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Michaela D E Meyer

Biographic Data

ID4908910
NAMEMichaela D E Meyer
GIVEN NAMESMichaela D E
FAMILY NAMEMeyer
SIGNATUREMEYER M D E
AFFILIATIONSChristopher Newport University
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS49
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2025
H-INDEX4
  • “It’s Barbie and it’s Ken,” Unpacking Greta Gerwig’s Signature Style as a Feminist Film Auteur

    Open Access•Nicholas Delaney, Michaela D E Meyer•ARTICLE•Communication Studies•2025

    Greta Gerwig catapulted to the center of popular culture in the summer of 2023 when Barbie grossed over $600 million in U.S. box office returns making it the highest grossing female-directed film in history. Gerwig’s career warrants scholarly attention because her films contain a specific signature style that position Gerwig as a feminist film auteur. Through an examination of Gerwig’s auteur portfolio, we find four key elements define Gerwig’s a…

  • The Cost of Winning the Pregnancy Lottery

    Michaela D E Meyer•ARTICLE•Journal of Autoethnography•2022

    In this essay, I narrate my experience with secondary infertility through autoethnography. Nearly three million women in the United States struggle with secondary infertility, defined as the inability to become pregnant and/or carry a child to term after the successful birth of a first child. Through a layered autoethnographic account, I illustrate the simultaneously embodied and disembodied experiences of my journey with secondary infertility ut…

  • Black Panther , queer erasure, and intersectional representation in popular culture

    Michaela D E Meyer•ARTICLE•Review of Communication•2020

    This essay interrogates queer erasure from the film Black Panther. The implications of queer erasure from one of the most recognizable and lucrative franchises in film history are particularly problematic as Black Panther envisions “a Pan-African past, present, and future” where queer bodies are both invisible and unwelcome. By continuing to relegate queer sexualities to spaces of Otherness in superhero films, the film reifies dominant discourses…

  • The “Other” Woman in Contemporary Television Drama: Analyzing Intersectional Representation on Bones

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2015•Cited by: 4•References: 14

  • Identity Management in Interpersonal Relationships: Contextualizing Communication as Central to Research on Emerging Adulthood

    Open Access•Alice E Veksler, Michaela D E Meyer•ARTICLE•Emerging Adulthood•2014

    Keywords Communication, Identity, Romantic relationships, Family relationships, Technology, Interpersonal Relationships

  • Thevagenda's War on Headlines: Feminist Activism in the Information Age

    Michaela D E Meyer•ARTICLE•Feminist Media Studies•2014•Cited by: 1•References: 3

    Thevagenda's War on Headlines: Feminist Activism in the Information Age." Feminist Media Studies, 14(6), pp. 1107–1108

  • The Fantasy of Sex and the City: A Postcolonial Critique of the Romantic Imaginary, Consumerism and Globalization

    Michaela D E Meyer•ARTICLE•Women s Studies•2014•Cited by: 1•References: 16

    The author would like to thank Yih-Shan Shih for her support of this project

  • Sexuality and Teen Television: Emerging Adults Respond to Representations of Queer Identity on Glee

    Open Access•Michaela D E Meyer, Megan M Wood•ARTICLE•Sexuality & Culture•2013•Cited by: 9•References: 12

  • Media, Sexuality and Identity: Thoughts on the Role Text, Audience and Production Play in Cultural Discourse

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2013•References: 4

  • Slashing Smallville: The Interplay of Text, Audience and Production on Viewer Interpretations of Homoeroticism

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2013•Cited by: 4•References: 8

  • Representing Bisexuality on Television: The Case for Intersectional Hybrids

    Michaela D E Meyer•ARTICLE•Journal of Bisexuality•2010•Cited by: 3•References: 25

    This article examines the representation of bisexual characters in scripted, U.S. prime-time network, dramatic narratives intended for emerging adult audiences. Representations of bisexuality have increased in the early part of the 21st century, but they follow a typical narrative pattern: women are more frequently represented as bisexual than men; they are generally non-White, and their sexuality is often located outside of traditional coming-ou…

  • We All Have Feelings for Our Girlfriends: ” Progressive (?) Representations of Lesbian Lives on the The L Word

    Open Access•Pei-Wen Lee, Michaela D E Meyer•ARTICLE•Sexuality & Culture•2010•Cited by: 4•References: 13

  • I’m Just Trying to Find my Way Like Most Kids: Bisexuality, Adolescence and the Drama of One Tree Hill

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2009•Cited by: 8•References: 7

