Christopher Holliday
Biographic Data
| ID | 4928954 |
|---|---|
| NAME | Christopher Holliday |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Holliday |
| SIGNATURE | HOLLIDAY C |
| AFFILIATIONS | King's College London |
| ORCID | 0000-0002-1261-5024 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Postpartum Hospital Readmissions Among Women With Gestational Diabetes and Pregestational Diabetes in the United States, 2016 to 2022
OBJECTIVE: We estimated postpartum hospital readmissions trends among women with gestational diabetes mellitus (GDM), pregestational diabetes mellitus (PDM; i.e., diabetes present before pregnancy), and neither. METHODS: Using the National Readmissions Database, we identified women aged 15-44 years who had a live birth or stillbirth between January 1 and June 30 annually, from 2016 through 2022. Births by diabetes status (GDM, PDM, and no diabete…
Dichotomies of Control
While many scholars have challenged the place of animatronics – as a combination of animate and electronics – within traditional definitions of animation, this article engages the relevance of animatronic technology to the medium as a frame-by-frame technique of illusion. While the labour of animatronics might recall techniques of cel-, computer-, or stop-motion animation whereby characters are endowed with the ability to execute any conceivable …
Chris Pallant, Beyond Bagpuss
Early British animation and cartoonal ‘co-conspiracy’
This article examines the self-reflexive discourses of deconstruction at work in the Jerry the Troublesome Tyke (1925–1927) series of cartoons created by Cardiff-based animator Sid Griffiths. Across the Pathé Pictorial series of forty animated shorts, Jerry's screen persona was typically defined and developed through his routine battle with the artist's working hands from which he was repeatedly conjured. This article contends that Griffiths' Jer…
Walt’s Art History
This article examines the critical and cultural framing of the Walt Disney Studio’s cel- and computer-animated feature films according to an enduring art-historical narrative. It traces the critical evolution and historical periodization of Disney animation from the 1930s and 1940s to the post-millennial period, arguing that the studio has often been understood according to ‘early, middle and late’ phases of production that are typically held as …
''Old Dog, New Tricks''
The International Journal of James Bond Studies is an academic peer-reviewed journal dedicated to publishing interdisciplinary scholarship on all aspects of Ian Fleming’s James Bond franchise. The journal aims to develop contemporary critical readings of Ian Fleming’s James Bond across literary, filmic, and cultural history, and offers broader criticism of the popular appeal of Fleming’s creation and its relation to the spy genre. Volume 4, Issue…
Rewriting the stars
This article examines a cross-section of viral Deepfake videos that utilise the recognisable physiognomies of Hollywood film stars to exhibit the representative possibilities of Deepfakes as a sophisticated technology of illusion. Created by a number of online video artists, these convincing ‘mash-ups’ playfully rewrite film history by retrofitting canonical cinema with new star performers, from Jim Carrey in The Shining (Stanley Kubrick, 1980) t…
The Computer-Animated Film
Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre persuasively argues that this body of work constitutes a unique genre of mainstream cinema.
London, the Post-7/7 Bond Films, and Mourning Work
The intensification of London as a viable filmmaking location within the recent Daniel Craig-era James Bond films has marked a turning point for how the series has negotiated 007's homeland. Conventionally marginalized by Bond's post-colonial travelogue aesthetic, the emergence of London between Casino Royale and Spectre has, this article contends, mined the imagery of terror(ism) to conduct mourning work for the 7/7 London terror attacks. In exa…
The Accented American
This article investigates the cycle of British performers in contemporary American television drama and what is at stake in their adoption of a US accent. British actors have been increasingly heralded for their ability to adopt credible foreign accents, marking a negotiation of ‘Britishness’ and assumed vocal ‘foreignness’. By examining several pilot episodes of contemporary US dramas, this article poses the hybrid voice of the ‘accented America…
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The Accented American
This article investigates the cycle of British performers in contemporary American television drama and what is at stake in their adoption of a US accent. British actors have been increasingly heralded for their ability to adopt credible foreign accents, marking a negotiation of ‘Britishness’ and assumed vocal ‘foreignness’. By examining several pilot episodes of contemporary US dramas, this article poses the hybrid voice of the ‘accented America…
The Computer-Animated Film
Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre persuasively argues that this body of work constitutes a unique genre of mainstream cinema.
London, the Post-7/7 Bond Films, and Mourning Work
The intensification of London as a viable filmmaking location within the recent Daniel Craig-era James Bond films has marked a turning point for how the series has negotiated 007's homeland. Conventionally marginalized by Bond's post-colonial travelogue aesthetic, the emergence of London between Casino Royale and Spectre has, this article contends, mined the imagery of terror(ism) to conduct mourning work for the 7/7 London terror attacks. In exa…
''Old Dog, New Tricks''
The International Journal of James Bond Studies is an academic peer-reviewed journal dedicated to publishing interdisciplinary scholarship on all aspects of Ian Fleming’s James Bond franchise. The journal aims to develop contemporary critical readings of Ian Fleming’s James Bond across literary, filmic, and cultural history, and offers broader criticism of the popular appeal of Fleming’s creation and its relation to the spy genre. Volume 4, Issue…
Rewriting the stars
This article examines a cross-section of viral Deepfake videos that utilise the recognisable physiognomies of Hollywood film stars to exhibit the representative possibilities of Deepfakes as a sophisticated technology of illusion. Created by a number of online video artists, these convincing ‘mash-ups’ playfully rewrite film history by retrofitting canonical cinema with new star performers, from Jim Carrey in The Shining (Stanley Kubrick, 1980) t…
Walt’s Art History
This article examines the critical and cultural framing of the Walt Disney Studio’s cel- and computer-animated feature films according to an enduring art-historical narrative. It traces the critical evolution and historical periodization of Disney animation from the 1930s and 1940s to the post-millennial period, arguing that the studio has often been understood according to ‘early, middle and late’ phases of production that are typically held as …
Chris Pallant, Beyond Bagpuss
Early British animation and cartoonal ‘co-conspiracy’
This article examines the self-reflexive discourses of deconstruction at work in the Jerry the Troublesome Tyke (1925–1927) series of cartoons created by Cardiff-based animator Sid Griffiths. Across the Pathé Pictorial series of forty animated shorts, Jerry's screen persona was typically defined and developed through his routine battle with the artist's working hands from which he was repeatedly conjured. This article contends that Griffiths' Jer…
Dichotomies of Control
While many scholars have challenged the place of animatronics – as a combination of animate and electronics – within traditional definitions of animation, this article engages the relevance of animatronic technology to the medium as a frame-by-frame technique of illusion. While the labour of animatronics might recall techniques of cel-, computer-, or stop-motion animation whereby characters are endowed with the ability to execute any conceivable …
Postpartum Hospital Readmissions Among Women With Gestational Diabetes and Pregestational Diabetes in the United States, 2016 to 2022
OBJECTIVE: We estimated postpartum hospital readmissions trends among women with gestational diabetes mellitus (GDM), pregestational diabetes mellitus (PDM; i.e., diabetes present before pregnancy), and neither. METHODS: Using the National Readmissions Database, we identified women aged 15-44 years who had a live birth or stillbirth between January 1 and June 30 annually, from 2016 through 2022. Births by diabetes status (GDM, PDM, and no diabete…
Art (9 works) · Cinema and Media Studies (7 works) · Visual arts (7 works) · Sociology (6 works) · Art history (5 works) · Aesthetics (4 works) · Animation (4 works) · History (4 works) · Literature (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works)