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Hsu‐ming Teo

Biographic Data

ID4876349
NAMEHsu‐ming Teo
GIVEN NAMESHsu‐ming
FAMILY NAMETeo
SIGNATURETEO H M
AFFILIATIONSMacquarie University
ORCID0000-0002-4866-8531
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS16
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Peribiophoty

    Open Access•T Murray, Kenneth Pearlman et al.•ARTICLE•Journal of Embodied Research•2023

    Creative practitioners inside academia are often tasked with explaining how their embodied practices constitute research. The Peribiophoty project reverses this paradigm to ask: how does academic research constitute embodied practice? By considering the personal and intellectual contexts (peri), surrounding academics and their biographies (bio), through audio-visual representation (photy), we investigate how academic thinking is embodied thinking…

  • Wandering in the wake of empire

    Hsu-Ming Teo, Hsu‐ming Teo•CHAPTER•British Culture and the End of…•2017

    British travellers had confidently made their way from Angora to Afghanistan, from the Cape to Cairo, from Nepal to New Zealand; their journeys were written up in the books that Evelyn Waugh reviewed. The imperial legacy was an ambiguous one for many post-imperial British travellers. Travel and tourism throughout the colonies allowed Britons a glimpse of modernisation under British or European administration, and to make comparisons between Briti…

  • An Imperial Affair

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Australian Historical Studies•2014

    An Imperial Affair: Portrait of an Australian Marriage." Australian Historical Studies, 45(3), pp. 473–474

  • Desert Passions

    Hsu-Ming Teo, Hsu‐ming Teo•BOOK•Desert passions•2012

    The Sheik—E. M. Hull's best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled "sheik fever" across the Western world in the 1920s. A craze for all things romantically "Oriental" swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today's mass-market r…

  • Exhibition Reviews

    Hsu-Ming Teo, Hsu‐ming Teo et al.•ARTICLE•History Australia•2012

  • Popular History and the Chinese Martial Arts Biopic

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•History Australia•2011•Cited by: 1

    This article examines the popular uses of history in Hong Kong-Chinese biographical films about martial arts masters, focusing particularly on Ronny Yu’s Fearless/Huo Yuanjia (2006) and Wilson Yip’s Ip Man (2008) — two films that have been very popular in Asia. It considers the following questions: How is history being used? What kinds of histories are being created? And for whom? The article begins with a brief overview of the martial arts biopi…

  • Historical fiction and fictions of history

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Rethinking History•2011•Cited by: 2•References: 1

    From the Civil War to the Apocalypse: Postmodern history and American fiction, by Timothy Parrish, Amherst, University of Massachusetts Press, 2008, 308pp., ISBN 978-1-55849-627-9 History meets fic

  • Phantom limbs and cultural ventriloquism

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Journal of Australian Studies•2008•Cited by: 3

    This essay considers the ‘phantom presences’ that shadow attempts by novelists in contemporary Australia to communicate within and across cultures. Cross-cultural communication is haunted by ‘phantom limbs’ in all sorts of ways: the phantom limb of the revenant white nation, the phantom limbs of various cultures migrants left behind, and the phantom limb of ‘home’ – of ‘landscapes [which] ache in all places of departures’. The essay explores tech…

  • Amputations of the Self

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Life Writing•2005

  • Love Writes

    Open Access•Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Australian Feminist Studies•2005•Cited by: 6•References: 16

  • Future fusions and a taste for the past Literature, history and the imagination of Australianness

    Hsu‐ming Teo•ARTICLE•Australian Historical Studies•2002•Cited by: 1•References: 4

    This article begins with a discussion of the ways in which history and literature have been mutually dependent activities, then moves on to examine the usage of Australian history in Australian literature. It concludes with a consideration of the new historical directions contemporary Australian literature is taking in terms of ‘fusion’ literature and reflects on what this might suggest for the future practice of Australian history