  • On Remembering the Queer Self: The Impact of Memory, Trauma and Sexuality on Interpersonal Relationships

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2007•Cited by: 1•References: 15

  • The Modern(?) Korean Woman in Prime-Time: Analyzing the Representation of Sun on the Television Series Lost

    Michaela D E Meyer, Danielle M Stern•ARTICLE•Women s Studies•2007•Cited by: 1•References: 18

    This article investigates the representation of Sun, the most prominent non-white female character on ABC's Lost. Given the importance of Sun's character in terms of visibility for Korean women specifically (and Asian women generally) coupled with the fact that Lost under-represents women in general, her role provides a substantial case-study of gender within the science fiction genre. Through a narrative analysis of the first season, we demonstr…

  • Textual Poaching and Beyond: Fan Communities and Fandoms in the Age of the Internet

    Michaela D E Meyer, Megan Tucker et al.•ARTICLE•Review of Communication•2007•Cited by: 7•References: 8

    The review was the result of an independent study project in Fall of 2006. Notes The review was the result of an independent study project in Fall of 2006. Additional informationNotes on contributorsMichaela D. E. Meyer Michaela D. E. Meyer is an Assistant Professor of Communication Studies at Christopher Newport University Megan H. L. Tucker Megan H. L. Tucker is an undergraduate student at Christopher Newport University

  • Drawing the sexuality card: Teaching, researching, and living bisexuality

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2005•Cited by: 4•References: 8

  • Feminism, the Family, and the Politics of the Closet: Lesbian and Gay Displacement, by Cheshire Calhoun

    Michaela D E Meyer•ARTICLE•Women s Studies in Communication•2004•Cited by: 1

  • Looking Toward the InterSEXions: Examining Bisexual and Transgender Identity Formation from a Dialectical Theoretical Perspective

    Michaela D E Meyer•ARTICLE•Journal of Bisexuality•2003•Cited by: 1•References: 3

    This paper theorizes how bisexual and transgendered identities are socially constructed through relationships. Traditional models of sexual identity formation have concentrated on the development of gay and lesbian identities, but these models do not adequately explain identity formation for bisexual and transgendered individuals. Furthermore, these models tend to privilege psychological explanations of identity formation. Bisexual and transgende…

  • Sexuality and Teen Television: Emerging Adults Respond to Representations of Queer Identity on Glee

    Open Access•Michaela D E Meyer, Megan M Wood•ARTICLE•Sexuality & Culture•2013•Cited by: 9•References: 12

  • I’m Just Trying to Find my Way Like Most Kids: Bisexuality, Adolescence and the Drama of One Tree Hill

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2009•Cited by: 8•References: 7

  • Textual Poaching and Beyond: Fan Communities and Fandoms in the Age of the Internet

    Michaela D E Meyer, Megan Tucker et al.•ARTICLE•Review of Communication•2007•Cited by: 7•References: 8

    The review was the result of an independent study project in Fall of 2006. Notes The review was the result of an independent study project in Fall of 2006. Additional informationNotes on contributorsMichaela D. E. Meyer Michaela D. E. Meyer is an Assistant Professor of Communication Studies at Christopher Newport University Megan H. L. Tucker Megan H. L. Tucker is an undergraduate student at Christopher Newport University

  • The “Other” Woman in Contemporary Television Drama: Analyzing Intersectional Representation on Bones

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2015•Cited by: 4•References: 14

  • Slashing Smallville: The Interplay of Text, Audience and Production on Viewer Interpretations of Homoeroticism

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2013•Cited by: 4•References: 8

  • We All Have Feelings for Our Girlfriends: ” Progressive (?) Representations of Lesbian Lives on the The L Word

    Open Access•Pei-Wen Lee, Michaela D E Meyer•ARTICLE•Sexuality & Culture•2010•Cited by: 4•References: 13

  • Drawing the sexuality card: Teaching, researching, and living bisexuality

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2005•Cited by: 4•References: 8

  • Representing Bisexuality on Television: The Case for Intersectional Hybrids

    Michaela D E Meyer•ARTICLE•Journal of Bisexuality•2010•Cited by: 3•References: 25

    This article examines the representation of bisexual characters in scripted, U.S. prime-time network, dramatic narratives intended for emerging adult audiences. Representations of bisexuality have increased in the early part of the 21st century, but they follow a typical narrative pattern: women are more frequently represented as bisexual than men; they are generally non-White, and their sexuality is often located outside of traditional coming-ou…

  • Thevagenda's War on Headlines: Feminist Activism in the Information Age

    Michaela D E Meyer•ARTICLE•Feminist Media Studies•2014•Cited by: 1•References: 3

    Thevagenda's War on Headlines: Feminist Activism in the Information Age." Feminist Media Studies, 14(6), pp. 1107–1108

  • The Fantasy of Sex and the City: A Postcolonial Critique of the Romantic Imaginary, Consumerism and Globalization

    Michaela D E Meyer•ARTICLE•Women s Studies•2014•Cited by: 1•References: 16

    The author would like to thank Yih-Shan Shih for her support of this project

  • On Remembering the Queer Self: The Impact of Memory, Trauma and Sexuality on Interpersonal Relationships

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2007•Cited by: 1•References: 15

  • The Modern(?) Korean Woman in Prime-Time: Analyzing the Representation of Sun on the Television Series Lost

    Michaela D E Meyer, Danielle M Stern•ARTICLE•Women s Studies•2007•Cited by: 1•References: 18

    This article investigates the representation of Sun, the most prominent non-white female character on ABC's Lost. Given the importance of Sun's character in terms of visibility for Korean women specifically (and Asian women generally) coupled with the fact that Lost under-represents women in general, her role provides a substantial case-study of gender within the science fiction genre. Through a narrative analysis of the first season, we demonstr…

  • Feminism, the Family, and the Politics of the Closet: Lesbian and Gay Displacement, by Cheshire Calhoun

    Michaela D E Meyer•ARTICLE•Women s Studies in Communication•2004•Cited by: 1

  • Looking Toward the InterSEXions: Examining Bisexual and Transgender Identity Formation from a Dialectical Theoretical Perspective

    Michaela D E Meyer•ARTICLE•Journal of Bisexuality•2003•Cited by: 1•References: 3

    This paper theorizes how bisexual and transgendered identities are socially constructed through relationships. Traditional models of sexual identity formation have concentrated on the development of gay and lesbian identities, but these models do not adequately explain identity formation for bisexual and transgendered individuals. Furthermore, these models tend to privilege psychological explanations of identity formation. Bisexual and transgende…

  • Looking Toward the InterSEXions: Examining Bisexual and Transgender Identity Formation from a Dialectical Theoretical Perspective

    Michaela D E Meyer•ARTICLE•Journal of Bisexuality•2003•Cited by: 1•References: 3

    This paper theorizes how bisexual and transgendered identities are socially constructed through relationships. Traditional models of sexual identity formation have concentrated on the development of gay and lesbian identities, but these models do not adequately explain identity formation for bisexual and transgendered individuals. Furthermore, these models tend to privilege psychological explanations of identity formation. Bisexual and transgende…

  • Feminism, the Family, and the Politics of the Closet: Lesbian and Gay Displacement, by Cheshire Calhoun

    Michaela D E Meyer•ARTICLE•Women s Studies in Communication•2004•Cited by: 1

  • Drawing the sexuality card: Teaching, researching, and living bisexuality

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2005•Cited by: 4•References: 8

  • On Remembering the Queer Self: The Impact of Memory, Trauma and Sexuality on Interpersonal Relationships

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2007•Cited by: 1•References: 15

  • The Modern(?) Korean Woman in Prime-Time: Analyzing the Representation of Sun on the Television Series Lost

    Michaela D E Meyer, Danielle M Stern•ARTICLE•Women s Studies•2007•Cited by: 1•References: 18

    This article investigates the representation of Sun, the most prominent non-white female character on ABC's Lost. Given the importance of Sun's character in terms of visibility for Korean women specifically (and Asian women generally) coupled with the fact that Lost under-represents women in general, her role provides a substantial case-study of gender within the science fiction genre. Through a narrative analysis of the first season, we demonstr…

  • Textual Poaching and Beyond: Fan Communities and Fandoms in the Age of the Internet

    Michaela D E Meyer, Megan Tucker et al.•ARTICLE•Review of Communication•2007•Cited by: 7•References: 8

    The review was the result of an independent study project in Fall of 2006. Notes The review was the result of an independent study project in Fall of 2006. Additional informationNotes on contributorsMichaela D. E. Meyer Michaela D. E. Meyer is an Assistant Professor of Communication Studies at Christopher Newport University Megan H. L. Tucker Megan H. L. Tucker is an undergraduate student at Christopher Newport University

  • I’m Just Trying to Find my Way Like Most Kids: Bisexuality, Adolescence and the Drama of One Tree Hill

