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Jessica Birthisel

Biographic Data

ID4911256
NAMEJessica Birthisel
GIVEN NAMESJessica
FAMILY NAMEBirthisel
SIGNATUREBIRTHISEL J
AFFILIATIONSBridgewater State University, Bridgewater, MA, USA
ORCID0000-0002-1737-8304
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS20
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2022
H-INDEX1
  • “Well, It’s Election Day … Again”: How a Multi-day Memetic Narrative Captured the World’s Collective Anticipation during the 2020 “Election Week Limbo”

    Open Access•Jessica Birthisel, Stacie Meihaus Jankowski et al.•ARTICLE•Journal of Communication Inquiry•2022

    During the more than three days stretching between the 2020 U.S. election day and when the presidential race was officially “called” for Democratic candidate Joe Biden, a blizzard of memes snowed down across social media. This project analyzes more than 500 of these “election week limbo” memes, created and shared during a prolonged moment of collective political anticipation and anxiety. What emerged in this sample was a spontaneous, collaborativ…

  • When new media make news: Framing technology and sexual assault in the Steubenville rape case

    Open Access•Rosemary Pennington, Jessica Birthisel•ARTICLE•New Media & Society•2015•Cited by: 20•References: 5

    The 2013 Steubenville, Ohio, rape case featured a sadly familiar story of juvenile acquaintance rape involving star football players; what captured national interest in the case, however, was how the rapists and peer witnesses alike captured video and photos of the sexual assault and disseminated them swiftly and publicly via social media sites. This qualitative textual analysis utilizes framing theory to explore how national news coverage framed…

  • How Body, Heterosexuality and Patriarchal Entanglements Mark Non-Human Characters as Male in CGI-Animated Children's Films

    Jessica Birthisel•ARTICLE•Journal of Children and Media•2014

    The lead characters in the CGI-animated children's films produced by Pixar and DreamWorks Animation are overwhelming male, and more often than not, they are not human. This simultaneously reflects a long history of anthropomorphization in animated storytelling and a breakaway from Disney's princess-centric focus. Given these characters' non-human status, how do animators map biological maleness and masculine gender norms onto these characters? Th…

  • That’s What She Said”: Gender, Satire, and the American Workplace on the Sitcom The Office

    Open Access•Jessica Birthisel, Jason Martin et al.•ARTICLE•Journal of Communication Inquiry•2013•References: 14

    Entertainment programming such as the television satire The Office relies upon audience members’ understanding of both Western gender norms and stereotypes as well as corporate codes of behavior and management within an office space. This qualitative analysis of The Office utilizes real-world workplace scholarship on gender as a framework to explore the ways in which the show addresses workplace gender issues, including male and female workplace …

  • Postings on the Rise of the Rest: Tracking Online Reception to The Post-American World

    Open Access•Jessica Birthisel, Radhika Parameswaran•ARTICLE•Journal of Communication Inquiry•2013•References: 20

    This article analyzes customer reviews of Fareed Zakaria’s best-selling book, The Post-American World posted on Amazon.com . Zakaria’s book explores the emergence of a new world order in which the “rise of the rest,” particularly China and India, threatens the geopolitical dominance of the United States. Drawing on reception studies of print culture, debates over the virtual public sphere, and sponsorship of literacy, our article’s textual analys…

  • When new media make news: Framing technology and sexual assault in the Steubenville rape case

    Open Access•Rosemary Pennington, Jessica Birthisel•ARTICLE•New Media & Society•2015•Cited by: 20•References: 5

    The 2013 Steubenville, Ohio, rape case featured a sadly familiar story of juvenile acquaintance rape involving star football players; what captured national interest in the case, however, was how the rapists and peer witnesses alike captured video and photos of the sexual assault and disseminated them swiftly and publicly via social media sites. This qualitative textual analysis utilizes framing theory to explore how national news coverage framed…

  • That’s What She Said”: Gender, Satire, and the American Workplace on the Sitcom The Office

    Open Access•Jessica Birthisel, Jason Martin et al.•ARTICLE•Journal of Communication Inquiry•2013•References: 14

    Entertainment programming such as the television satire The Office relies upon audience members’ understanding of both Western gender norms and stereotypes as well as corporate codes of behavior and management within an office space. This qualitative analysis of The Office utilizes real-world workplace scholarship on gender as a framework to explore the ways in which the show addresses workplace gender issues, including male and female workplace …

  • Postings on the Rise of the Rest: Tracking Online Reception to The Post-American World

    Open Access•Jessica Birthisel, Radhika Parameswaran•ARTICLE•Journal of Communication Inquiry•2013•References: 20

    This article analyzes customer reviews of Fareed Zakaria’s best-selling book, The Post-American World posted on Amazon.com . Zakaria’s book explores the emergence of a new world order in which the “rise of the rest,” particularly China and India, threatens the geopolitical dominance of the United States. Drawing on reception studies of print culture, debates over the virtual public sphere, and sponsorship of literacy, our article’s textual analys…

  • How Body, Heterosexuality and Patriarchal Entanglements Mark Non-Human Characters as Male in CGI-Animated Children's Films

    Jessica Birthisel•ARTICLE•Journal of Children and Media•2014

    The lead characters in the CGI-animated children's films produced by Pixar and DreamWorks Animation are overwhelming male, and more often than not, they are not human. This simultaneously reflects a long history of anthropomorphization in animated storytelling and a breakaway from Disney's princess-centric focus. Given these characters' non-human status, how do animators map biological maleness and masculine gender norms onto these characters? Th…

  • When new media make news: Framing technology and sexual assault in the Steubenville rape case

    Open Access•Rosemary Pennington, Jessica Birthisel•ARTICLE•New Media & Society•2015•Cited by: 20•References: 5

    The 2013 Steubenville, Ohio, rape case featured a sadly familiar story of juvenile acquaintance rape involving star football players; what captured national interest in the case, however, was how the rapists and peer witnesses alike captured video and photos of the sexual assault and disseminated them swiftly and publicly via social media sites. This qualitative textual analysis utilizes framing theory to explore how national news coverage framed…

  • “Well, It’s Election Day … Again”: How a Multi-day Memetic Narrative Captured the World’s Collective Anticipation during the 2020 “Election Week Limbo”

    Open Access•Jessica Birthisel, Stacie Meihaus Jankowski et al.•ARTICLE•Journal of Communication Inquiry•2022

    During the more than three days stretching between the 2020 U.S. election day and when the presidential race was officially “called” for Democratic candidate Joe Biden, a blizzard of memes snowed down across social media. This project analyzes more than 500 of these “election week limbo” memes, created and shared during a prolonged moment of collective political anticipation and anxiety. What emerged in this sample was a spontaneous, collaborativ…

Sociology (5 works) · Law (4 works) · Political science (4 works) · Gender, Feminism, and Media (3 works) · Law (3 works) · Media studies (3 works) · Politics (3 works) · Art (2 works) · Framing (construction (2 works) · Gender Studies (2 works)

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