alike. Point of departure is the pivotal question whether there was a paradigm shift in the humanities around 1800 or whether these changes were part of a much longer process. The authors provide an overarching perspective including philology, mu…

  • Didascalocophus or The Deaf and Dumb Man's Tutor

    George Dalgarno, David Cram et al.•EDITOR•CHAPTER•George Dalgarno on Universal…•1680

  • Dalgarno in Paris

    Open Access•Jaap Maat, David Cram•ARTICLE•Histoire Épistémologie Langage•1998

    The paper reports on a recent discovery that in Paris two manuscripts are conserved, which are concerned with two distinct but closely connected inventions by George Dalgarno : a universal character and an artificial language. The manuscripts were written in 1657 by a visitor to Oxford who probably came from Paris. The paper recapitulates the early history of Dalgarno' s scheme, paying special attention to a broadsheet he published in 1657. The P…

  • George Dalgarno on Universal Language: The Art of Signs (1661), The Deaf and Dumb Man's Tutor (1680), and the Unpublished Papers

    George Dalgarno, Richard Love et al.•EDITOR•BOOK•George Dalgarno on universal…•2001

    TEXTUAL NOTE INTRODUCTION CHRONOLOGY OF DALGARNO'S LIFE PART I: DALGARNO'S FIRST SCHEME PART II: THE ART OF SIGNS (1661) PART III: THE DEAF AND DUMB MAN'S TUTOR (1680) PART IV: DALGARNO'S UNPUBLISHED PAPERS PART V: DALGARNO'S CORRESPONDENCE REFERENCES GLOSSARY

  • An Appendix to Didascalocophus

    George Dalgarno, David Cram et al.•EDITOR•CHAPTER•George Dalgarno on Universal…•2001

    "An Appendix to Didascalocophus" published on by null.

  • The Making of the Humanities

    Open Access•Jaap ca /21 Jh Maat, Rens Bod et al.•EDITOR•BOOK•Making of the Humanities Vol. II…•2012•Cited by: 1

    While it is clear that around 1800 the humanities as a discipline rose to prominence, it is less clear what the exact nature of this shift in academia was. Was it a sudden revolution caused by a momentary but powerful change in the zeitgeist or the turning point of a much longer process? In this volume, the editors have selected a series of essays that look at the origins of the humanities and find that long before 1800 the concept of the humanit…

  • The Making of the Humanities

    Open Access•Rens Bod, Jaap Maat et al.•BOOK•The Making of the Humanities•2012•Cited by: 1

    This much-awaited second volume investigates the changes in subject, method and institutional context of the humanistic disciplines around 1800, offering a wealth of insights for specialists and students alike. Point of departure is the pivotal question whether there was a paradigm shift in the humanities around 1800 or whether these changes were part of a much longer process. The authors provide an overarching perspective including philology, mu…

  • The Making of the Humanities

    Open Access•Rens Bod, Thijs Weststeijn et al.•EDITOR•BOOK•Making of the Humanities, Volume…•2014

  • The Wolf in Itself The Uses of Enchantment in the Development of Modern Linguistics

    Open Access•John E Joseph, Rens Bod et al.•EDITOR•CHAPTER•Making of the Humanities, Volume…•2014

  • Making of the Humanities, Volume III

    Jaap Maat, Rens Bod et al.•BOOK•Making of the Humanities, Volume…•2014

  • Melting Musics, Fusing Sounds Stumpf, Hornbostel, and Comparative Musicology in Berlin

    Open Access•Riccardo Martinelli, Rens Bod et al.•EDITOR•CHAPTER•Making of the Humanities, Volume…•2014

    The ancient Greeks already used to give ethnic names to their different scales, and observations on differences in music of the various nations always raised the interest of musicians and philosophers. Yet, it was only in the late nineteenth century that “comparative musicology” became an institutional science. An important role in this process was played by Carl Stumpf, a former pupil of Brentano’s who pioneered these researches in Berlin. Stump…

  • The Natural Sciences and the Humanities in the Seventeenth Century Not Separate Yet Unequal

    Open Access•H Floris Cohen, Rens Bod et al.•EDITOR•CHAPTER•Making of the Humanities, Volume…•2014

  • A New Field

    Rens Bod, Julia Kursell et al.•ARTICLE•History of Humanities•2016•Cited by: 3

    Previous articleNext article FreeEditorialA New Field: History of HumanitiesRens Bod, Julia Kursell, Jaap Maat, and Thijs WeststeijnRens Bod, Julia Kursell, Jaap Maat, and Thijs WeststeijnPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThese are exciting times for the humanities. The impressive corpus of knowledge that the humanities have disco…

  • John Wallis: Teaching Language to a Boy Born Deaf: The Popham Notebook and Associated Texts

    John Wallis, David Cram et al.•EDITOR•BOOK•Teaching Language to a Boy Born…•2017

  • Celebrating a Decade of History of Humanities

    Rens Bod, Julia Kursell et al.•ARTICLE•History of Humanities•2025

Art (7 works) · Philosophy (6 works) · Digital humanities (5 works) · History (5 works) · Humanities (5 works) · Computer Science (4 works) · Historical and Literary Studies (4 works) · Historical Linguistics and Language Studies (4 works) · Linguistics (4 works) · Linguistics and language evolution (4 works)

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