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2009•Cited by: 8•References: 7

  • Representing Bisexuality on Television: The Case for Intersectional Hybrids

    Michaela D E Meyer•ARTICLE•Journal of Bisexuality•2010•Cited by: 3•References: 25

    This article examines the representation of bisexual characters in scripted, U.S. prime-time network, dramatic narratives intended for emerging adult audiences. Representations of bisexuality have increased in the early part of the 21st century, but they follow a typical narrative pattern: women are more frequently represented as bisexual than men; they are generally non-White, and their sexuality is often located outside of traditional coming-ou…

  • We All Have Feelings for Our Girlfriends: ” Progressive (?) Representations of Lesbian Lives on the The L Word

    Open Access•Pei-Wen Lee, Michaela D E Meyer•ARTICLE•Sexuality & Culture•2010•Cited by: 4•References: 13

  • Sexuality and Teen Television: Emerging Adults Respond to Representations of Queer Identity on Glee

    Open Access•Michaela D E Meyer, Megan M Wood•ARTICLE•Sexuality & Culture•2013•Cited by: 9•References: 12

  • Media, Sexuality and Identity: Thoughts on the Role Text, Audience and Production Play in Cultural Discourse

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2013•References: 4

  • Slashing Smallville: The Interplay of Text, Audience and Production on Viewer Interpretations of Homoeroticism

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2013•Cited by: 4•References: 8

  • Identity Management in Interpersonal Relationships: Contextualizing Communication as Central to Research on Emerging Adulthood

    Open Access•Alice E Veksler, Michaela D E Meyer•ARTICLE•Emerging Adulthood•2014

    Keywords Communication, Identity, Romantic relationships, Family relationships, Technology, Interpersonal Relationships

  • Thevagenda's War on Headlines: Feminist Activism in the Information Age

    Michaela D E Meyer•ARTICLE•Feminist Media Studies•2014•Cited by: 1•References: 3

    Thevagenda's War on Headlines: Feminist Activism in the Information Age." Feminist Media Studies, 14(6), pp. 1107–1108

  • The Fantasy of Sex and the City: A Postcolonial Critique of the Romantic Imaginary, Consumerism and Globalization

    Michaela D E Meyer•ARTICLE•Women s Studies•2014•Cited by: 1•References: 16

    The author would like to thank Yih-Shan Shih for her support of this project

  • The “Other” Woman in Contemporary Television Drama: Analyzing Intersectional Representation on Bones

    Open Access•Michaela D E Meyer•ARTICLE•Sexuality & Culture•2015•Cited by: 4•References: 14

  • Black Panther , queer erasure, and intersectional representation in popular culture

    Michaela D E Meyer•ARTICLE•Review of Communication•2020

    This essay interrogates queer erasure from the film Black Panther. The implications of queer erasure from one of the most recognizable and lucrative franchises in film history are particularly problematic as Black Panther envisions “a Pan-African past, present, and future” where queer bodies are both invisible and unwelcome. By continuing to relegate queer sexualities to spaces of Otherness in superhero films, the film reifies dominant discourses…

  • The Cost of Winning the Pregnancy Lottery

    Michaela D E Meyer•ARTICLE•Journal of Autoethnography•2022

    In this essay, I narrate my experience with secondary infertility through autoethnography. Nearly three million women in the United States struggle with secondary infertility, defined as the inability to become pregnant and/or carry a child to term after the successful birth of a first child. Through a layered autoethnographic account, I illustrate the simultaneously embodied and disembodied experiences of my journey with secondary infertility ut…

  • “It’s Barbie and it’s Ken,” Unpacking Greta Gerwig’s Signature Style as a Feminist Film Auteur

    Open Access•Nicholas Delaney, Michaela D E Meyer•ARTICLE•Communication Studies•2025

    Greta Gerwig catapulted to the center of popular culture in the summer of 2023 when Barbie grossed over $600 million in U.S. box office returns making it the highest grossing female-directed film in history. Gerwig’s career warrants scholarly attention because her films contain a specific signature style that position Gerwig as a feminist film auteur. Through an examination of Gerwig’s auteur portfolio, we find four key elements define Gerwig’s a…

Sociology (19 works) · Gender Studies (16 works) · Gender Studies (14 works) · Art (13 works) · Political science (12 works) · Psychology (11 works) · Aesthetics (10 works) · Gender, Feminism, and Media (10 works) · Human sexuality (10 works) · Literature (10 works)

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