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Rebecca Kumar

Biographic Data

ID4895730
NAMERebecca Kumar
GIVEN NAMESRebecca
FAMILY NAMEKumar
SIGNATUREKUMAR R
AFFILIATIONSSpelman College
ORCID0000-0002-9695-6853
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Being Brown, Being Down

    Rebecca Kumar, Fernando Esquivel-Suarez•ARTICLE•Critical Ethnic Studies•2026

  • Truths are in here, or what The X-Files taught me about breast milk

    Open Access•Rebecca Kumar•ARTICLE•Environment and Planning D…•2026•References: 5

    This essay traces the epistemological implications of maternal grief through a meditation on a rogue stain of my hand expressed breast milk on an X-Files fan poster. I reorient the television show's mantra—“The truth is out there”—to argue that truths, for this postpartum brown femme, are located within: interior and embodied. Leveraging feminist theory and cultural critique, breast milk is situated as both a biological and sociopolitical text ma…

  • Resisting Analogies

    Rebecca Kumar•CHAPTER•Oxford Handbook of Shakespeare…•2024

    In this chapter the author recounts her experience teaching Shakespearean film at a historically Black college (HBCU). She reminds instructors that despite the supposed fluidity of race and racism in the early modern period, in our contemporary world cinema has been used as a technology of antiBlackness—often in the name of Shakespeare. By charting adaptations of Othello from early cinema onwards, the author outlines how the film industry has use…

  • You're in the Middle of the World”

    Open Access•Rebecca Kumar•ARTICLE•liquid blackness•2024•References: 8

    Despite Barry Jenkins's pronounced and intentional allusions to the work of Hong Kong auteur Wong Kar Wai, film scholars have generally made little of the pervasive Asian elements in Moonlight (2016). This essay, however, offers a sustained study of the film's aesthetic and political engagement with Wong's cinema. It highlights how the distinct Asian femininity, or ornamentalism, of Days of Being Wild (1990) and In the Mood for Love (2001) are tr…

  • Lesbian and Femme Care at the 2023 Sundance Film Festival, Park City, UT, 19-29 January 2023

    Rebecca Kumar•ARTICLE•Queer Studies in Media & Popular…•2023

    Review of: Lesbian and Femme Care at the 2023 Sundance Film Festival, Park City, UT, 19–29 January 2023

  • Returned Mail

    Rebecca Kumar•ARTICLE•South Asian Review•2006

No prominent works on this page.

  • Returned Mail

    Rebecca Kumar•ARTICLE•South Asian Review•2006

  • Lesbian and Femme Care at the 2023 Sundance Film Festival, Park City, UT, 19-29 January 2023

    Rebecca Kumar•ARTICLE•Queer Studies in Media & Popular…•2023

    Review of: Lesbian and Femme Care at the 2023 Sundance Film Festival, Park City, UT, 19–29 January 2023

  • Resisting Analogies

    Rebecca Kumar•CHAPTER•Oxford Handbook of Shakespeare…•2024

    In this chapter the author recounts her experience teaching Shakespearean film at a historically Black college (HBCU). She reminds instructors that despite the supposed fluidity of race and racism in the early modern period, in our contemporary world cinema has been used as a technology of antiBlackness—often in the name of Shakespeare. By charting adaptations of Othello from early cinema onwards, the author outlines how the film industry has use…

  • You're in the Middle of the World”

    Open Access•Rebecca Kumar•ARTICLE•liquid blackness•2024•References: 8

    Despite Barry Jenkins's pronounced and intentional allusions to the work of Hong Kong auteur Wong Kar Wai, film scholars have generally made little of the pervasive Asian elements in Moonlight (2016). This essay, however, offers a sustained study of the film's aesthetic and political engagement with Wong's cinema. It highlights how the distinct Asian femininity, or ornamentalism, of Days of Being Wild (1990) and In the Mood for Love (2001) are tr…

  • Being Brown, Being Down

    Rebecca Kumar, Fernando Esquivel-Suarez•ARTICLE•Critical Ethnic Studies•2026

  • Truths are in here, or what The X-Files taught me about breast milk

    Open Access•Rebecca Kumar•ARTICLE•Environment and Planning D…•2026•References: 5

    This essay traces the epistemological implications of maternal grief through a meditation on a rogue stain of my hand expressed breast milk on an X-Files fan poster. I reorient the television show's mantra—“The truth is out there”—to argue that truths, for this postpartum brown femme, are located within: interior and embodied. Leveraging feminist theory and cultural critique, breast milk is situated as both a biological and sociopolitical text ma…

African Sexualities and LGBTQ+ Issues (1 work) · Ancestor (1 work) · Art (1 work) · Art history (1 work) · Australian History and Society (1 work) · Blame (1 work) · Breast feeding (1 work) · brown skin (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work)

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