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Diem‐my T Bui

Biographic Data

ID4879846
NAMEDiem‐my T Bui
GIVEN NAMESDiem‐my T
FAMILY NAMEBui
SIGNATUREBUI D M T
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Monster Culture in the 21st Century

    Diem-My T Bui, Marina Levina et al.•BOOK•Monster Culture in the 21st Century•2013

    In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, immigration, and climate change to name a few. These fears and tensions reflect an evermore-interconnected global environment where increased mobility of people, technologies, and disease have produced great social, political, and economical uncertainty

  • “She's the Real Thing”

    Open Access•Diem‐my T Bui•CHAPTER•2012

    This chapter examines three US‐produced films about Vietnam released post‐embargo: Heaven and Earth (1993), The Quiet American (2002), and Three Seasons (1999). By considering the discursive construction of the films, including how the actresses participate or are represented in them, I explore variations on Trinh T. Minh‐ha's question on the Other: Who speaks? What speaks? How does the speaker establish knowledge about Vietnamese women when “spe…

  • Reporting on Madame Nhu in the Viet Nam War

    Diem-My T Bui, Diem‐my T Bui•ARTICLE•positions asia critique•2012•References: 3

    This article examines how figurations of Vietnamese women in the popular US imagination played significant roles in explaining, justifying, criticizing, or creating sympathy for US involvement in the war in Viet Nam. Bui looks to the clashes between Madame Nhu's efforts to manage her public persona with Orientalist discourses in circulation about this “dragon lady,” in both prowar and antiwar considerations

  • Six Feet Tall

    Open Access•Diem-My T Bui, Diem‐my T Bui•ARTICLE•Culture Studies ↔ Critical…•2001•Cited by: 1

    This solo performance text visits an experience of a Vietnamese American woman reclaiming voice. The text situates itself in the racial and ethnic dis course on identity, particularly assumptions on sexual and feminine iden tity. The text brings the Vietnamese American female body to a site for criti cal examination of these discourses

  • Six Feet Tall

    Open Access•Diem-My T Bui, Diem‐my T Bui•ARTICLE•Culture Studies ↔ Critical…•2001•Cited by: 1

    This solo performance text visits an experience of a Vietnamese American woman reclaiming voice. The text situates itself in the racial and ethnic dis course on identity, particularly assumptions on sexual and feminine iden tity. The text brings the Vietnamese American female body to a site for criti cal examination of these discourses

  • Six Feet Tall

    Open Access•Diem-My T Bui, Diem‐my T Bui•ARTICLE•Culture Studies ↔ Critical…•2001•Cited by: 1

    This solo performance text visits an experience of a Vietnamese American woman reclaiming voice. The text situates itself in the racial and ethnic dis course on identity, particularly assumptions on sexual and feminine iden tity. The text brings the Vietnamese American female body to a site for criti cal examination of these discourses

  • “She's the Real Thing”

    Open Access•Diem‐my T Bui•CHAPTER•2012

    This chapter examines three US‐produced films about Vietnam released post‐embargo: Heaven and Earth (1993), The Quiet American (2002), and Three Seasons (1999). By considering the discursive construction of the films, including how the actresses participate or are represented in them, I explore variations on Trinh T. Minh‐ha's question on the Other: Who speaks? What speaks? How does the speaker establish knowledge about Vietnamese women when “spe…

  • Reporting on Madame Nhu in the Viet Nam War

    Diem-My T Bui, Diem‐my T Bui•ARTICLE•positions asia critique•2012•References: 3

    This article examines how figurations of Vietnamese women in the popular US imagination played significant roles in explaining, justifying, criticizing, or creating sympathy for US involvement in the war in Viet Nam. Bui looks to the clashes between Madame Nhu's efforts to manage her public persona with Orientalist discourses in circulation about this “dragon lady,” in both prowar and antiwar considerations

  • Monster Culture in the 21st Century

    Diem-My T Bui, Marina Levina et al.•BOOK•Monster Culture in the 21st Century•2013

    In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, immigration, and climate change to name a few. These fears and tensions reflect an evermore-interconnected global environment where increased mobility of people, technologies, and disease have produced great social, political, and economical uncertainty

Sociology (4 works) · Art (3 works) · Asian American and Pacific Histories (3 works) · History (3 works) · Law (3 works) · Linguistics (3 works) · Political science (3 works) · Vietnamese (3 works) · Gender Studies (2 works) · Gender Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae