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Ignacio Ferrer Pérez-Blanco

Biographic Data

ID4895612
NAMEIgnacio Ferrer Pérez-Blanco
GIVEN NAMESIgnacio Ferrer
FAMILY NAMEPérez-Blanco
SIGNATUREPÉREZ-BLANCO I F
AFFILIATIONSEcole polytechnique fédérale de Lausanne
ORCID0000-0003-0066-1119
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2026
H-INDEX1
  • From Palencia (Spain) to Corpus Christi (Texas, USA)

    Open Access•Ignacio Ferrer Pérez-Blanco•ARTICLE•Digital Applications in…•2026•References: 8

    This article traces the journey of a Spanish medieval carpentry ceiling from its origin in Castile to its current display in Texas, researching its historical, artistic, and cultural significance. It was sold in 1928 by American art dealer Arthur Byne to Fiske Kimball, director of the Philadelphia Museum of Art. After an exhibition in 1932, the ceiling remained in storage for over six decades. In 1996, it was acquired by the Corpus Christi Museum…

  • A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Ignacio Ferrer Pérez-Blanco et al.•ARTICLE•Heritage•2023•Cited by: 2•References: 1

    The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compi…

  • Sculpted Muqarnas

    Ignacio Ferrer Pérez-Blanco, Marie-Pierre Zufferey•ARTICLE•Muqarnas Online•2021

    In the Alhambra of the Nasrid era (1230–1492), a transformed type of capital emerged that incorporated muqarnas to materialize the transition from the column to the abacus. Although the Alhambra contains the most muqarnas compositions from the Occident (Iberian Peninsula), the present understanding of “Western” muqarnas is based upon two carpentry manuscripts from the 1630s, from different authors on each side of the Atlantic (López de Arenas and…

  • A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Ignacio Ferrer Pérez-Blanco et al.•ARTICLE•Heritage•2023•Cited by: 2•References: 1

    The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compi…

  • Sculpted Muqarnas

    Ignacio Ferrer Pérez-Blanco, Marie-Pierre Zufferey•ARTICLE•Muqarnas Online•2021

    In the Alhambra of the Nasrid era (1230–1492), a transformed type of capital emerged that incorporated muqarnas to materialize the transition from the column to the abacus. Although the Alhambra contains the most muqarnas compositions from the Occident (Iberian Peninsula), the present understanding of “Western” muqarnas is based upon two carpentry manuscripts from the 1630s, from different authors on each side of the Atlantic (López de Arenas and…

  • A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Ignacio Ferrer Pérez-Blanco et al.•ARTICLE•Heritage•2023•Cited by: 2•References: 1

    The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compi…

  • From Palencia (Spain) to Corpus Christi (Texas, USA)

    Open Access•Ignacio Ferrer Pérez-Blanco•ARTICLE•Digital Applications in…•2026•References: 8

    This article traces the journey of a Spanish medieval carpentry ceiling from its origin in Castile to its current display in Texas, researching its historical, artistic, and cultural significance. It was sold in 1928 by American art dealer Arthur Byne to Fiske Kimball, director of the Philadelphia Museum of Art. After an exhibition in 1932, the ceiling remained in storage for over six decades. In 1996, it was acquired by the Corpus Christi Museum…

Historical Studies of Medieval Iberia (3 works) · Archaeology (2 works) · Architecture (2 works) · Art (2 works) · Carpentry (2 works) · History (2 works) · Humanities (2 works) · Ancient history (1 work) · Archaeology and Historical Studies (1 work) · Architecture (1 work)

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