Eyal Zandberg
Biographic Data
| ID | 4907958 |
|---|---|
| NAME | Eyal Zandberg |
| GIVEN NAMES | Eyal |
| FAMILY NAME | Zandberg |
| SIGNATURE | ZANDBERG E |
| AFFILIATIONS | Netanya Academic College |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 105 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 6 |
Communicating Awe: Media Memory and Holocaust Commemoration
Offering a cross-media exploration of Israeli media on Holocaust Remembrance Day, one of Israel's most sacred national rituals, over the past six decades, this fascinating book investigates the way in
On Media Memory
"This volume offers a comprehensive discussion of Media Memory and brings Media and Mediation to the forefront of Collective Memory research. The essays explore a diversity of media technologies (television, radio, film and new media), genres (news, fiction, documentaries) and contexts (US, UK, Spain, Nigeria, Germany and the Middle East)"
On Media Memory: Collective Memory in a New Media Age
Tuned to the nation’s mood: Popular music as a mnemonic cultural object
This article explores the concept of sonic memory via the investigation of popular music that constitutes a radio playlist. Our case study focuses on the songs aired on Israel’s Memorial Day for the Holocaust and the Heroism during the state’s first decade of local-commercial radio broadcasting (1993–2002). The critical analysis sought to understand what makes certain songs so identifiable with the national mourning ritual and the ways in which s…
The right to tell the (right) story: Journalism, authority and memory
Communicating Critique: Toward a Conceptualization of Journalistic Criticism
This study explores the concept of “journalistic criticism” from theoretical and empirical perspectives. To achieve this goal the study analyzes the ways in which journalists shape representations of criticism through their coverage of events in general and especially in times of war and conflict: specifically, Israeli news media during the Second Lebanon War (July–August 2006). We present 2 models that deconstruct critical journalistic texts: Th…
Prime Time Commemoration: An Analysis of Television Broadcasts on Israel's Memorial Day for the Holocaust and the Heroism
This study explores the ways in which commercial media perceive and manifest their public mnemonic role. It does so via an exploration of the “memory menu”—the contents and flow of programming—offered by Channel 2, Israel's leading commercial television channel, on the eve of the country's Memorial Day for the Holocaust and the Heroism (MDHH), in which the airing of commercials is banned. In order to do so, the study incorporates a multilevel ana…
Critical laughter: Humor, popular culture and Israeli Holocaust commemoration
This article explores current trends in the representation of the Holocaust in Israeli popular culture through the analysis of the successful satirical television program: The Chamber Quintet. The article argues that the show's subversive and challenging interpretations of traditional Holocaust commemorations, indicates a major change in the collective memory of the Holocaust. The article explores the cultural role of the show's sketches relating…
Between the nation and the profession: Journalists as Members of Contradicting Communities
The sound-track of memory: Ashes and Dust and the commemoration of the Holocaust in Israeli popular culture
The article investigates the 1988 music album Efer Veavak (in English: Ashes and Dust) that was created by Yehuda Poliker and Ya’akov Gilad, two Israeli-born children of Holocaust survivor parents. The article’s findings suggest that the Holocaust story as told through Ashes and Dust emphasizes individual aspects rather than collective lessons and that there is a growing sensitivity to the issue of memory preservation. Moreover, Ashes and Dust hi…
Between the nation and the profession: Journalists as Members of Contradicting Communities
The right to tell the (right) story: Journalism, authority and memory
Communicating Critique: Toward a Conceptualization of Journalistic Criticism
This study explores the concept of “journalistic criticism” from theoretical and empirical perspectives. To achieve this goal the study analyzes the ways in which journalists shape representations of criticism through their coverage of events in general and especially in times of war and conflict: specifically, Israeli news media during the Second Lebanon War (July–August 2006). We present 2 models that deconstruct critical journalistic texts: Th…
Critical laughter: Humor, popular culture and Israeli Holocaust commemoration
This article explores current trends in the representation of the Holocaust in Israeli popular culture through the analysis of the successful satirical television program: The Chamber Quintet. The article argues that the show's subversive and challenging interpretations of traditional Holocaust commemorations, indicates a major change in the collective memory of the Holocaust. The article explores the cultural role of the show's sketches relating…
