Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Jochen Venus

Biographic Data

ID4907683
NAMEJochen Venus
GIVEN NAMESJochen
FAMILY NAMEVenus
SIGNATUREVENUS J
AFFILIATIONSIndependent Researcher, 57072 Siegen, Germany
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Getting Noticed by Many: On the Transformations of the Popular

    Open Access•Niels Werber, Daniel Stein et al.•ARTICLE•Arts•2023•Cited by: 1•References: 9

    This article argues that the transformations of the popular, which began in Europe around 1800 and introduced the powerful distinction between low culture and high culture, have established a competitive distinction between the popular and the non-popular that has become dominant over the course of the 20th century. As a result, the popular is no longer either the culture of the ‘lower classes’ or the inclusion of the ‘people’ in the service of h…

  • Was bei vielen Beachtung findet: Zu den Transformationen des Populären

    Open Access•Jörg Döring, Niels Werber et al.•ARTICLE•Kulturwissenschaftliche Zeitschrift•2022•Cited by: 1•References: 5

    Being popular means getting noticed by many. Popularity is measured as well as staged. Rankings and charts provide information on what is popular while vying for popularity themselves. They do not speak to the quality or originality of the popular, only to its evident success across different scales of evaluation. People do not buy good products, they buy popular ones; they do not listen to the best music, but to popular music; they do not share,…

  • Die Erfahrung des Populären: Perspektiven einer kritischen Phänomenologie

    Open Access•Jochen Venus•CHAPTER•2013

  • Getting Noticed by Many: On the Transformations of the Popular

    Open Access•Niels Werber, Daniel Stein et al.•ARTICLE•Arts•2023•Cited by: 1•References: 9

    This article argues that the transformations of the popular, which began in Europe around 1800 and introduced the powerful distinction between low culture and high culture, have established a competitive distinction between the popular and the non-popular that has become dominant over the course of the 20th century. As a result, the popular is no longer either the culture of the ‘lower classes’ or the inclusion of the ‘people’ in the service of h…

  • Was bei vielen Beachtung findet: Zu den Transformationen des Populären

    Open Access•Jörg Döring, Niels Werber et al.•ARTICLE•Kulturwissenschaftliche Zeitschrift•2022•Cited by: 1•References: 5

    Being popular means getting noticed by many. Popularity is measured as well as staged. Rankings and charts provide information on what is popular while vying for popularity themselves. They do not speak to the quality or originality of the popular, only to its evident success across different scales of evaluation. People do not buy good products, they buy popular ones; they do not listen to the best music, but to popular music; they do not share,…

  • Die Erfahrung des Populären: Perspektiven einer kritischen Phänomenologie

    Open Access•Jochen Venus•CHAPTER•2013

  • Was bei vielen Beachtung findet: Zu den Transformationen des Populären

    Open Access•Jörg Döring, Niels Werber et al.•ARTICLE•Kulturwissenschaftliche Zeitschrift•2022•Cited by: 1•References: 5

    Being popular means getting noticed by many. Popularity is measured as well as staged. Rankings and charts provide information on what is popular while vying for popularity themselves. They do not speak to the quality or originality of the popular, only to its evident success across different scales of evaluation. People do not buy good products, they buy popular ones; they do not listen to the best music, but to popular music; they do not share,…

  • Getting Noticed by Many: On the Transformations of the Popular

    Open Access•Niels Werber, Daniel Stein et al.•ARTICLE•Arts•2023•Cited by: 1•References: 9

    This article argues that the transformations of the popular, which began in Europe around 1800 and introduced the powerful distinction between low culture and high culture, have established a competitive distinction between the popular and the non-popular that has become dominant over the course of the 20th century. As a result, the popular is no longer either the culture of the ‘lower classes’ or the inclusion of the ‘people’ in the service of h…

Art (3 works) · Advertising (2 works) · Business (2 works) · Epistemology (2 works) · Law (2 works) · Literature (2 works) · Media studies (2 works) · Media Studies and Communication (2 works) · Originality (2 works) · Political science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae