Hans Van Maanen
Biographic Data
| ID | 4869312 |
|---|---|
| NAME | Hans Van Maanen |
| GIVEN NAMES | Hans |
| FAMILY NAME | Van Maanen |
| SIGNATURE | VAN MAANEN H |
| AFFILIATIONS | University of Groningen |
| ORCID | 0009-0002-6779-6181 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 19 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 2 |
Erika Fischer‐Lichte, History of European drama and theatre
by Erika Fischer‐Lichte/translated by J. Riley, London, Routledge, 2002 (original German edition 1990), x + 396 pp., paperback, ISBN 0415180597 Erika Fischer‐Lichte’s Geschichte des Dramas (1990) w
Het Nederlandse toneelbestel van 1945 tot 1995
Hans van Maanen sketches a history of the theater world, not of the theater. The production of theater plays a very important role in that world, of course, but the main focus is on the change in the distribution of theater over the years. The role of the government - which continuously tries to follow developments or keep them manageable - is also discussed. The author deals with the history of the theater system in an analytical manner and also…
How to Study Art Worlds
Aesthetic objects differ from ... directly utilitarian objects in that their immediate function is only to provide a certain kind of experience that can be enjoyed in itself ' (1958, 572) -the point is the aesthetic experience.This description gives rise to the question of whether it is necessary to consider art principally as a non-functional phenomenon.It seems to be more useful, however, to separate the production of aesthetic values from the …
One hundred and fifty years after ‘The Introduction’
In the public policy of European countries, there is an increasing tendency to grant subsidies on the basis of criteria extrinsic to art, instrumental in nature. This generally means bypassing the autonomous value of art, and above all the scientific debate about the relationship between works of art and their environment. Exactly 150 years ago, however, Marx thoroughly examined – in his Introduction to the Grundrisse der Kritik der politischen Ö…
View and review in the netherlands
This article deals with the role of theatre reviews in spectators' choice behaviour and theatre experiences. The results come from an investigation of the expectations and experiences spectators had of Mijn Elektra, a production by a Dutch theatre company. What has surprisingly emerged is that although critics are supposed to play an important role in the art world, they actually turned out to have hardly any influence on the choice behaviour of …
How to Study Art Worlds
Aesthetic objects differ from ... directly utilitarian objects in that their immediate function is only to provide a certain kind of experience that can be enjoyed in itself ' (1958, 572) -the point is the aesthetic experience.This description gives rise to the question of whether it is necessary to consider art principally as a non-functional phenomenon.It seems to be more useful, however, to separate the production of aesthetic values from the …
View and review in the netherlands
This article deals with the role of theatre reviews in spectators' choice behaviour and theatre experiences. The results come from an investigation of the expectations and experiences spectators had of Mijn Elektra, a production by a Dutch theatre company. What has surprisingly emerged is that although critics are supposed to play an important role in the art world, they actually turned out to have hardly any influence on the choice behaviour of …
One hundred and fifty years after ‘The Introduction’
In the public policy of European countries, there is an increasing tendency to grant subsidies on the basis of criteria extrinsic to art, instrumental in nature. This generally means bypassing the autonomous value of art, and above all the scientific debate about the relationship between works of art and their environment. Exactly 150 years ago, however, Marx thoroughly examined – in his Introduction to the Grundrisse der Kritik der politischen Ö…
View and review in the netherlands
This article deals with the role of theatre reviews in spectators' choice behaviour and theatre experiences. The results come from an investigation of the expectations and experiences spectators had of Mijn Elektra, a production by a Dutch theatre company. What has surprisingly emerged is that although critics are supposed to play an important role in the art world, they actually turned out to have hardly any influence on the choice behaviour of …
One hundred and fifty years after ‘The Introduction’
In the public policy of European countries, there is an increasing tendency to grant subsidies on the basis of criteria extrinsic to art, instrumental in nature. This generally means bypassing the autonomous value of art, and above all the scientific debate about the relationship between works of art and their environment. Exactly 150 years ago, however, Marx thoroughly examined – in his Introduction to the Grundrisse der Kritik der politischen Ö…
Het Nederlandse toneelbestel van 1945 tot 1995
Hans van Maanen sketches a history of the theater world, not of the theater. The production of theater plays a very important role in that world, of course, but the main focus is on the change in the distribution of theater over the years. The role of the government - which continuously tries to follow developments or keep them manageable - is also discussed. The author deals with the history of the theater system in an analytical manner and also…
How to Study Art Worlds
Aesthetic objects differ from ... directly utilitarian objects in that their immediate function is only to provide a certain kind of experience that can be enjoyed in itself ' (1958, 572) -the point is the aesthetic experience.This description gives rise to the question of whether it is necessary to consider art principally as a non-functional phenomenon.It seems to be more useful, however, to separate the production of aesthetic values from the …
Erika Fischer‐Lichte, History of European drama and theatre
by Erika Fischer‐Lichte/translated by J. Riley, London, Routledge, 2002 (original German edition 1990), x + 396 pp., paperback, ISBN 0415180597 Erika Fischer‐Lichte’s Geschichte des Dramas (1990) w
Art (4 works) · Aesthetics (3 works) · Cultural Industries and Urban Development (3 works) · Sociology (3 works) · Drama (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Social and Cultural Dynamics (2 works)