Stanimir Panayotov
Biographic Data
| ID | 4896304 |
|---|---|
| NAME | Stanimir Panayotov |
| GIVEN NAMES | Stanimir |
| FAMILY NAME | Panayotov |
| SIGNATURE | PANAYOTOV S |
| AFFILIATIONS | Bulgarian Academy of Sciences |
| ORCID | 0000-0003-2834-6049 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Rainbow corpse paint
This text explores what happens when black metal corpse paint, traditionally styled in black and white, meets colour, or, what I term rainbow corpse paint. I build on the history of masking and faciality in extreme and black metal music and on experimenting with queer/ing black metal corpse paint by pointing to some of its manifestations in recent years, and try to retroactively highlight and historicise rainbow corpse paint as an artistic means …
Roundtable on the impact of Covid and Open Access on Gender Studies Journal
International audience
Black noise ruins: Notes after Locrian’s Rain of Ashes
In this article-cum-essay, I scrutinize the particulars surrounding Locrian’s release Rain of Ashes . The text opens with a reflection on quiddity and what I call curity (whyness) to situate the musicians aural potentialities, and move towards articulating what I define as ‘black noise’. In the context of black noise, I claim Locrian perform the ruins of black noise. I attempt to write alongside the music by replicating some of the music’s qualit…
No prominent works on this page.
Black noise ruins: Notes after Locrian’s Rain of Ashes
In this article-cum-essay, I scrutinize the particulars surrounding Locrian’s release Rain of Ashes . The text opens with a reflection on quiddity and what I call curity (whyness) to situate the musicians aural potentialities, and move towards articulating what I define as ‘black noise’. In the context of black noise, I claim Locrian perform the ruins of black noise. I attempt to write alongside the music by replicating some of the music’s qualit…
Roundtable on the impact of Covid and Open Access on Gender Studies Journal
International audience
Rainbow corpse paint
This text explores what happens when black metal corpse paint, traditionally styled in black and white, meets colour, or, what I term rainbow corpse paint. I build on the history of masking and faciality in extreme and black metal music and on experimenting with queer/ing black metal corpse paint by pointing to some of its manifestations in recent years, and try to retroactively highlight and historicise rainbow corpse paint as an artistic means …
2019-20 coronavirus outbreak (1 works) · Archaeology (1 works) · Art (1 works) · Artificial Intelligence (1 works) · Black swan theory (1 works) · Computer Science (1 works) · Coronavirus disease 2019 (COVID-19 (1 works) · Cultural Heritage Materials Analysis (1 works) · Diverse Musicological Studies (1 works) · Face (sociological concept) (1 works)