Lucy Finchett‐maddock
Biographic Data
| ID | 4883985 |
|---|---|
| NAME | Lucy Finchett‐maddock |
| GIVEN NAMES | Lucy |
| FAMILY NAME | Finchett‐maddock |
| SIGNATURE | MADDOCK L F |
| AFFILIATIONS | University of Exeter |
| ORCID | 0000-0003-0951-0376 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Petrified Legality, Percolating Sovereignty
Practice and/or process? (In)disciplining law and art
This symposium includes submissions that consider understandings of practice and process, in the interweavings among art, law and political activism, very broadly defined. The selection of essays brings together a mix of critical legal, socio-legal, practice-based and law and humanities commentaries on the coming together of art and law through its vernacular to spectacular practices and processes, of various forms
Forming the Legal Avant-Garde
This piece seeks to account for an increased interest in the intersection of art and law within legal thinking, activism and artistic practice, arguing there to exist the phenomena and movement of ‘art/law’. Art/law is the coming together of theory and practice in legal and political aesthetics, understood as a practice, (im)materially performed. It is seen as a natural consequence of thinking law and resistance in terms of space and time, accoun…
Protest, Property and the Commons
Protest, Property and the Commons focuses on the alternative property narratives of ‘social centres’, or political squats, and how the spaces and their communities create their own – resistant – form of law. Drawing on critical legal theory, legal pluralism, legal geography, poststructuralism and new materialism, the book considers how protest movements both use state law and create new, more informal, legalities in order to forge a practice of r…
Seeing Red
Finding Space for Resistance through Legal Pluralism
This is a study of some contemporary anti-authoritarian movements in Britain, specifically that concerned with social centres. It considers their interactions with the law, and the forms of their own law. Making use of unstructured interviews with members of the squatting and social centre community in British cities, alongside members of a number of collectives, the paper gives an account of the way in which these communities autonomously run th…
Seeing Red
Forming the Legal Avant-Garde
This piece seeks to account for an increased interest in the intersection of art and law within legal thinking, activism and artistic practice, arguing there to exist the phenomena and movement of ‘art/law’. Art/law is the coming together of theory and practice in legal and political aesthetics, understood as a practice, (im)materially performed. It is seen as a natural consequence of thinking law and resistance in terms of space and time, accoun…
Finding Space for Resistance through Legal Pluralism
This is a study of some contemporary anti-authoritarian movements in Britain, specifically that concerned with social centres. It considers their interactions with the law, and the forms of their own law. Making use of unstructured interviews with members of the squatting and social centre community in British cities, alongside members of a number of collectives, the paper gives an account of the way in which these communities autonomously run th…
Seeing Red
Protest, Property and the Commons
Protest, Property and the Commons focuses on the alternative property narratives of ‘social centres’, or political squats, and how the spaces and their communities create their own – resistant – form of law. Drawing on critical legal theory, legal pluralism, legal geography, poststructuralism and new materialism, the book considers how protest movements both use state law and create new, more informal, legalities in order to forge a practice of r…
Forming the Legal Avant-Garde
This piece seeks to account for an increased interest in the intersection of art and law within legal thinking, activism and artistic practice, arguing there to exist the phenomena and movement of ‘art/law’. Art/law is the coming together of theory and practice in legal and political aesthetics, understood as a practice, (im)materially performed. It is seen as a natural consequence of thinking law and resistance in terms of space and time, accoun…
Practice and/or process? (In)disciplining law and art
This symposium includes submissions that consider understandings of practice and process, in the interweavings among art, law and political activism, very broadly defined. The selection of essays brings together a mix of critical legal, socio-legal, practice-based and law and humanities commentaries on the coming together of art and law through its vernacular to spectacular practices and processes, of various forms
Petrified Legality, Percolating Sovereignty
Political science (6 works) · Law (5 works) · Law (4 works) · Law in Society and Culture (4 works) · Politics (4 works) · Sociology (4 works) · Philosophy (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Philosophy (2 works)