Inesa Shevchenko-Hotsuliak
Biographic Data
| ID | 4896301 |
|---|---|
| NAME | Inesa Shevchenko-Hotsuliak |
| GIVEN NAMES | Inesa |
| FAMILY NAME | Shevchenko-Hotsuliak |
| SIGNATURE | SHEVCHENKO-HOTSULIAK I |
| AFFILIATIONS | Universitat de Lleida |
| ORCID | 0000-0002-4834-2320 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
With a light of their own
(2021). Both plays were conceived through the dramaturgical form of a monologue; yet, they respond to extremely different interpretations of old age as well as of theatricality. On the one hand, Carr's piece clearly employs non-Naturalistic strategies to depict the older woman within a fully symbolic and depersonalized sphere, namely, as the embodiment of a polyvocal allegory of humanity that is expressed through an aged, feminine lens. On the ot…
Ageing, gender, and ’other disasters
Various narrative forms have long responded to major global crises, among which the demographic ageing of the Western world is increasingly coming into focus. Through theatre’s capacity to engage with social anxieties, new dramaturgies have begun to explore the role that old age plays in our ever-shifting social landscapes. Some of them have examined the implications of the ageing population through the lens of (demo)dystopia, a genre that has be…
Disrupting Temporalities, Multiplying the Self
In our increasingly aged societies, old age continues to be equated with decline (Gullette 2004) and becomes the source of the most invisible yet persistent forms of discrimination, namely, ageism (Butler 1969). Even though theatre, like other artistic forms, has traditionally promoted a negative image of ageing (Mangan 2013), some contemporary plays have begun to favour more complex portrayals of old age. Nevertheless, when considered from a gen…
No prominent works on this page.
Disrupting Temporalities, Multiplying the Self
In our increasingly aged societies, old age continues to be equated with decline (Gullette 2004) and becomes the source of the most invisible yet persistent forms of discrimination, namely, ageism (Butler 1969). Even though theatre, like other artistic forms, has traditionally promoted a negative image of ageing (Mangan 2013), some contemporary plays have begun to favour more complex portrayals of old age. Nevertheless, when considered from a gen…
With a light of their own
(2021). Both plays were conceived through the dramaturgical form of a monologue; yet, they respond to extremely different interpretations of old age as well as of theatricality. On the one hand, Carr's piece clearly employs non-Naturalistic strategies to depict the older woman within a fully symbolic and depersonalized sphere, namely, as the embodiment of a polyvocal allegory of humanity that is expressed through an aged, feminine lens. On the ot…
Ageing, gender, and ’other disasters
Various narrative forms have long responded to major global crises, among which the demographic ageing of the Western world is increasingly coming into focus. Through theatre’s capacity to engage with social anxieties, new dramaturgies have begun to explore the role that old age plays in our ever-shifting social landscapes. Some of them have examined the implications of the ageing population through the lens of (demo)dystopia, a genre that has be…
Aging and Gerontology Research (3 works) · Femininity (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work) · Allegory (1 work) · Argument (complex analysis (1 work) · Art (1 work) · Contemporary Literature and Criticism (1 work) · Contemporary society (1 work) · Epistemology (1 work)