The sound-track of memory: Ashes and Dust and the commemoration of the Holocaust in Israeli popular culture
The article investigates the 1988 music album Efer Veavak (in English: Ashes and Dust) that was created by Yehuda Poliker and Ya’akov Gilad, two Israeli-born children of Holocaust survivor parents. The article’s findings suggest that the Holocaust story as told through Ashes and Dust emphasizes individual aspects rather than collective lessons and that there is a growing sensitivity to the issue of memory preservation. Moreover, Ashes and Dust hi…
Tuned to the nation’s mood: Popular music as a mnemonic cultural object
This article explores the concept of sonic memory via the investigation of popular music that constitutes a radio playlist. Our case study focuses on the songs aired on Israel’s Memorial Day for the Holocaust and the Heroism during the state’s first decade of local-commercial radio broadcasting (1993–2002). The critical analysis sought to understand what makes certain songs so identifiable with the national mourning ritual and the ways in which s…
The sound-track of memory: Ashes and Dust and the commemoration of the Holocaust in Israeli popular culture
The article investigates the 1988 music album Efer Veavak (in English: Ashes and Dust) that was created by Yehuda Poliker and Ya’akov Gilad, two Israeli-born children of Holocaust survivor parents. The article’s findings suggest that the Holocaust story as told through Ashes and Dust emphasizes individual aspects rather than collective lessons and that there is a growing sensitivity to the issue of memory preservation. Moreover, Ashes and Dust hi…
Between the nation and the profession: Journalists as Members of Contradicting Communities
Critical laughter: Humor, popular culture and Israeli Holocaust commemoration
This article explores current trends in the representation of the Holocaust in Israeli popular culture through the analysis of the successful satirical television program: The Chamber Quintet. The article argues that the show's subversive and challenging interpretations of traditional Holocaust commemorations, indicates a major change in the collective memory of the Holocaust. The article explores the cultural role of the show's sketches relating…
Prime Time Commemoration: An Analysis of Television Broadcasts on Israel's Memorial Day for the Holocaust and the Heroism
This study explores the ways in which commercial media perceive and manifest their public mnemonic role. It does so via an exploration of the “memory menu”—the contents and flow of programming—offered by Channel 2, Israel's leading commercial television channel, on the eve of the country's Memorial Day for the Holocaust and the Heroism (MDHH), in which the airing of commercials is banned. In order to do so, the study incorporates a multilevel ana…
The right to tell the (right) story: Journalism, authority and memory
Communicating Critique: Toward a Conceptualization of Journalistic Criticism
This study explores the concept of “journalistic criticism” from theoretical and empirical perspectives. To achieve this goal the study analyzes the ways in which journalists shape representations of criticism through their coverage of events in general and especially in times of war and conflict: specifically, Israeli news media during the Second Lebanon War (July–August 2006). We present 2 models that deconstruct critical journalistic texts: Th…
On Media Memory
"This volume offers a comprehensive discussion of Media Memory and brings Media and Mediation to the forefront of Collective Memory research. The essays explore a diversity of media technologies (television, radio, film and new media), genres (news, fiction, documentaries) and contexts (US, UK, Spain, Nigeria, Germany and the Middle East)"
On Media Memory: Collective Memory in a New Media Age
Tuned to the nation’s mood: Popular music as a mnemonic cultural object
This article explores the concept of sonic memory via the investigation of popular music that constitutes a radio playlist. Our case study focuses on the songs aired on Israel’s Memorial Day for the Holocaust and the Heroism during the state’s first decade of local-commercial radio broadcasting (1993–2002). The critical analysis sought to understand what makes certain songs so identifiable with the national mourning ritual and the ways in which s…
Communicating Awe: Media Memory and Holocaust Commemoration
Offering a cross-media exploration of Israeli media on Holocaust Remembrance Day, one of Israel's most sacred national rituals, over the past six decades, this fascinating book investigates the way in
Sociology (9 works) · Media studies (8 works) · Political science (8 works) · Art (6 works) · Law (6 works) · Rhetoric and Communication Studies (6 works) · Aesthetics (5 works) · Law (5 works) · Memory, Trauma, and Commemoration (5 works) · Collective memory (4 works)