John Caughie

Biographic Data

ID4929041
NAMEJohn Caughie
GIVEN NAMESJohn
FAMILY NAMECaughie
SIGNATURECAUGHIE J
AFFILIATIONSOxford University Press (United Kingdom)
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS19
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2015
H-INDEX3

  • Remote Locations

    Open AccessMaría A Vélez-Serna, John CaughieARTICLEInternational Journal of…2015

    In the field of cinema history, an increased interest in social experience and context has challenged the centrality of the film and the primacy of textual analysis. The ‘Early Cinema in Scotland, 1896–1927’ research project takes a contextual approach, using geo-database tools to facilitate collaboration. This article shows how spatially-enabled methods can also be mobilized to bring issues of representation back into a cinema history project. W…

  • The Cambridge Companion to Popular Fiction

    Open AccessNicholas Daly, John Caughie et al.BOOKThe Cambridge companion to…2012

    Popular commercial fiction emerged in the nineteenth century, with serialised novels and sensational penny dreadfuls. Today it remains a multi-million dollar industry giving pleasure to many, but it is also a field of growing interest for scholars and students of literature. This Companion covers the major developments in the history of popular fiction, with specially commissioned chapters on pulp fiction, bestsellers, and comics and graphic narr…

  • Mourning television

    John CaughieARTICLEScreen2010

    This essay was originally presented as a closing plenary paper at the 2009 Screen conference, a conference that both celebrated the journal’s fiftieth anniversary and invited critical reflection on ‘Screen Theorizing Today’. In that context, the paper reflected on Screen’s engagement with \ntelevision since the late 1950s and was conceived, in some sense, as a companion piece to Annette Kuhn’s‘Screen and screen theorizing today’, which introduced…

  • Television Drama

    John CaughieBOOKTelevision drama2000

    This book offers an account of British television drama from its origins in live studio drama in the prewar and immediate postwar years, through the Golden Age of the single play in the 1960s and 1970s, to its convergence with an emerging British art cinema in the 1990s. It relates the development of television drama to movements which were going on within the culture. In particular, it is concerned with a series of arguments and debates about po…

  • Adorno's reproach

    John CaughieARTICLEScreen1991Cited by: 2

    Journal Article Adorno's reproach: repetition, difference and televeision genre Get access John Caughie John Caughie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 32, Issue 2, Summer 1991, Pages 127–153, https://doi.org/10.1093/screen/32.2.127 Published: 01 July 1991

  • Reports and debates

    John Caughie, S FrithARTICLEScreen1990Cited by: 1

    Journal Article Reports and debates: The British Film Institute: re-tooling the culture industry Get access John Caughie, John Caughie Search for other works by this author on: Oxford Academic Google Scholar Simon Frith Simon Frith Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 31, Issue 2, Summer 1990, Pages 214–222, https://doi.org/10.1093/screen/31.2.214 Published: 01 July 1990

  • Television Criticism

    John CaughieARTICLEScreen1984Cited by: 4

    Journal Article Television Criticism: ‘A Discourse in Search of an Object’ Get access John Caughie John Caughie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 4-5, July-October 1984, Pages 109–121, https://doi.org/10.1093/screen/25.4-5.109 Published: 01 July 1984

  • Ahab, Ishmael … and Mo

    John Caughie, G SkirrowARTICLEScreen1982

    Journal Article Ahab, Ishmael ... and Mo Get access John Caughie, John Caughie Search for other works by this author on: Oxford Academic Google Scholar Gillian Skirrow Gillian Skirrow Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 23, Issue 3-4, Sep/Oct 1982, Pages 54–60, https://doi.org/10.1093/screen/23.3-4.54 Published: 01 September 1982

  • Rhetoric, Pleasure and 'Art Television' - Dreams of Leaving

    John CaughieARTICLEScreen1981Cited by: 4

    Journal Article Rhetoric, Pleasure and ‘Art Television’ - Dreams of Leaving Get access John Caughie John Caughie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 22, Issue 4, December 1981, Pages 9–31, https://doi.org/10.1093/screen/22.4.9 Published: 01 December 1981

  • Progressive Television and Documentary Drama

    John CaughieARTICLEScreen1980Cited by: 7

    Progressive Television and Documentary Drama Get access John Caughie John Caughie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 21, Issue 3, Autumn 1980, Pages 9–35, https://doi.org/10.1093/screen/21.3.9 Published: 01 October 1980

  • Because I am King' and Independent Cinema

    John CaughieARTICLEScreen1980Cited by: 1

    Journal Article ‘Because I am King’ and Independent Cinema Get access John Caughie John Caughie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 21, Issue 4, Winter 1980, Pages 8–18, https://doi.org/10.1093/screen/21.4.8 Published: 01 December 1980

  • The Television Festival

    John CaughieARTICLEScreen1977

    The Television Festival Get access John Caughie John Caughie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 18, Issue 4, Winter 1977, Pages 91–108, https://doi.org/10.1093/screen/18.4.91 Published: 01 December 1977

  • Film Culture

    John CaughieARTICLEScreen1976