Nathaniel Télémaque
Biographic Data
| ID | 4895000 |
|---|---|
| NAME | Nathaniel Télémaque |
| GIVEN NAMES | Nathaniel |
| FAMILY NAME | Télémaque |
| SIGNATURE | TÉLÉMAQUE N |
| AFFILIATIONS | King's College London |
| ORCID | 0000-0002-7143-0804 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Visually Attending to black Senses of Place Through “Everyday Things” in White City, West London
This paper shares a practice‐related rendering of Katherine McKittrick's conceptional notion “a black sense of place” by reflecting on visual practices adopted in my research project, “Everyday Things: Visualising Young Black Adults’ Experiences in White City”. In this article, I advance a black sense of place to be a conceptual lens that is capable of zooming in and out of the embodied perceptions and practices of resistance routinely created by…
Field notes and Polaroids: Engaging with Black lives in West London
This short paper explores the practice of putting Polaroid photographs into field notebooks. It draws on the ethnographic research and collaborative photography associated with my PhD on the everyday lives of young Black people in West London. I begin by describing how and why I put Polaroids into my A6 sized field notebooks in an attempt to think harder about how these lives might be represented. Then, looking to encourage other geographers to c…
Practice, politics, and publics: Doing public historical geography in a Black archive
Arguing for a 'public historical geography' and focusing on a collaborative research project conducted at Black Cultural Archives in London, England, this paper contributes to a body of geographical scholarship that has in recent years situated the archive as a subject of, rather than source for, geographical knowledge production. Past accounts have provided important evidence of the precarity and financial insecurity that Black archives face. In…
Annotating Black joy on the White City Estate
Black joy is a distinctive part of the Black experience. Amid the wakes of the tragic losses of George Floyd and Breonna Taylor, and the resurgence of the Black Lives Matter Movements, in tandem with the rise of the global COVID‐19 pandemic, I photograph Black millennial experiences and the site of the White City Estate in Shepherd's Bush, West London as a visual artist, writer and geographer
Collage: Intimate Black geographies
As part of the tribute for this Themed Intervention, this collage reflects on the loss of loved ones during the COVID‐19 pandemic and on the impact of on‐going environmental crises. We also reflect on ancestors, practices, and places that have fortified us during this time. In this collaborative visual archive, we document what was happening in the near past as we crafted our contributions for this collection. At the same time, this collage under…
Annotating Black joy on the White City Estate
Black joy is a distinctive part of the Black experience. Amid the wakes of the tragic losses of George Floyd and Breonna Taylor, and the resurgence of the Black Lives Matter Movements, in tandem with the rise of the global COVID‐19 pandemic, I photograph Black millennial experiences and the site of the White City Estate in Shepherd's Bush, West London as a visual artist, writer and geographer
Visually Attending to black Senses of Place Through “Everyday Things” in White City, West London
This paper shares a practice‐related rendering of Katherine McKittrick's conceptional notion “a black sense of place” by reflecting on visual practices adopted in my research project, “Everyday Things: Visualising Young Black Adults’ Experiences in White City”. In this article, I advance a black sense of place to be a conceptual lens that is capable of zooming in and out of the embodied perceptions and practices of resistance routinely created by…
Field notes and Polaroids: Engaging with Black lives in West London
This short paper explores the practice of putting Polaroid photographs into field notebooks. It draws on the ethnographic research and collaborative photography associated with my PhD on the everyday lives of young Black people in West London. I begin by describing how and why I put Polaroids into my A6 sized field notebooks in an attempt to think harder about how these lives might be represented. Then, looking to encourage other geographers to c…
Annotating Black joy on the White City Estate
Black joy is a distinctive part of the Black experience. Amid the wakes of the tragic losses of George Floyd and Breonna Taylor, and the resurgence of the Black Lives Matter Movements, in tandem with the rise of the global COVID‐19 pandemic, I photograph Black millennial experiences and the site of the White City Estate in Shepherd's Bush, West London as a visual artist, writer and geographer
Collage: Intimate Black geographies
As part of the tribute for this Themed Intervention, this collage reflects on the loss of loved ones during the COVID‐19 pandemic and on the impact of on‐going environmental crises. We also reflect on ancestors, practices, and places that have fortified us during this time. In this collaborative visual archive, we document what was happening in the near past as we crafted our contributions for this collection. At the same time, this collage under…
Field notes and Polaroids: Engaging with Black lives in West London
This short paper explores the practice of putting Polaroid photographs into field notebooks. It draws on the ethnographic research and collaborative photography associated with my PhD on the everyday lives of young Black people in West London. I begin by describing how and why I put Polaroids into my A6 sized field notebooks in an attempt to think harder about how these lives might be represented. Then, looking to encourage other geographers to c…
Practice, politics, and publics: Doing public historical geography in a Black archive
Arguing for a 'public historical geography' and focusing on a collaborative research project conducted at Black Cultural Archives in London, England, this paper contributes to a body of geographical scholarship that has in recent years situated the archive as a subject of, rather than source for, geographical knowledge production. Past accounts have provided important evidence of the precarity and financial insecurity that Black archives face. In…
Visually Attending to black Senses of Place Through “Everyday Things” in White City, West London
This paper shares a practice‐related rendering of Katherine McKittrick's conceptional notion “a black sense of place” by reflecting on visual practices adopted in my research project, “Everyday Things: Visualising Young Black Adults’ Experiences in White City”. In this article, I advance a black sense of place to be a conceptual lens that is capable of zooming in and out of the embodied perceptions and practices of resistance routinely created by…
Art (4 works) · Aesthetics (3 works) · Geographies of human-animal interactions (3 works) · Participatory Visual Research Methods (3 works) · Sociology (3 works) · Visual arts (3 works) · Anthropology (2 works) · Art history (2 works) · Ethnography (2 works) · Gender Studies (2 works)