  • Maiden Voyages and Infant Colonies

    Hsu-Ming Teo, Makiko Kazama et al.•ARTICLE•Women s History Review•2001

  • Women's Travel, Dance, and British Metropolitan Anxieties, 1890–1939

    Open Access•Hsu‐ming Teo•ARTICLE•Gender & History•2000•Cited by: 1

  • The continuum of sexual violence in occupied germany, 1945-49

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Women s History Review•1996•Cited by: 2•References: 3

    This article explores male sexual violence against German women in Occupied Germany, 1945-49. Drawing upon the feminist sociological concept of a ‘continuum of sexual violence’, it argues that German women's experience of rape and prostitution must be seen in relation to other aspects of male sexual violence such as murder, verbal, visual and physical abuse, and sexual harassment. It seeks a historical explanation for this violence through an exa…

  • Love Writes

    Open Access•Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Australian Feminist Studies•2005•Cited by: 6•References: 16

  • Phantom limbs and cultural ventriloquism

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Journal of Australian Studies•2008•Cited by: 3

    This essay considers the ‘phantom presences’ that shadow attempts by novelists in contemporary Australia to communicate within and across cultures. Cross-cultural communication is haunted by ‘phantom limbs’ in all sorts of ways: the phantom limb of the revenant white nation, the phantom limbs of various cultures migrants left behind, and the phantom limb of ‘home’ – of ‘landscapes [which] ache in all places of departures’. The essay explores tech…

  • Historical fiction and fictions of history

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Rethinking History•2011•Cited by: 2•References: 1

    From the Civil War to the Apocalypse: Postmodern history and American fiction, by Timothy Parrish, Amherst, University of Massachusetts Press, 2008, 308pp., ISBN 978-1-55849-627-9 History meets fic

  • The continuum of sexual violence in occupied germany, 1945-49

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Women s History Review•1996•Cited by: 2•References: 3

    This article explores male sexual violence against German women in Occupied Germany, 1945-49. Drawing upon the feminist sociological concept of a ‘continuum of sexual violence’, it argues that German women's experience of rape and prostitution must be seen in relation to other aspects of male sexual violence such as murder, verbal, visual and physical abuse, and sexual harassment. It seeks a historical explanation for this violence through an exa…

  • Popular History and the Chinese Martial Arts Biopic

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•History Australia•2011•Cited by: 1

    This article examines the popular uses of history in Hong Kong-Chinese biographical films about martial arts masters, focusing particularly on Ronny Yu’s Fearless/Huo Yuanjia (2006) and Wilson Yip’s Ip Man (2008) — two films that have been very popular in Asia. It considers the following questions: How is history being used? What kinds of histories are being created? And for whom? The article begins with a brief overview of the martial arts biopi…

  • Future fusions and a taste for the past Literature, history and the imagination of Australianness

    Hsu‐ming Teo•ARTICLE•Australian Historical Studies•2002•Cited by: 1•References: 4

    This article begins with a discussion of the ways in which history and literature have been mutually dependent activities, then moves on to examine the usage of Australian history in Australian literature. It concludes with a consideration of the new historical directions contemporary Australian literature is taking in terms of ‘fusion’ literature and reflects on what this might suggest for the future practice of Australian history

  • Women's Travel, Dance, and British Metropolitan Anxieties, 1890–1939

    Open Access•Hsu‐ming Teo•ARTICLE•Gender & History•2000•Cited by: 1

  • The continuum of sexual violence in occupied germany, 1945-49

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Women s History Review•1996•Cited by: 2•References: 3

    This article explores male sexual violence against German women in Occupied Germany, 1945-49. Drawing upon the feminist sociological concept of a ‘continuum of sexual violence’, it argues that German women's experience of rape and prostitution must be seen in relation to other aspects of male sexual violence such as murder, verbal, visual and physical abuse, and sexual harassment. It seeks a historical explanation for this violence through an exa…

  • Women's Travel, Dance, and British Metropolitan Anxieties, 1890–1939

    Open Access•Hsu‐ming Teo•ARTICLE•Gender & History•2000•Cited by: 1

  • Maiden Voyages and Infant Colonies

    Hsu-Ming Teo, Makiko Kazama et al.•ARTICLE•Women s History Review•2001

  • Future fusions and a taste for the past Literature, history and the imagination of Australianness

