Katherine Chu
Biographic Data
| ID | 4874546 |
|---|---|
| NAME | Katherine Chu |
| GIVEN NAMES | Katherine |
| FAMILY NAME | Chu |
| SIGNATURE | CHU K |
| AFFILIATIONS | California State University, Dominguez Hills |
| ORCID | 0000-0001-9011-9221 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
The Oxford Handbook of Chinese Cinemas
The Oxford Handbook of Chinese Cinemas confirms that the study of Chinese cinemas remains semantically ambiguous and could be understood in many terms—namely linguistic, ethnic, cultural, political
Co‐Opting the Wolves: National Film Industry Reform in China After 1978
This article is about the relationship between the film industry, society, and the state, in the context of economic reforms. I first provide an overview of current writings on the field and then explain the film industry's structure since 1949. I also examine policy changes over the past 30 years. What exactly did the state change? And why did it change? By way of analyzing Chinese cinema, this article examines the relationship between the marke…
The Oxford Handbook of Chinese Cinemas
The Oxford Handbook of Chinese Cinemas confirms that the study of Chinese cinemas remains semantically ambiguous and could be understood in many terms—namely linguistic, ethnic, cultural, political
Co‐Opting the Wolves: National Film Industry Reform in China After 1978
This article is about the relationship between the film industry, society, and the state, in the context of economic reforms. I first provide an overview of current writings on the field and then explain the film industry's structure since 1949. I also examine policy changes over the past 30 years. What exactly did the state change? And why did it change? By way of analyzing Chinese cinema, this article examines the relationship between the marke…
Co‐Opting the Wolves: National Film Industry Reform in China After 1978
This article is about the relationship between the film industry, society, and the state, in the context of economic reforms. I first provide an overview of current writings on the field and then explain the film industry's structure since 1949. I also examine policy changes over the past 30 years. What exactly did the state change? And why did it change? By way of analyzing Chinese cinema, this article examines the relationship between the marke…
The Oxford Handbook of Chinese Cinemas
The Oxford Handbook of Chinese Cinemas confirms that the study of Chinese cinemas remains semantically ambiguous and could be understood in many terms—namely linguistic, ethnic, cultural, political
Movie theater (2 works) · Southeast Asian Sociopolitical Studies (2 works) · Anthropology (1 works) · Art history (1 works) · Capital (architecture (1 works) · Capital accumulation (1 works) · China (1 works) · China's Socioeconomic Reforms and Governance (1 works) · Context (archaeology (1 works) · Cultural Industries and Urban Development (1 works)