    Hsu‐ming Teo•ARTICLE•Australian Historical Studies•2002•Cited by: 1•References: 4

    This article begins with a discussion of the ways in which history and literature have been mutually dependent activities, then moves on to examine the usage of Australian history in Australian literature. It concludes with a consideration of the new historical directions contemporary Australian literature is taking in terms of ‘fusion’ literature and reflects on what this might suggest for the future practice of Australian history

  • Amputations of the Self

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Life Writing•2005

  • Love Writes

    Open Access•Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Australian Feminist Studies•2005•Cited by: 6•References: 16

  • Phantom limbs and cultural ventriloquism

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Journal of Australian Studies•2008•Cited by: 3

    This essay considers the ‘phantom presences’ that shadow attempts by novelists in contemporary Australia to communicate within and across cultures. Cross-cultural communication is haunted by ‘phantom limbs’ in all sorts of ways: the phantom limb of the revenant white nation, the phantom limbs of various cultures migrants left behind, and the phantom limb of ‘home’ – of ‘landscapes [which] ache in all places of departures’. The essay explores tech…

  • Popular History and the Chinese Martial Arts Biopic

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•History Australia•2011•Cited by: 1

    This article examines the popular uses of history in Hong Kong-Chinese biographical films about martial arts masters, focusing particularly on Ronny Yu’s Fearless/Huo Yuanjia (2006) and Wilson Yip’s Ip Man (2008) — two films that have been very popular in Asia. It considers the following questions: How is history being used? What kinds of histories are being created? And for whom? The article begins with a brief overview of the martial arts biopi…

  • Historical fiction and fictions of history

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Rethinking History•2011•Cited by: 2•References: 1

    From the Civil War to the Apocalypse: Postmodern history and American fiction, by Timothy Parrish, Amherst, University of Massachusetts Press, 2008, 308pp., ISBN 978-1-55849-627-9 History meets fic

  • Desert Passions

    Hsu-Ming Teo, Hsu‐ming Teo•BOOK•Desert passions•2012

    The Sheik—E. M. Hull's best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled "sheik fever" across the Western world in the 1920s. A craze for all things romantically "Oriental" swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today's mass-market r…

  • Exhibition Reviews

    Hsu-Ming Teo, Hsu‐ming Teo et al.•ARTICLE•History Australia•2012

  • An Imperial Affair

    Hsu-Ming Teo, Hsu‐ming Teo•ARTICLE•Australian Historical Studies•2014

    An Imperial Affair: Portrait of an Australian Marriage." Australian Historical Studies, 45(3), pp. 473–474

  • Wandering in the wake of empire

    Hsu-Ming Teo, Hsu‐ming Teo•CHAPTER•British Culture and the End of…•2017

    British travellers had confidently made their way from Angora to Afghanistan, from the Cape to Cairo, from Nepal to New Zealand; their journeys were written up in the books that Evelyn Waugh reviewed. The imperial legacy was an ambiguous one for many post-imperial British travellers. Travel and tourism throughout the colonies allowed Britons a glimpse of modernisation under British or European administration, and to make comparisons between Briti…

  • Peribiophoty

    Open Access•T Murray, Kenneth Pearlman et al.•ARTICLE•Journal of Embodied Research•2023

    Creative practitioners inside academia are often tasked with explaining how their embodied practices constitute research. The Peribiophoty project reverses this paradigm to ask: how does academic research constitute embodied practice? By considering the personal and intellectual contexts (peri), surrounding academics and their biographies (bio), through audio-visual representation (photy), we investigate how academic thinking is embodied thinking…

Art (11 works) · History (10 works) · Sociology (9 works) · History (8 works) · Literature (6 works) · Psychology (6 works) · Aesthetics (4 works) · Art history (4 works) · Australian History and Society (4 works) · Philosophy (4 works)

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